KitPlus | Articles

The importance of maintaining digital audio paths

A portable, handheld, digital audio stream analyzer/generator is an essential piece of test equipment in the broadcast environment. It allows engineers and system integrators to quickly monitor and verify the composition, and integrity of, audio signals at any point from production all the way through the distribution chain. While the process of te...

Submitted by Larry Schindel

Published 01 April 2016

Gaining insight in a fragmented broadcast world

by Keith Bedford Issue 110 - February 2016 The proliferation of mobile devices, on-demand content and the fragmentation of viewing habits makes the task of measuring TV audiences and the level of audience participation a bigger challenge than ever before. While the ways that consumers' access content may have changed radically, broadcasters' need f...

Submitted by Keith Bedford

Published 16 March 2016

Media asset management: the key to business success

by Kevin Usher Issue 109 - January 2016 Media asset management: the key to business success By Kevin UsherIn todays media environment enterprises are under intense pressure to improve content monetization and maximize operational efficiency. Theyre expected to do moreto create more content for more platforms and deliver it to more peopleso they hav...

Submitted by Kevin Usher

Published 21 January 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

Media Asset Data Models in MAM Systems An Evolutionary V...

by Kevin Savina Issue 109 - January 2016 As I was working on a presentation I gave on the data models MAM systems are built upon, I realized that looking at the evolution of these data models was a nice way of explaining them. It only made sense to share it with a wider audience. By illustrating how media assets are tracked and catalogued within a...

Submitted by Kevin Savina

Published 21 January 2016

Taking aim

by Dick Hobbs Issue 109 - January 2016 Happy 2016! We have a lot to look forward to this year. In Europe we are likely to find huge amusement in the American presidential election which this year seems to be throwing up an unprecedented set of clowns. In midsummer we have the Olympics in Rio, which should be quite a carnival. In our industry we hav...

Submitted by Dick Hobbs.

Published 21 January 2016

Effective archive solutions for broadcast customers

by Lee Sheppard Issue 109 - January 2016 The long-standing partnership between Grass Valley, a Belden Brand, and SGL is key to the effectiveness of the content archive solutions that SGL FlashNet provides for all Grass Valley users. Today, the product integration between the two companies extends not only to the K2 SAN and K2 Summit production and...

Submitted by Lee Sheppard

Published 21 January 2016

Media acquisition and Archive Workflow

by Ryan Jenkins Issue 109 - January 2016 Hello, I am Ryan Jenkins, a third year student at the University of Portsmouth and as part of my final year on the BSc Television and Broadcasting course, I am the Post Production manager for all television teams making live programmes, something we specialise in. My role has thus far seen me design a workfl...

Submitted by Ryan Jenkins

Published 21 January 2016

Why you might regret automating QC workflows

by Bruce Devlin Issue 107 - November 2015 In todays electronic media environment, broadcasters and content owners live and die according to the quality and versatility of their media assets. Not only do consumers expect the best quality viewing experience, but they also expect that viewing experience to be possible on the widest range of devices, a...

Submitted by Bruce Devlin

Published 01 December 2015

Test & Measurement: Ask the expert

by Alan Wheable Issue 107 - November 2015 What should an Eye diagram look like?There are basically two different approaches to capturing the Eye Diagram from an SDI signal. These are real-time capture (employed by Real Time oscilloscopes) and signal subsampling (employed by Sampling oscilloscopes such as the Omnitek Ultra 4k Tool Box). All broadcas...

Submitted by Alan Wheable

Published 01 December 2015

Authoring and Monitoring for the emerging 3D immersive Br...

by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins

Published 01 December 2015

CLASS - FIMS: A plug-and-play solution

by Bruce Devlin Issue 106 - October 2015 No two broadcasters are alike. Meaning, that just about every broadcaster in the world uses its own, customized workflow comprised of any number of proprietary tools and solutions, specially designed to work together. With so many systems with proprietary interfaces in existence, IT-based media projects requ...

Submitted by Bruce Devlin

Published 01 November 2015

Sony PXW-FS5 Review

by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman

Published 01 November 2015

CLASS - LEAN Mean Versioning Machine

by Bruce Devlin Issue 103 - July 2015 Today, there are numerous ways to access and consume media, be it through UHDTVs, smartphones, tablets or other screens, devices or services. Because there are so many outlets and even more bytes of information as a result, content owners and broadcasters are working incessantly to deliver top-quality content a...

Submitted by Bruce Devlin

Published 01 August 2015

The business case for media asset management

by Kevin Usher Issue 103 - July 2015 You could argue that, so far, there have been two stages of commercial justification for asset management systems in broadcasting. First, it was a necessary evil: if broadcasters, production companies and other media organizations wanted to store content as filesat least some of the timethey needed a means of fi...

Submitted by Kevin Usher

Published 01 August 2015