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KVM enterprise and video matrix switchers in broadcast ap...

KVM enterprise and video matrix switchers in broadcast applicationsEngineers within the professional broadcast world are comfortably familiar with video routers for the control of uncompressed video and audio signals within live studio and editing locations. However there is less familiarity with the use of KVM enterprise and video matrix switchers...

Submitted by Kieron Seth#

Published 01 August 2011

tv-bay questions

Name & Title?Eugene McCrystal, owner of EMC Post Production in DublinWho are you? (about yourself and who you work for)?I have been working in the broadcast and film industry for over 20 years. I started my career as an engineer with Carlton Television but quickly transitioned within Carlton to online editor. In 2004, I co-founded EGG Post Producti...

Submitted by Bob Pank#

Published 01 June 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

To buy or not to buy that is the question

When it comes to buying or leasing your equipment, should your head be in the clouds or your hands in your pockets? Azule’s Peter Savage investigates... As the theme of this month’s issue is archiving and storage, I thought it would be a good time to take a moment and look at different ways of acquiring the IT based storage and archiving assets on...

Submitted by Bob Pank#

Published 01 October 2010

Eye to Eye: Storage and archiving

In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#

Published 01 October 2010

Tape is dead. Long live Tape

An area that has been a vital part of television – defining much of ‘how’ and ‘what’ things are done – is recording. At first film was the medium, then in 1956, Ampex invented the video tape recorder with the prime aim of providing delayed programmes across the USA. Soon video tape editing, and other applications rapidly expanded and the 2-inch qua...

Submitted by Bob Pank#

Published 01 October 2010

Implications of a Tapeless workflow

The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie

Published 01 November 2009

Lighting series

So far in this series, I have stressed some of my own preferences for good portrait lighting; using Fresnel lamps for key lights to enable accurate barn dooring, minimum spill light and an even ‘field’ of light. Open faced lamps, whilst cheaper, do not give the same control of light, they give rise to double shadows and are also prone to bubble fai...

Submitted by Dennis Lennie

Published 01 October 2009

EPIC HD Upgrade

EPIC-TV came into being in late 2006, after Norfolk County Council acquired the ITV Anglia Regional news and Network production studios at Magdalen Street Norwich. Since then it’s been re-developed as one of the technically most advanced production facilities in Europe, with three broadcast studies, two of the HD, one of them Virtual, linked direct...

Submitted by Dennis Lennie

Published 01 May 2009

SOOM under the Senegal sun

No power – inconceivable for Europeans, but normal for the African village Ndelle. Situated six hours from Dakar, it is attainable only by dusty, sandy fields. However the approximate 800 village inhabitants have reason for joy: The company Solar 23 is building a solar plant in Ndelle. The German cameraman Jrgen Killenberger captured this project i...

Submitted by Dennis Lennie

Published 01 January 2009