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Holophone H2-PRO used on Slumdog Millionaire


As far as independent films go, Slumdog Millionaire has certainly hit the jackpot, garnering eight Oscars including one for “Best Sound Mixing”. Contributing to the movie’s triumphant soundscape is Holophone’s H2-PRO surround microphone, which award-winning Sound Mixer Resul Pookutty used to capture ambient sounds for some of the film’s most essent...

Submitted by Dennis Lennie
Published 01 June 2009

Africans in London TV


Joseph Otieno Adamson, Managing Director of the new TV Station Africans in London or AIL TV, is a man whose enthusiasm for all things media knows no bounds. A talented musician, he attended a university course to learn to become a music producer, set up his own recording studio and later decided to extend his talents to video and the world of broad...

Submitted by Dennis Lennie
Published 01 June 2009

Edirol R-09HR records Obama inauguration


When sound recordist Alan O’Duffy was contracted to travel to the USA to record interviews and atmospheres for a “feature documentary” about Barack Obama becoming the 44th President of the USA, one of the first pieces of kit he packed was Edirol’s R-09HR digital recorder. Irish film company, Alpha Films, wanted Alan to record on location first in N...

Submitted by Dennis Lennie
Published 01 May 2009

JVC introduces new Final Cut Pro 6


Victor Company of Japan, Ltd. (JVC) further expands its ProHD camcorder line-up by introducing two professional solid state camcorders, the industry's first to store files in the native QuickTime format for Apple's Final Cut Pro™ onto reliable and inexpensive SDHC media cards. The compact hand-held GY-HM100 3-CCD camcorder is introduced in January...

Submitted by Bob Pank#
Published 01 April 2009

How The SADiE LRX2 Is Making Location Multitrack Recordin...


Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie
Published 01 March 2009

Surround Sound For HD Broadcast


While 2008 may not be fondly remembered as a classic year if you work in certain industries, it's a fascinating time to be working in video media production or broadcast television. The steady move to high-definition at all stages of the video production process, is causing the biggest shake-up in technology and working practices since the introduc...

Submitted by Dennis Lennie
Published 01 February 2009

The future of Audio


Total audio has been around for 12 years now and I worked for the BBC for 13 years prior to that, I resigned in 1996 as a senior sound supervisor based at Pebble Mill. I firmly believe that sound is only noticed twice, the first time it was distorted and the second time it wasn’t there. When it all goes swimmingly it’s rarely mentioned. In the last...

Submitted by Dennis Lennie
Published 01 February 2009

RF Condenser Microphones why they are so good in the wet


A question I am often asked when people discover who I work for is “Why are ‘RF condenser’ microphones so good in the wet, being so much less susceptible to humidity problems than the more common ‘AF condenser’ microphones?”Basically, AF capacitor microphones use the capsule as a capacitor to store charge. With one fixed plate and the other free to...

Submitted by Dennis Lennie
Published 01 February 2009

Audio acquisition and production


Remembering the days when the average 'portable' sound recorder was heavy enough to induce a hernia, I have high respect for the capabilities of modern digital audio devices. Not least the solid-state recorders that have emerged as successors to the Sony-originated DAT and MiniDisk formats. But avoid anything that lacks XLR connectors unless you ar...

Submitted by Dennis Lennie
Published 01 February 2009

How to choose a Microphone


The microphone is probably the most important tool we use when recording sound. Plugging it into the best pre-amplifier will optimise the quality of the signal but no amount of processing will fix the wrong sound coming from your microphone. The device for turning movements in the air into an electrical signal is a creative instrument and should be...

Submitted by Dennis Lennie
Published 01 February 2009

Mixing with the wildlife on Springwatch


As the 5th series of ‘Springwatch’ draws to a close I’d like to share with you an insider view of one of my favourite vision mixing jobs. As a freelance vision mixer I work across the board on all sorts of programmes: quiz & chat shows, sports, drama, music & Light Entertainment, recorded & live, studio-based or Outside Broadcast. But for four week...

Submitted by Dennis Lennie
Published 01 October 2008

Calzaghe Fight with Input Media


Sports production company Input Media faced a series of technical, logistical and creative challenges when they were commissioned by fast rising broadcaster Setanta Sports to cover one of the biggest live Boxing events ever staged in the UK. The main fight during the 8-hour long broadcast was the world unification fight between WBO/IBF Super Middle...

Submitted by Dennis Lennie
Published 01 July 2008

CTV OB Truck


Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie
Published 01 July 2008

One man and his boat


It all started when I decided to build a boat in the garage. A fifteen-foot gaff rigged pocket cruiser to be precise. I bought the plans from a naval architect in Wiltshire and had the hull planks computer cut by a specialist boat builder in Kirkcaldy. Then I searched the Internet for a DVD about boat building for beginners but found nothing. So I...

Submitted by Dennis Lennie
Published 01 May 2008