KitPlus | Articles

THE RISE AND FALL AND RISE AND FALL OF POST PRODUCTION

I was sitting in the pub the other day and met an old editor mate of mine. We started chewing the cud about post-production and, inevitably, the glory days. When I first met him, in the early 80s, I hadn’t even started my career in broadcast leasing. He, meanwhile, had a money clip full of £50 notes and was the talk of the town. He didn’t have enou...

Submitted by Bob Pank#

Published 01 August 2011

Why IPTV is essential to the effective delivery of local...

The broadcast industry has already evolved dramatically in recent years with the increasing dominance of the internet. In the beginning, the internet was largely focused on the potential global audience and having global reach to enjoying global revenue. However, consumer use of the internet has already started to mature and it has become increasin...

Submitted by Kieron Seth#

Published 01 August 2011

SOLID STORAGE FOR SPECIAL EFFECTS

While it’s easy to be dazzled by the brilliance of visual effects on the big screen, the less showy side of film post-production often goes unrecognised. Here, Double Negative (known affectionately as DNeg) reveals how an array of Infinity|8 RAID systems and ATTO RAID adapters keeps all that amazing work safe and secure. Double Negative’s trophy sh...

Submitted by Kieron Seth#

Published 01 August 2011

Any Channel, Anywhere. How Distribution Service Providers...

One of the features of the diversified, multi-platform media world we have today is the greater involvement of organizations that perform a specialist role in the complex chain stretching from content originator to viewer. It has been a long time since a broadcaster has owned the entire chain from talent, camera and production crew all the way thro...

Submitted by Kieron Seth#

Published 01 August 2011

Robert Llewellyn

Many of you will have heard of the TV show on the "Dave\" Channel called "Carpool". You know the one, Red Dwarf and Scrap heap Challenge star Robert Llewellyn picks up someone in his car, drives him or her around a bit and has a chat. It’s a great series and you feel like your spying on a private conversation between two people on their way to work...

Submitted by Kieron Seth#

Published 01 August 2011

Real practicality in test and measurement

We are quite an unusual company, a unique hybrid. On one hand Flotsam Films is an independent producer but we also provide full production capabilities and consultancy for other filmmakers. The other part of our business is our own post production facility in London, used by our in-house productions and by other external clients, particularly indep...

Submitted by Bob Pank#

Published 01 July 2011

tv-bay questions

Name & Title? Clive HunteWho are you? (about yourself and Band on the Wall)?I am an Archive Technician at Band on the Wall in Manchester. My role is a funded 5-year post through Heritage lottery fund, to archive current music, old music and photos for Band on the Wall. What do you do? What does Band on the Wall do?Band on the Wall is bespoke venue...

Submitted by Kieron Seth#

Published 01 July 2011

tv-bay questions

Q. What is your opinion on the current state of the broadcast market?Broadcast is back! Well, of course, it never went away, but the recession hit many capital projects for broadcasts all over the world and it slowed significantly. Recently, we’ve seen a significant upturn in all areas, which is good for us all. Our business has been very successfu...

Submitted by Bob Pank#

Published 01 June 2011

Its good to talk

Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#

Published 01 June 2011

Introducing Emma and her commentaries

My name’s Emma, and I am currently in my first year working as a freelance production assistant. In these commentaries I’ll be sharing with you what I get up to, the n00by mistakes I’ll inevitably make, but hopefully some successes!This month I was fortunate enough to be a part of the Tony Hawk Twitter Hunt. If only the life of a production assista...

Submitted by Bob Pank#

Published 01 June 2011

tv-bay questions

Name & TitleChristopher Pitbladdo, Creative Director at DB Creative TVWho are you? (about yourself and DB Creative)?I'm an editor who's been cutting broadcast television documentaries and commercials since 1997. Having spent time living and working in London, I decided to make a lifestyle choice, and go back to my hometown of Edinburgh. DB Creative...

Submitted by Bob Pank#

Published 01 May 2011

Jamies 30 minute meals are served up

The ChallengeTo shoot, edit, grade and conform 40 x 30 minutes episodes of Channel 4’s Jamie’s 30 Minute Meals within an extremely tight timescale, whilst ensuring that quality wasn’t sacrificed throughout the process. The SolutionAn efficient file-based workflow incorporating Avid Media Composer and Avid DS with RED and Canon cameras were used to...

Submitted by Bob Pank#

Published 01 May 2011

AdVision TV: Editing... Live

Glastonbury - it's on TV. Premier League Football? On TV. Not subscribing to the right satellite channel? Worried about missing a big event? Try Googling it, try YouTube. You would have thought that live events would struggle to survive in the face of this wall of media coverage. But rock concerts, sports matches, conferences and venues across the...

Submitted by Kieron Seth#

Published 01 May 2011

DVB-3DTV: A Milestone

In 1822, George Stephenson set his Standard Gauge for the world’s first steam railway at 4 foot 8 inches (1.44m), to match a nearby wagonway that worked well at Killingworth Colliery. Despite Isambard Kingdom Brunel building the London-to-Bristol line (1838) on what he considered to a better 2.2m ‘Board Gauge’ (he was right!), the Gauge Act of 1846...

Submitted by Bob Pank#

Published 01 April 2011

Why do broadcasters need to take an interest in connected...

Why do broadcasters need to take an interest in connected TV?With ever-increasing amounts of content available, we’re heading towards a world where catch-up TV will enable you to access last week’s content as easily as today’s. This doesn’t mean to say that linear broadcasts are over; I would expect broadcast delivery to continue to dominate and fo...

Submitted by Bob Pank#

Published 01 April 2011