KitPlus | Articles

The now and how of LED Lighting

LED lighting has come a long way from the days when companies like Outsight were ridiculed by major manufacturers at trade shows because, the manufacturers asserted, technology couldn\'t be entrusted with the requirements of our industry. During this time the market has moved from that initial question, "What is LED?\" to "Is LED ready?\" and final...

Submitted by Tama Berkeljon

Published 15 March 2017

Mixing console displays - central to usability

Since the introduction of assignable controls on mixing consoles, it has been essential to provide sound engineers with a clear picture of what the function and status is of each fader and other associated controls. Consoles can have over 100 faders. To allow the sound operator to keep track of the function of each panel and its current settings, c...

Submitted by Paul Hooper

Published 15 February 2017

Smart audio - the way foward for live broadcast productio...

Today\'s broadcast facilities are facing ever-increasing demands on their resources as they strive to keep up with consumers who expect more content on more devices, both where and when they want it. Amongst all the various elements broadcasters have to handle (including video, graphics, data, captions and subtitles), the importance of audio should...

Submitted by Anthony Wilkins

Published 07 December 2016

TVFutures - The Battle of the Flowers

Studying on the BSc Television and Broadcasting course at the University of Portsmouth had given me some experience working as a camera operator, but this summer I had the chance to put what I\'d learned over the last two years into practice. Back home in the sunny island of Jersey, in what newsrooms would usually call the \'silly season\', an even...

Submitted by Alex Watson

Published 10 November 2016

Self contained and expandable commentary systems

Adopting innovative technologies and techniques is always fundamental to the control of capital and operational costs - the key to broadcast facilities or technology providers gaining competitive advantage. Sports commentary has continually suffered from high operational costs, whether at the sports venue itself or "off-glass", due to the need for...

Submitted by Chris Collings

Published 26 September 2016

Dance hall days are over for professional lighting

Photon Beard has made lights since before the days of electric power. "What\'s that, you say"? Well, it\'s true. Photon Beard started in 1882 when the founder, R.R. Beard, invented the automatic gas regulator. Yes, the thing that allows you to barbeque that steak in summer sunshine, or any time of year that you fancy grilled food. In the days befor...

Submitted by Peter Daffarn

Published 24 August 2016

Ask the experts - Transitioning to IP

1) What has been the broadcast industry's feeling about the move to an all IP workflow?Transitioning from conventional signal transport to an all-IP environment in broadcast or content production operations seems to be a matter of "when\" rather than "if,\" as it brings a great number of advantages with it. IP is touted as offering numerous benefit...

Submitted by Craig Newbury

Published 22 July 2016

Looking back at a typical day working on Top of the Pops

A few weeks ago I was watching television and caught a bit of 'Top of the Pops ' from 1984, and I thought, 'Was this one of the programmes I worked on? ' I was privileged enough to be a staff cameraman at the BBC for 20 years, during that time I was able to work on many great shows: Only Fools and Horses, Blue Peter and Two Ronnies to name but a fe...

Submitted by graham reed

Published 14 June 2016

TV Futures

by Gemma Frith Issue 113 - May 2016 I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn\'t understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio mo...

Submitted by Gemma Frith

Published 13 May 2016

Measurement and Visualization of Loudness

by Michael Kahsnitz Issue 113 - May 2016 Today\'s audio engineers and editors have to fight various battles, including constantly shrinking production budgets, less time to create the final program content and more tech specs to match than ever. For this compilation, we take a deeper look at the required major indicators common to all the standards...

Submitted by Michael Kahsnitz

Published 13 May 2016

Object Audio - whats all the noise about

We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it. Remember the good old days of mono audio on TV? Mono audio gives a single channe...

Submitted by Bruce Devlin

Published 01 April 2016

New Upmixing Challenges and Strategies for Audio Post-pro...

by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah

Published 21 January 2016

Monitoring Q & A

Issue 107 - November 2015 What elements of modern console technology has made a large impact on your craft?Rob Wolifson: Historically, shows were set up differently, you had more time to prepare. For example, if a show was on at noon in one studio, the breakfast show would be done in a different studio, so transitioning from one show to the next wa...

Submitted by KitPlus

Published 01 December 2015

Authoring and Monitoring for the emerging 3D immersive Br...

by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins

Published 01 December 2015

AERO.soft - Bringing audio monitoring and processing into...

by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster

Published 01 December 2015