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Thanks for the memory


If I need to impress on someone just how old I really am, I explain that my first computer had 32kB of Ram. Then we go through the “you mean 32 meg” “no, I mean 32 k” routine. It does seem implausible that, while I managed to write letters on my BBC Model B, today I need half a million times the memory to bash out columns for TV Bay. This is, of co...

Submitted by Bob Pank#
Published 01 July 2011

Its good to talk


Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#
Published 01 June 2011

Challenging times


I am writing this on 18 March, but only 77 days in 2011 is proving to be a momentous year for global events. We started out with catastrophic floods in Australia, then the earthquake in Christchurch. I once spent a wonderfully happy day in Christchurch, and it was, at least until 22 February, without doubt the loveliest small city I have ever visit...

Submitted by Bob Pank#
Published 01 May 2011

BVE 2011 retrospect


BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#
Published 01 April 2011

Television, the limits of the possible


When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#
Published 01 February 2011

Broadcast Batteries, Today and Tomorrow


As consumers, we all have experience of being let down by batteries (think rusty Italian cars in the 1970s!). But thankfully the world of batteries has moved on: the global battery industry is today worth $71 billion and is estimated to be growing at nearly 5% a year. Of this, broadcast batteries make up a tiny fraction but the manufacturers that s...

Submitted by Bob Pank#
Published 01 February 2011

Eye to Eye at the Wildscreen International Film Festival


Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#
Published 01 December 2010

TV Bay Questions Editor and Technical Manager at Astley B...


Who are you? (about yourself and Astley Baker Davies)I am Taig McNab, editor and technical manager at Astley Baker Davies. We are a small, multi-award winning animation studio based in central London. What do you do? What does Astley Baker Davies do?We are most famous for our involvement with the Peppa Pig series. Our other shows include Ben & Holl...

Submitted by Bob Pank#
Published 01 December 2010

tv-bay IBC2010 double takes


Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#
Published 01 November 2010

More than meets the eye


Synchronisation is not really a problem using two professional cameras. You just loop through your reference (black) to each and you are all done. In the old days, (well not that long ago), you had to worry about PAL SCH and accurate sync matching. Today, that complication does not matter because all digital inputs adjust for slight timing errors....

Submitted by Bob Pank#
Published 01 October 2010

Eye to Eye: Storage and archiving


In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#
Published 01 October 2010

Tape is dead. Long live Tape


An area that has been a vital part of television – defining much of ‘how’ and ‘what’ things are done – is recording. At first film was the medium, then in 1956, Ampex invented the video tape recorder with the prime aim of providing delayed programmes across the USA. Soon video tape editing, and other applications rapidly expanded and the 2-inch qua...

Submitted by Bob Pank#
Published 01 October 2010

ALEXA bringing new creative freedom to filmmakers


ALEXA brings new creative freedom to filmmakers. A compact, lightweight and affordable digital camera, ALEXA redefines the limits of motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high-end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of appli...

Submitted by Bob Pank#
Published 01 August 2010

Eye to Eye: Sports Production


I was somewhat crestfallen to receive the advice 'Lay off 3D' when I rang TV Bay for guidance on the theme for this month's Eye to Eye. For better or worse, 3D looks set to be a major part of sports television in the coming years. But I picked up my crest, closed one eye and carried on running. Long-range opticsIt is by now quite widely appreciated...

Submitted by Bob Pank#
Published 01 July 2010

Eye to Eye: Getting a grip


Getting a gripCameras and camcorders are shrinking at such a rapid rate that a lot of today's established support devices are looking completely out of scale. In some aisles of the NAB 2010 Central Hall, visitors were at perpetual risk of colliding with excited demonstrators nipping hither and yon with hand-held stabilisers for DSLRs. Most were onl...

Submitted by Bob Pank#
Published 01 June 2010