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Content Control in a Complex Broadcast Environment


Broadcasters and other media companies today acquire, generate and store an unprecedented volume of content to take advantage of new distribution outlets. Enabled by the transition to digital media and file-based workflows, this model presents new opportunities with respect to revenue generation as well as new challenges in terms of establishing ef...

Submitted by Bob Pank#
Published 01 October 2010

Ensuring the longevity of an archive


The role of the archive has changed dramatically over the last few years. Every broadcaster in the world, regardless of their size, has the tools at their disposal to unlock their assets, digitise and repurpose their content for renewed monetisation and, in some cases, for the benefit of historic value. Tapping into new revenue streams is essential...

Submitted by Bob Pank#
Published 01 October 2010

Data storage or Media storage


Now I am no techie geek, which in this business could be viewed as a disadvantage, but I do know that in all areas of life the design of the storage container is determined to a large extent by the nature of the thing you want to store. For example, chips (or fries) work in a grease proof paper bag just fine but I like my drinks in a cup, can or bo...

Submitted by Bob Pank#
Published 01 October 2010

Those Who Forget the Past are Doomed to Delete It


Hundreds of thousands of hours of film and video archives are slowly deteriorating in vaults and storage containers around the world. Although numerous projects are underway worldwide to restore, preserve and protect these vast repositories of cultural heritage, it does little good if the rescued material isn’t catalogued, archived and managed. If...

Submitted by Bob Pank#
Published 01 October 2010

Safekeeping for the Future


A CIRENCESTER audio archival engineering company has just finished working on a set of African recordings that are more than a century old. Paul Turney, of Sirensound Digital, was commissioned to digitize the wax cylinders for future safekeeping of the audio. Wax cylinders were patented by Thomas Edison and were one of the earliest form of sound re...

Submitted by Bob Pank#
Published 01 October 2010

Post Production


The global financial downturn is having a significant impact on every industry and television is suffering too. The programme budgets of most channels are being held or cut making the costs of producing content significant in the decision on whether programmes and series are aired. Yet the demand remains for bigger, bolder and more cinematic styles...

Submitted by Bob Pank#
Published 01 September 2010

Restoring The World At War


Originally broadcast in 1973 by ITV, the sweeping documentary “The World at War” focuses on the events immediately before, during, and after World War II. The British-produced television series is presented in 26 hour-long episodes and provides one of the most penetrating views into the war ever put to film. Narrated by Sir Lawrence Olivier, “The W...

Submitted by Bob Pank#
Published 01 September 2010

Modern Tools for Test and Measurement in Post Production


Today’s post-production facilities and practically the entire global multimedia industry, face a common issue: how to effectively eliminate the notorious problem of inconsistent loudness being pushed to the absolute limits. Whether it’s a television commercial break or a big-screen movie, there is simply no question, the signal flow should still be...

Submitted by Bob Pank#
Published 01 September 2010

Post Production Recipes


Multi-camera editing adds zest to any video production. It captures an event - a moment - from different angles, conveying a comprehensive and nuanced message. Often underrated, sound is a key ingredient in the mix. For the highest quality sound, separately recorded (dual-system) audio is the preferred technique. All leading non-linear editors (NLE...

Submitted by Bob Pank#
Published 01 September 2010

HD Post Production


In a parallel universe all forms of electronic entertainment are produced and presented in identical formats that can be exchanged and retrieved by anyone with permission to access the product. Unfortunately in our universe the opposite is true and a frustrated band of audio and video heroes spend every day of their working lives trying to satisfy...

Submitted by Bob Pank#
Published 01 September 2010

Nucoda Film Master builds tension on Mistresses


Fans of popular UK television drama Mistresses saw the third series air on BBC One and BBC HD in August. Shot in Bristol on RED, the four x 60 minute drama was edited and graded at Bristol-based post production facility Films@59, who also supplied the camera kit. Produced by Ecosse Films, Mistresses delves into the tangled lives of four female frie...

Submitted by Bob Pank#
Published 01 September 2010

GSOH


This will come as no surprise to anyone who has met me, but I like a laugh. After a hard day at the coal face of incisive insights into the technology of our industry, nothing chills me out quicker than a good comedy. There is a channel on my personal EPG to which I return regularly. I will not mention it by name because I am about to be rude about...

Submitted by Bob Pank#
Published 01 September 2010

Making the content factory a reality


The expression “content factory” has been around for a while and in a number of contexts. Is this a realistic concept? Can we – producers, facilities, broadcasters – embrace the idea of process in the manufacturing sense, or is making content for television and the new digital platforms too different to making biscuits or cars?We are naturally resi...

Submitted by Bob Pank#
Published 01 September 2010

ALEXA bringing new creative freedom to filmmakers


ALEXA brings new creative freedom to filmmakers. A compact, lightweight and affordable digital camera, ALEXA redefines the limits of motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high-end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of appli...

Submitted by Bob Pank#
Published 01 August 2010

Turning walls into Canvases


Christie MicroTiles™ is the new digital canvas. It’s an entirely new, modular display technology that uses elements of DLP®, LED and rear-projection to create unique, visually compelling systems. This is technology that allows architects and retail designers to throw out the supposed rule book on how large format, motion display systems have to wor...

Submitted by Bob Pank#
Published 01 August 2010