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Calrec Craft Interview: Florian Brown, A1


Craft Interview: Florian Brown, A1   Summary: Last year, veteran A1 Florian Brown spent a full day at Florida-based Full Sail University talking to students about what it’s like to work as an A1 and the benefits of working in the broadcast audio. His talk covered many of the different freelance possibilities in audio, video, EVS, editing and...

Submitted by Alicia Root
Published 06 April 2023

Honey, I shrank the data. How DNA storage could reduce th...


By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus
Published 17 March 2023

The Future of Broadcast Technology


What vision do you have of the broadcast technology business moving towards 2030 and beyond?We are currently in the middle of a transition phase with migration to several new technologies, from the move to IP-based infrastructure and the shift from linear to video-on-demand (VOD). The question for all of us is how long that transition phase will l...

Submitted by Sebastian Richter
Published 18 August 2022

Spotlight on James Gilbert, Director of Product and Solut...


What vision do you have of the broadcast technology business beyond 2030?Over the next eight years we are going to be in transition, and within that there will be vastly different rates of change among content owners and media organisations. As a technology provider the onus is on us to be flexible and adaptable to meet this wide range of requirem...

Submitted by James Gilbert
Published 25 July 2022

Spotlight on Karl Mehring, Director of Professional Servi...


How has the role of Professional Services evolved in recent years?Installation of equipment has always been important and has primarily been in-person. While in-person is still a requirement for some products, we are increasingly seeing a move towards remote set-up and support. The pandemic accelerated this transition; we had to innovate and find a...

Submitted by Karl Mehring
Published 29 June 2022

The Future of Broadcast Technology


1. What vision do you have of the broadcast technology business beyond 2030? Now that OTT and VOD have become more mainstream, many commentators talk about traditional broadcast methods, like terrestrial transmission, being a thing of the past. With so many new platforms and non-traditional content services carving out a growing slice of the marke...

Submitted by Manfred Reitmeier
Published 01 June 2022

Rohde & Schwarz integration with Adobe Premiere Pro


Now recognised as one of the leading editing platforms for television and video post, Adobe Premiere Pro combines powerful functionality and a familiar user interface whilst remaining a competitive option. Simple integration with other applications in the Adobe Creative Cloud family, including After Effects (motion graphics), Audition (audio post)...

Submitted by Ciaran Doran
Published 24 February 2022

Cloud integration: The only way is up


In 2017 we saw the introduction of SMPTE 2110 and since then, the transition to IP has emerged as a priority for broadcasters looking to streamline their operations, decrease their footprint and effectively integrate with an industry in a rapid state of flux. A 2020 survey by Devoncroft found that almost 20% of broadcasters had already deployed SMP...

Submitted by Francois Vaillant
Published 12 January 2022

The Cloud - a measured approach


With the buzz of ‘cloud’ everywhere in our industry it would be natural to think that cloud is the only game in town. Isn’t it time to step back and consider very carefully how, or whether, you make that journey to the cloud?The pandemic has been front and centre in our minds for close to two years now. Overnight, facilities had to either shut down...

Submitted by Ciaran Doran
Published 07 December 2021

Meeting the specification


A good technical specification will detail precisely what is required, from the equipment to the cables connecting it. Many specifications will give particular manufacturers and model numbers. On many occasions, this makes tendering simple and gives vendors a secure and fair way to bid. The challenge comes when specifications are not aligned with c...

Submitted by Chris Smeeton
Published 12 November 2021

Avid and Rohde & Schwarz


As the pioneer of non-linear editing for broadcast, Avid retains its position as a popular choice. For many production companies, post houses and individual editors, its familiarity and functionality also make it a natural choice. Challenges begin, however, when leaving such a homogeneous ecosystem and scaling to serve a variety of different produc...

Submitted by Ciaran Doran
Published 15 October 2021

Streaming Technologies Explained


(header image courtesy of Wowza) The word streaming can relate to different technologies from different manufacturers in different scenarios and in this short article we are going to take a little tour of what it all means. When streaming video to the consumer you often see HLS DASH & CMAF mentioned. HLS is HTTP Live Streaming Dynamic Adaptive...

Submitted by Bruce Devlin - new
Published 17 February 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...


For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff
Published 22 December 2020

ERA IaaS at University of Salford


Seagate Storage Arrays form basis of ERA designed Storage, Edit Management and MAM system for the University of Salford's media and production coursesBACKGROUNDThe University of Salford (UoS) is widely recognised in both academic and professional circles as a leading educational establishment in acoustics and media production. In 2011 the Universit...

Submitted by KitPlus
Published 21 December 2020

In Ear Monitors Help The Cast And Crew of Americas Got Ta...


Capturing performances for television is a stressful business, especially if the programme is being filmed live. You want everything to be perfect but you are also aware that many things can go wrong, even with the best laid plans. Reducing the list of potential disasters is therefore high on any production crew’s agenda and one area where it is po...

Submitted by KitPlus
Published 21 December 2020