KitPlus | Articles

News production with an IP workflow

Broadcast workflow used to be all about tapes. Shooting on tapes, putting tapes into machines, copying from one tape to another, using very expensive gear and costly workflows, with scarce resources and high skill levels. But as broadcast technology evolved tape was mostly replaced by hard drives, and the revolution in editing made it possible to w...

Submitted by Helge Hoibraaten

Published 22 July 2016

TVFutures looking back at the class of 2015

In a review of the academic year, KitPlus looks back over all of the contributions from students (and staff) and asks for one last comment 'with an eye to the future'Charlie Watts - Course Leader - TV and Broadcasting#TVFutures is a brilliant way for students to evaluate their current situation and really articulate important moments of learning an...

Submitted by Charlie Watts

Published 14 June 2016

Bringing Realiability to the Unpredictability of Reality...

Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cam...

Submitted by Martin Bennett

Published 14 June 2016

TV Futures

by Gemma Frith Issue 113 - May 2016 I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn\'t understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio mo...

Submitted by Gemma Frith

Published 13 May 2016

VR and 3D Audio - Ask The Experts

by Pieter Schillebeeckx Issue 113 - May 2016 What\'s the difference between 2D & 3D audio? There are two parts to this question when it comes to audio for VR. The key difference is that 2D is a single horizontal slice,so when we\'re thinking 5.1 or traditional surround sound in a cinema that would be looked at as 2D,whereas 3D adds height informati...

Submitted by Pieter Schillebeeckx

Published 13 May 2016

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

Leaving Las Vegas

by John Smith Issue 112 - April 2016 What is it about Leaving Las Vegas? I\'ve had the privilege of being a regular visitor and exhibitor at NAB since the early 1980\'s. One memorable occasion, our flight home had been overbooked and so an alternative arrangement was made. We wondered why it would take four hours to fly from Vegas to LA? As the pil...

Submitted by John Smith

Published 25 April 2016

A virtual world but call it cloud if you must

I prefer not to use the word "cloud". It's useful for eight points in Scrabble, but in broadcasting, if we can still call it that, what you're really describing is storing data on someone else's computer or, on an industrial scale, a whole lot of someone else's computers (data centres). Cloud is just a convenient way of saying "shedload of capacity...

Submitted by Jan Weigner

Published 01 April 2016

Being heard in the jungle

Professional wireless sound solution specialists, Raycom, were asked in summer 2015 to specify, supply and commission a huge new RF wireless distribution system for ITV's popular reality television show, "A Celebrity Get Me Out Of Here!"The show is set in 500,000 square metres of dense Australian jungle. The celebrities competing are filmed in vari...

Submitted by Andy Clements

Published 01 April 2016

TV Futures

by Lloyd Ashton Issue 110 - February 2016 #TVFuturesUniversity radio is a great starting platform- hearing something being broadcast that started out as a few ideas in a notebook is quite incredible. My name is Lloyd Ashton and I'm currently a third year Television and Broadcasting student at the University of Portsmouth. Over the past three years,...

Submitted by Lloyd Ashton

Published 16 March 2016

In out in out shake it all about

by Peter Savage Issue 109 - January 2016 For the benefit of everyone within the broadcast industry, the UK must remain part of the EU argues Peter Savage. It is said that, in polite company, one should never discuss politics, religion, sex or money. Well, dear reader, assuming we are in polite company (and Im sure we are), Im going to break two of...

Submitted by Peter Savage 2

Published 21 January 2016

Saving your laptop from spills

by Beth Zarkhosh Issue 109 - January 2016 Saving your laptop from spills!Whether you\'re a wedding videographer or a small production company, we all know the stress of the edit process, nothing adds to that stress more than the full destruction of your PC or Mac. So its the New Year and youre finishing off that last bit of mulled wine from over Ch...

Submitted by Beth Zarkhosh

Published 21 January 2016

Editing broadcast video in a mobile app a ridiculous noti...

by Jason Cowan Issue 109 - January 2016 A trend appears to be developing in broadcast technology development the more ridiculous an idea initially seems, the better the chances are that it will turn the whole industry on its head. Ten years ago editing over an internet connection was a pipe-dream, and the suggestion that broadcast equipment might b...

Submitted by Jason Cowan

Published 21 January 2016

Ensuring a Quick Recovery

by Chris Steele Issue 109 - January 2016 While the thought of fire or flood strikes fear into the heart of those responsible for managing IT infrastructures, the fact is that simple equipment malfunction, like the failure of a disk drive, or even human error itself, are by far the most common causes of local outages. Having a robust major disaster...

Submitted by Chris Steele

Published 21 January 2016

Juggling with Broadcast Graphics

by Paul Vanlint Issue 109 - January 2016 If it were just about designing stunning looking titles, life would be simple and Adobe After Effects would probably have the market sewn up. But todays broadcasters and even AV producers have so many factors to juggle with, that anything other than a professional graphics solution is unthinkable. On the one...

Submitted by KitPlus

Published 21 January 2016