KitPlus | Articles

PAGlink: Reviewed

by Chris Newton Issue 86 - February 2014 Chris Newton is a London based photographer who has taken on the challenge of adding video production to his repertoire. As a photographer I realized I needed to add video to my skill base, so I have been honing my video skills for the last couple of years. Along side commissions, the bulk of my work is for...

Submitted by Chris Newton

Published 01 March 2014

How the cloud is changing the post production landscape

by Stephen Streater Issue 85 - January 2014 For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn\'t changed significantly. The development costs of consumer cameras are amo...

Submitted by Stephen Streater

Published 01 February 2014

Live and behind the scenes with lEquipe

Issue 84 - December 2013L'Equipe is a nationwide daily French newspaper devoted to the world of sports. It has a significant online presence, including a popular weekly live web series, Chats Video Orange-Ligue 1 L'Equipe, interviewing players, managers and club owners involved in France’s top flight football league. Each interview lasts 30 minutes...

Submitted by KitPlus

Published 01 January 2014

The circle of life with Dick Hobbs

by Dick HobbsIssue 84 - December 2013 Being a simple soul, I am endlessly fascinated by ideas which are the great new thing one day, rubbished the next, and resurface the day after as the next great thing. In the 1960s, the BBC decided that it was wrong to concentrate all its radio and television production in London, and established national and r...

Submitted by Dick Hobbs.

Published 01 January 2014

Broadcasting from the icy tundra

by BJ KirschhofferIssue 84 - December 2013 Polar Bears International (PBI) is a non-profit organization dedicated to polar bear conservation and educating people about the effects of climate change on the arctic ecosystem. PBIs free educational broadcasts connect scientists in the field with students from all over the world who want to learn about...

Submitted by BJ Kirschhoffer

Published 01 January 2014

A testing 4K future...

by Steve NunneyIssue 83 - November 2013 We have only recently started to get HDTV transmitted to our homes with all the headaches of getting 1920 x 1080 50 or 60 fps down cables and compressed over the airways. Then there was the suggestion we could be sitting at home wearing glasses watching 3D however on 13th June 2013, ESPN announced an end to b...

Submitted by Steve Nunney

Published 01 December 2013

Leading digital cinematography seminar with Matt Siegel

by Matt SiegelIssue 83 - November 2013 Multiple-award-winning film producer and cinematographer Matt Siegel chose a Leader LV5381 four-input multi-SDI monitor for use during his recent seminar on Digital Cinematography at The Maine Media Workshops. Designed for emerging cinematographers, the course explained the advantages of using digital technolo...

Submitted by Matt Siegel

Published 01 December 2013

The UKs PTZ explosion

by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#

Published 01 December 2013

Streaming Downtown Showdown

by Kate PhibbsIssue 82 - October 2013 With summer well and truly on its way out, what better way to send it off than a trip to Paris to produce and live stream the Vans Downtown Showdown 2013. After the success of producing and broadcasting the Vans Spring Classic in Italy in April, we here at 3xScreen Media knew that Downtown Showdown, Europes lar...

Submitted by Kate Phibbs

Published 01 November 2013

Den Lennie talks to Nigel Wilkes from Panasonic

by Den LennieIssue 82 - October 2013 Den hosted a half-hour live show from our studio at IBC in Amsterdam where he talked to Nigel about the latest developments from Panasonic. You can find the full show on our website at http://broadcastshow.com/liveTell me whats new at Panasonic. Okay, when we talked last, we spoke about a new camera called the P...

Submitted by Den Lennie

Published 01 November 2013

Dick Hobbs going large

by Dick HobbsIssue 82 - October 2013 First, I would like you to watch a five minute video. You can find it at adayinbigdata.com. Watched it? Good. Yes, I know the girl is intensely irritating no-one in real life is ever that cheery. But it gets over an important point, I think: we generate huge amounts of data which, if we are happy to share it, ca...

Submitted by Dick Hobbs.

Published 01 November 2013

Revealing the real-lives behind 999 responses

by Jonathan BoltonIssue 82 - October 2013 Jonathan Bolton, head of PROCAMS Manchester operation discusses the challenges of capturing real time footage when following emergency services on call. Factual programming has seen a revolution. Viewers want more from factual programmes: they no longer want traditional, staid documentaries, but want to se...

Submitted by Jonathan Bolton

Published 01 November 2013

Wireless cameras at live events

by Scott WalkerIssue 81 - September 2013 While wireless cameras have been used in high end broadcast for years, prices have dropped and there are now a variety of products on the market to suit lower cost broadcasts, and the technology is creeping into events with live outdoor screens and lower budgets, where it adds a creative angle to the show. I...

Submitted by Scott Walker

Published 01 October 2013

Peter Savage looks at what IBC may have in store for us

by Peter SavageIssue 81 - September 2013 The broadcast industrys shows are so much more than whats on show and, yes, it is worth spending time in the bars as Peter Savage explains. Time has flown by again. It seems nothing like a year since I sat down during the Olympic Games to write last years preview of IBC and here I go again: fingers flicking...

Submitted by Ronen Artman

Published 01 October 2013

Making an advert with the Blackmagic Cinema Camera

by Brandon KahnIssue 80 - August 2013 When Mothers Basement came to us with an advert to put on UK cinema screens, I knew my trusty, but basic, XF 305 wasnt going to cut it. Sure, most ads you see in cinema are projected in regular HD and are often shot no higher than 1080, but I felt we needed some extra size. Some extra dynamic range and colour i...

Submitted by Brandon Kahn

Published 01 September 2013