KitPlus | Articles

Atomos Ninja Inferno REVIEWED

Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear t...

Submitted by Daniel Peters

Published 19 October 2017

The party is not over until the video is online

When we were introduced to the team behind Sensation dance events in Amsterdam they had one big question for Timecode Systems: could our SyncBac VR wireless sync and control solution theoretically make it possible for a high quality, professional 360-degree video of a live dance music event to be edited in the time it takes the DJ to fly to his or...

Submitted by Paul Scurrell

Published 19 October 2017

Boradcast playout on-site and in the cloud

Broadcasters come in many shapes and sizes, each with their own unique set of ambitions and their own preferred route to success. Some are happy to innovate, particularly if it increases staff efficiency or reduces operating costs. Others prefer to let their competitors do the innovating and then follow whatever path appears to work best. Thus the...

Submitted by Don Ash

Published 19 October 2017

Cellular, Satellite or Fixed Link - how do you choose

Having a choice is a good thing. Take apples, for example. While one may look pretty much the same as the next, we know that the subtle differences between varieties can make a huge difference in how we choose to use them some are best for pies, some better for cider, and others just perfect for eating from the tree. Similarly, the subtleties betwe...

Submitted by Lorna Garrett

Published 19 October 2017

The importance of storage

In recent years, viewing habits have shifted dramatically; online video is becoming the preferred option for the younger generation. But its not just millennials who are cutting the cord with broadcasters and traditional platforms increasing numbers of people from all age groups are abandoning cable and instead enjoying TV online. In response to th...

Submitted by Jonathan Smith

Published 19 October 2017

Audience engagement with advertising in an OTT world

i Adapting to how we advertise in an OTT world starts by reaching audiences on every screen with tailored content. Most consumers viewing habits include multi-tasking and juggling different activities at the same time, particularly the younger viewing audiences who tend to watch in a more fragmented, on-demand manner. The task of monetizing content...

Submitted by Hank Frecon

Published 07 September 2017

Implementing an IP workflow

i The eventual move to incorporate IP into your infrastructures is an inevitability. However, with justified concerns about interoperability and uncertainty about which vendors are best placed to help organisations achieve their IP media networking and content delivery goals, is it any wonder there is hesitation about moving forward? Broadcasters v...

Submitted by John Smith -new

Published 07 September 2017

Mobile internet connectivity in the field

i Mobile Internet connectivity is critical to the success of remote news crews. Whether they\'re doing a reporting assignment for news, sports, or live events, they need a strong and reliable Internet connection. To have an edge over their competition and get content to air faster, crews need to be able to work just as if they were in the studio, b...

Submitted by Bill Nardi

Published 07 September 2017

IP Based Remote Production

i Over the last few years Suitcase TV has been getting involved in remote production at the software layer, and I want to talk about some of the ways we have been getting involved in remote production, including a specific trial that we did last year with BBC Sport for the Euro 2016 tournament in Paris. Before I get into the detail of remote produc...

Submitted by Ed Calverley

Published 07 September 2017

Advances in LED lighting innovation with Rotolight AEOS

i There\'s no doubt that lighting plays a critical role in videography, filmmaking and photography. It\'s the area of content capture that brings added creativity to shoots, whether that\'s filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditi...

Submitted by Rod Aaron Gammons

Published 07 September 2017

The Dressing Room - shooting steamy scenes

i W\'s latest factual entertainment series relies completely on the ability of fixed rig filming setups to make cast members forget their inhibitions. Described as a fly-on-the-wall documentary, "The Dressing Room\" gives TV audiences unprecedented access to team-sport dynamics off the field of play by inviting them into the hidden world of dressin...

Submitted by Josh Portwine

Published 07 September 2017

Facebook Workplace - why it might just work

i At the Facebook F8 Developer Conference last April, Facebook\'s Workplace, a collaborative platform for organisations, announced enhanced live video functionality. Being able to stream live into Workplace will fundamentally change the way companies communicate, from broadcasting weekly meetings and webinars to live streaming Q&As. The possibiliti...

Submitted by Jake Ward

Published 07 September 2017

Live sports and event production

i There is an overwhelming amount of content being recorded by sports broadcasters and digital services teams. A broadcaster might capture hundreds of hours of content over the course of, say, a golf tournament, yet only a fraction of that content makes it to air. But what about the rest of it, such as interviews, scenic shots, promos, and behind-t...

Submitted by Brian Eldredge

Published 07 September 2017

The challenges of media workflow automation

i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark

Published 07 September 2017

Insiders View - A few Days in the Desert

i At Finepoint, we always get excited about attending the NAB show. With tens of thousands of video professionals from around the world gathering together, NAB is a great opportunity for us to get exposure to all the latest news and technology in the world of video and post production, as well as giving us the chance to catch up with all our indust...

Submitted by Giles Bendig

Published 01 August 2017