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Eye to Eye Video acquisition and production

BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie

Published 01 April 2009

Red One Hit or Myth

So – after having arrived a year ago to these shores the Red is starting to settle into everyday living here in the UK. Possibly being American and designed by an iconic trendy sunglasses designer, we shouldn’t be surprised by its many foibles. The Red started life in the UK as whispered conversations about a piece of equipment being developed that...

Submitted by Dennis Lennie

Published 01 April 2009

The SxS vs MxT Debate

We are all probably already tired of hearing the phrase ‘cutting costs’ but the reality is that ways have to be continuously found to reduce our production costs in order to stay competitive. The question is – are some savings a false economy or are they really worth it?We have been hiring out Sony’s XDCAM EX cameras for over a year and they are no...

Submitted by Dennis Lennie

Published 01 April 2009

HD camera market

With the low cost HD market taking an ever firmer grip on the industry, we asked for Hireacamera Managing Director Guy Thatcher’s opinion on the changes taking place. So is anyone still hiring DV/DVCAM equipment anymore?Certainly in the area we specialise in, since the arrival of the Sony HVR-Z1E nearly four years ago, we have slowly watched the ma...

Submitted by Dennis Lennie

Published 01 March 2009

Fine design for post.. The IKEA story as told by EDIUS

There can be few companies in the world with greater brand awareness than Swedish-based IKEA, the business that has brought Scandinavian furniture design to the world. IKEA is now bringing its corporate history together in a series of videos and, as befits a highly design conscious company, it has chosen the Thomson Grass Valley EDIUS editing platf...

Submitted by Dennis Lennie

Published 01 March 2009

What do Location Managers do all day?

It’s a question that is often asked by my family who fondly believe I spend my time in idle chit-chat and gossip with high-powered film and media executives sipping skinny-latte Mocachinos (whatever they are!) and eating sushi. But consider the following exciting ‘James Bond’ style scenario. “Our hero and heroine are on the run, driving fast throug...

Submitted by Dennis Lennie

Published 01 March 2009

How The SADiE LRX2 Is Making Location Multitrack Recordin...

Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie

Published 01 March 2009

Surround Sound For HD Broadcast

While 2008 may not be fondly remembered as a classic year if you work in certain industries, it's a fascinating time to be working in video media production or broadcast television. The steady move to high-definition at all stages of the video production process, is causing the biggest shake-up in technology and working practices since the introduc...

Submitted by Dennis Lennie

Published 01 February 2009

RF Condenser Microphones why they are so good in the wet

A question I am often asked when people discover who I work for is “Why are ‘RF condenser’ microphones so good in the wet, being so much less susceptible to humidity problems than the more common ‘AF condenser’ microphones?”Basically, AF capacitor microphones use the capsule as a capacitor to store charge. With one fixed plate and the other free to...

Submitted by Dennis Lennie

Published 01 February 2009

Audio acquisition and production

Remembering the days when the average 'portable' sound recorder was heavy enough to induce a hernia, I have high respect for the capabilities of modern digital audio devices. Not least the solid-state recorders that have emerged as successors to the Sony-originated DAT and MiniDisk formats. But avoid anything that lacks XLR connectors unless you ar...

Submitted by Dennis Lennie

Published 01 February 2009

The Fairlight Time Machine

Just over fifty years ago, the then Soviet Union launched the first satellite into orbit around our planet. At that time the USA and USSR were in the depths of the cold war and the launch of Sputnik 1 on the 4th October 1957 was the starting gun for the space race. The winner would be the country to successfully land the first human being on the Mo...

Submitted by Dennis Lennie

Published 01 February 2009

Good cop, bad cop

Peter Savage looks at the tricky subject of asking customers to honour their commitments and, possibly, debts – without ruining your customer-supplier relationship or losing what you are owed. How do you keep your customer sweet whilst making sure they pay?This is a question that I have been asked numerous times over the last few months, as draggin...

Submitted by Dennis Lennie

Published 01 February 2009

Audio Technology Spotlight

In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009

Everything you ever wanted to know about TV lighting Part...

Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

How we lit Mick

Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009