KitPlus | Articles

SiS Live

Issue 99 - March 2015SIS LIVE is well-established as Europe\'s largest supplier of satellite uplinks, but considerable investment in a wide-ranging fibre network is positioning it as a major connectivity provider to UK Live events. Many major broadcasters now have resilient fibre links to broadcast teleports at SIS LIVE\'s headquarters in MediaCity...

Submitted by KitPlus

Published 01 April 2015

Four must-haves for modern media workflows: Enhancing you...

by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet

Published 01 February 2015

Mobile News Gathering

by Erwan Gasc Issue 93 - September 2014 What are the most common challenges facing broadcasters in the field today? One of the most critical challenges for broadcasters today is arriving first on the scene of a breaking news story and being able to send live video coverage. Tough competition between TV channels, combined with the fact that consumer...

Submitted by Erwan Gasc

Published 01 October 2014

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014

Vision for the future of TV

Issue 92 - August 2014During the Commonwealth Games BBC Research and Development took the opportunity to unveil a range of new trials and public demonstrations as part of its Games showcase. These experiments brought together a wide range of industry partners and are helping to shape BBC R&D’s vision for the future of TV, and included a number of b...

Submitted by KitPlus

Published 01 September 2014

QSC Sound Reinforcement System Supports Daft Punk, Michae...

Over the past 12 months, London-based audio and lighting equipment supply and rental business Podd Sound has increasingly turned to a QSC WideLine-8 line array for sound reinforcement at the PAs, live webcasts, launch parties and live performances that form a major part of its business. Since last year, founder Mat Pod has worked for some of the ho...

Submitted by KitPlus

Published 01 June 2014

War House goes live in 4K

Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus

Published 01 April 2014

How to work without batteries

by Julian Hiorns Issue 86 - February 2014 Camera and monitor batteries - what\'s not to like? They\'re portable, rechargeable and easy to use. Well, actually, there are some drawbacks. Batteries can be heavy, expensive to replace and difficult and costly to travel with, as airline passengers know all too well. This last issue has become particularl...

Submitted by Julian Hiorns

Published 01 March 2014

Near-live production with Softrons multicam logger

by Alastair Owen Issue 85 - January 2014 Berlin-based edelbytes works with German broadcasters for channels such as ZDFkultur, tape.tv and 3sat to deliver coverage of live events music concerts, arts shows with a live audience, comedy and cabaret. But its coverage with a twist. Side-stepping the big-budget satellite van template for live event broa...

Submitted by Alastair Owen

Published 01 February 2014

Broadcasting from the icy tundra

by BJ KirschhofferIssue 84 - December 2013 Polar Bears International (PBI) is a non-profit organization dedicated to polar bear conservation and educating people about the effects of climate change on the arctic ecosystem. PBIs free educational broadcasts connect scientists in the field with students from all over the world who want to learn about...

Submitted by BJ Kirschhoffer

Published 01 January 2014

Addressing lingering loudnes challenges

by Andrew SachsIssue 83 - November 2013 Why and how has loudness become such prominent issue?The loudness of the television commercials aired between program segments has been the source of consumer complaints and subsequent regulatory action in countries around the world. These complaints stem from the networks and advertisers economic incentives...

Submitted by Andrew Sachs

Published 01 December 2013

Wireless cameras at live events

by Scott WalkerIssue 81 - September 2013 While wireless cameras have been used in high end broadcast for years, prices have dropped and there are now a variety of products on the market to suit lower cost broadcasts, and the technology is creeping into events with live outdoor screens and lower budgets, where it adds a creative angle to the show. I...

Submitted by Scott Walker

Published 01 October 2013

Ask the experts: your questions on wireless camera system...

by Stuart BrownIssue 81 - September 2013 tv-bay talks to Stuart Brown, Broadcast Systems Director at Cobham Broadcast about your questions on wireless camera systems. What makes wireless camera systems a viable option now as opposed to only a few years ago?When the COFDM modulation scheme was introduced over a decade ago, it revolutionised event c...

Submitted by Stuart Brown

Published 01 October 2013

Televising Swan Lake in live 3D from St Petersburg

by Tim HighmoorIssue 79 - July 2013 Stereoscopic television may still be in its infancy as a home entertainment medium but it is thriving in the cinema world. Freed from domestic distractions, cinema audiences are ideally placed to give their full attention to the images on the big screen. On Thursday 6 June 2013, the Mariinsky Ballet company in Ru...

Submitted by Tim Highmoor

Published 01 August 2013

Alice Chants final term: Following the Ravensbourne 3

The final term of a degree is going to be challenging, but what an amazing learning curve I have been on. I have had the opportunity to work with some great people on various projects and have been able to further develop my skills as a Director. My main project is an experimental film of which I wanted to showcase my ideas and a concept, without t...

Submitted by Alice Chant

Published 01 July 2013