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Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...


Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes
Published 18 July 2018

Slow Motion Video Techniques


Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) wi...

Submitted by Phil
Published 07 June 2018

How to shoot the perfect lighting mix


Advances in high-quality LED lighting over the past couple of decades might be one of the best things that’s ever happened to broadcast and cinema production. Compared to traditional tungsten fixtures, LED lights offer powerful operational and financial benefits from longer life and lower energy bills to brighter, more consistent light and greater...

Submitted by Alan Ipakchian
Published 07 June 2018

State of the Nation


I sometimes think I pay too much to get my hair cut. On the most recent occasion I was trimmed, my hairdresser had just returned from a holiday in Hawaii. Where she thought she was going to die. She thought this because the state’s emergency alert system was triggered, sending messages across all available platforms, for 38 minutes, that a ballisti...

Submitted by Dick Hobbs - new
Published 26 March 2018

The shining star of Dancing On Ice


Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere. Nowhere is this more evident than on the set of dramatic TV shows such as Dancing on Ice, a hugely popular UK sho...

Submitted by Rod Aaron Gammons
Published 26 March 2018

Marjan Television Network - a case study


Internet and Satellite content distribution now allows production companies and broadcasters to send targeted TV programmes and video to widely dispersed audiences all over world, whilst located where theres easy access to the technology, equipment and expertise to produce top quality programmes. Marjan Television Network, typical of this new breed...

Submitted by Ian Muir
Published 02 November 2017

Top Tips on becoming an IBC Jedi


IBC is upon us once more. The doors of the RAI will open for the European electronic media and entertainment industry to scrum together to gather inspiration, keep abreast of developments in tech, and generally take the temperature of the industry. With a show of this scale, it's important to plan ahead to make sure that you squeeze every drop of w...

Submitted by Aaron Dunleavy
Published 19 October 2017

Supporting creativity and driving better workflows


For decades videographers and filmmakers have been pushing the boundaries when it comes to creativity all with the aim of delivering a visually spectacular and engaging experience to viewers. For the most part they rely on artistic vision and innate skill, but over the last few years technology has been playing more of a role in enabling that creat...

Submitted by Rod Aaron Gammons
Published 19 October 2017

Atomos Ninja Inferno REVIEWED


Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear t...

Submitted by Daniel Peters
Published 19 October 2017

Strays - Telling a dark tale


Independent filmmaker, Aaron Dunleavy, has used the backdrop of his hometown, Blackburn, to create a new short film as part of Channel 4 and Arts Council Englands Random Acts programme. The initiative - delivered by Tyneside Cinema (Newcastle), HOME (Manchester), and True North Productions (Leeds) - commissions bold, innovative expressions of creat...

Submitted by Aaron Dunleavy
Published 19 October 2017

Managing colour from aquisition to delivery


Start with calibration The right colour management process can be the difference between being certain of what the end results are going to be, and having to spend time fixing things in post production. When we talk about colour management whether it is for photography or video it has got to start with calibrated monitors. Many people think about...

Submitted by Ollie Kenchington
Published 19 October 2017

Advances in LED lighting innovation with Rotolight AEOS


i There\'s no doubt that lighting plays a critical role in videography, filmmaking and photography. It\'s the area of content capture that brings added creativity to shoots, whether that\'s filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditi...

Submitted by Rod Aaron Gammons
Published 07 September 2017

The Dressing Room - shooting steamy scenes


i W\'s latest factual entertainment series relies completely on the ability of fixed rig filming setups to make cast members forget their inhibitions. Described as a fly-on-the-wall documentary, "The Dressing Room\" gives TV audiences unprecedented access to team-sport dynamics off the field of play by inviting them into the hidden world of dressin...

Submitted by Josh Portwine
Published 07 September 2017

Lighting - the stuff you do not see


i Lighting is the stuff you don\'t see that makes a difference in what you do see. How the audience feels about a character and whether the scene is scary, tense or upbeat are communicated by the quality and placement of light. Lighting can take the drama to a whole new level - think about film noir with all those shadows on the wall. So called "na...

Submitted by Tama Berkeljon
Published 07 September 2017

Live sports and event production


i There is an overwhelming amount of content being recorded by sports broadcasters and digital services teams. A broadcaster might capture hundreds of hours of content over the course of, say, a golf tournament, yet only a fraction of that content makes it to air. But what about the rest of it, such as interviews, scenic shots, promos, and behind-t...

Submitted by Brian Eldredge
Published 07 September 2017