KitPlus | Articles

A Marathon Filming Review

Issue 113 - May 2016 A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone\'s world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I\'m not talking about the recent London Marathon but our ‘adventures\' at NAB 2016 in Las Vegas. If you...

Submitted by Simon Tillyer

Published 20 May 2016

TV Futures

by Gemma Frith Issue 113 - May 2016 I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn\'t understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio mo...

Submitted by Gemma Frith

Published 13 May 2016

TV Futures

by Jemma Davis Issue 112 - April 2016 The second year of my degree course gives a variety of options, and one of these is scuba diving and filming. It\'s something I\'ve never considered before, so when I saw it as an option choice I was delighted to be faced with the opportunity to film underwater. I can also now say it was the best thing I\'ve ev...

Submitted by Jemma Davis

Published 25 April 2016

Camera Operations (part 2)

by Peter Leverick Issue 112 - April 2016 In Part 1 (issue 110) I addressed the practical skills required by Camera Operators aspiring to enter the Broadcast TV market. A good camera operator also needs to have good artistic senses and abilities. Like practical skills this is something that is acquired through training and practice. As with all trai...

Submitted by Peter Leverick

Published 25 April 2016

Recreating a Masterpiece

by Stuart Harris Issue 112 - April 2016 Tell us a bit about yourself Stuart. At the moment I am the acting head of cinematography here at the National Film and Television School. I have been a cinematographer from around 1980 and I have done commercials, music videos, feature films, sort of everything really. I think a creative career was what I wa...

Submitted by Stuart Harris

Published 25 April 2016

Grading Temple - Making the future look vintage

Cineground's Simon Allard and Nguyen Anh Nguyen reveal how they used Kowa lenses and an atypical approach to grading to give their new sci-fi cyberpunk thriller, "Temple\" a unique vintage look. Created by the same indie team behind "The Akira Project,\" a viral trailer which garnered more than three million views online in 2014, "Temple\" is a new...

Submitted by Simon Allard

Published 01 April 2016

Raising the bar at BVE

Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2

Published 01 April 2016

TV Futures - Streaming

by Danielle Wiltshire and Oliver Ray Issue 111 - March 2016 Hello I\'m Danielle Wiltshire and I am currently in my final year at the University of Portsmouth studying on the specialist course BSc Television and Broadcasting. One of the things I love about my course is that the academics involved are always striving to be ahead of the curve with tea...

Submitted by Danielle Wiltshire

Published 01 April 2016

How Your iPad Can Help Your Filmmaking

by Beth Zarkosh Issue 110 - February 2016 How Your iPad Can Help Your FilmmakingThe new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however its rapidly becoming a must-have tool for filmmakers of a...

Submitted by Beth Zarkhosh

Published 16 March 2016

Camera Operation and Training Part 1

by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick

Published 16 March 2016

Focus Technology in 2016 and Beyond

by Lisa J. Whelan Issue 110 - February 2016 With the advance of larger camera sensors, faster lenses and complex lighting systems, the role of the 1st AC (Assistant Camera) is more demanding than ever. Fortunately, the world of focus technology is developing new and innovative ways to step up and meet these demands head-on. Out of FocusHistorically...

Submitted by Lisa J Whelan

Published 16 March 2016

In out in out shake it all about

by Peter Savage Issue 109 - January 2016 For the benefit of everyone within the broadcast industry, the UK must remain part of the EU argues Peter Savage. It is said that, in polite company, one should never discuss politics, religion, sex or money. Well, dear reader, assuming we are in polite company (and Im sure we are), Im going to break two of...

Submitted by Peter Savage 2

Published 21 January 2016

BVE and London Entertainment Week

BVE NewsIssue 109 - January 2016 BVE, the premier event for the UK broadcast, media and entertainment industries, is thrilled to announce its schedule for 2016, a year that proves to be the most all-encompassing show yet. BVE 2016 welcomes the launch of London Entertainment Week reflecting the expansion into the Pro AV and Live Entertainment Techno...

Submitted by KitPlus

Published 21 January 2016

How to Deliver Live and VOD UHD Content With Minimum Band...

by Thierry Fautier Issue 108 - December 2015 Consumers are lighting the path toward worldwide acceptance of Ultra HD (UHD). Recent research from Eutelsat Communications revealed that consumers are willing to pay up to 10 a month to benefit from the increased sharpness, immersion and vivid color that UHD content offers. Theyre also willing to invest...

Submitted by Thierry Fautier

Published 17 December 2015

The Evolution of Cloud

with Micky Edwards Issue 108 - Decmeber 2015 Television was originally created to be a mass communication platform. Yet, over the last few years, it is becoming increasingly hyperlocal. There are several reasons the television industry is transitioning from a broadcast to narrowcast schematic. One is monetization. According to Borrell Associates, l...

Submitted by Micky Edwards

Published 15 December 2015