KitPlus | Articles

The Modern Solution - Just Add Carbon!

Problem. Traditionally, getting in and among the action and seeing the true grit, determination and suffering of sporting competitors - be it filming something such as International Ironman competitions with cross terrain transitions from land through to water and back to land - speeds from a sprint, to a swim to a high speed cycle, Formula One pit...

Submitted by Bob Pank#

Published 01 July 2012

Ask the Experts with Dolby

Q: Dolby has recently been making waves in imaging with its PRM-4200 Professional Reference Monitor, but isn’t Dolby an audio company?Dolby has been involved with imaging technology for years, beginning with Dolby® Digital Cinema in 2005, then launching Dolby 3D for the cinema in 2007, and then in 2010 we introduced the Dolby PRM-4200 Professional...

Submitted by Bob Pank#

Published 01 June 2012

Say again? What is loudness?

Loudness is making a lot of noise these days, but what does it really mean? There is certainly no shortage of gurus who are happy to posit answers, but are they addressing the right questions?For instance, much has been made of the EBU’s recent Loudness Metering specification (EBU Tech 3341). But it has to be said that the EBU only makes recommenda...

Submitted by Bob Pank#

Published 01 June 2012

Light weight 3D side-by-side production

Whenever you see a typical publicity picture of a 3D production shoot, it invariably includes a very bulky and expensive-looking mirror rig. This can look daunting for the new initiate coming into 3D production and is not the sort of kit you might not want to risk using outdoors. The mirror rig arrangement allows two (usually large) cameras to be p...

Submitted by Bob Pank#

Published 01 April 2012

3D Diaries Cameras: more for less

http://www.tv-bay.com/imag/issue062/files/44.htmlCameras: more for less?There is plenty of guidance available about how to shoot ‘good’ stereo 3D and the principles are quite easy to understand. Achieving good results takes good equipment and, maybe, the assistance of a stereographer and even a convergence puller... unless you are using one of thos...

Submitted by Bob Pank#

Published 01 March 2012

Grading across the Atlantic

In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#

Published 01 February 2012

Is it time to hang up your glasses for field 3D monitorin...

The rapid growth of 3D content being shot and produced has created many challenges to the camera operators, production teams and indeed manufacturing companies. There has always been the problem of viewing 3D material as it is being shot and the ability to review it immediately afterwards, whether as a camera viewfinder or a portable 3D monitor. At...

Submitted by Bob Pank#

Published 01 January 2012

3D: The Stereographers Tool Kit

Essentially we all want stereoscopic 3D to become less technically complex, but it’s crucial to understand why so much additional attention to detail is required. It’s our opinion at Dimension Media, that to successfully produce visually engaging and technically excellent 3D the best and often most cost effective solution is actually to keep your e...

Submitted by Bob Pank#

Published 01 January 2012

Reaching for 3D

From the opening shot of the Ryder Cup to the Champions League final when Manchester United played Barcelona this year, a stately homes documentary to a Derren Brown magic show, cameraman Chris Taber has been there, filmed it and got the T-shirt. And the reason the camera crane operator has been in demand for so many high-profile jobs? In a word: 3...

Submitted by Bob Pank#

Published 01 January 2012

3D Five years on

For me, IBC2006 was the beginning of the modern 3D era. At an invitation-only presentation, 3ality’s CEO Steve Schklair described what his company was achieving with S3D. Suddenly it all made sense. With the accuracy of digital shoots and computer technology replacing difficulties and expense of working with film, 3D could now be viable. Unlike the...

Submitted by Bob Pank#

Published 01 December 2011

tv-bay Questions

Name & Title?Doug Garside, Chief Engineer at Edit 19 Ltd. based in ManchesterWho are you? (about yourself and who you work for)?As a teenage performer, I attended Manchester Youth Theatre for two years running and appeared in numerous amateur and college productions, including once being naked on stage at a catholic college! Having completed my A l...

Submitted by Bob Pank#

Published 01 December 2011

Whats new in video monitoring

The great majority of video monitoring displays in any modern broadcast presentation facility are LED-backlit LCDs. Reliable, space-efficient and economical on power, they produce excellent pictures for all but the most critical applications, usually in conjunction with one or more multiviewers to emulate a monitor stack. Domestic television began...

Submitted by Bob Pank#

Published 01 December 2011

Back to Basics with Stereo 3D

In 2011 more than 35 networks in Europe and North America will broadcast stereo 3D programming — and several will launch dedicated 3D channels. 40 3D features are expected to hit theatres this year, and stereo-3D-ready consumer devices from TVs to video cameras to smartphones are hitting the streets. The demand for compelling content to meet the ne...

Submitted by Bob Pank#

Published 01 October 2011

Ask the Experts on Storage and Archive

What is the most important thing to consider when choosing storage for content creation applications?The single most important aspect to consider when choosing a storage device for content creation is workflow. It is critical to have made a decision with regards to the capture device, the video format to be used and how the finished project will be...

Submitted by Bob Pank#

Published 01 October 2011

tv-bay questions

Name & Title?Barrie Williams, owner and founder of Pixelfantastic, a boutique post production facility 13 miles east of SohoWho are you? (about yourself and who you work for)?I started my career in front of the lens as a musician, touring Europe for several years playing Jazz violin. We did a lot of TV work, so I became very familiar with the insid...

Submitted by Bob Pank#

Published 01 September 2011