KitPlus | Articles

Vision for the future of TV

Issue 92 - August 2014During the Commonwealth Games BBC Research and Development took the opportunity to unveil a range of new trials and public demonstrations as part of its Games showcase. These experiments brought together a wide range of industry partners and are helping to shape BBC R&D’s vision for the future of TV, and included a number of b...

Submitted by KitPlus

Published 01 September 2014

The First Musketeer

by Neil Oseman Issue 91 - July 2014 Based on The Three Musketeers by Alexandre Dumas, The First Musketeer is a brand new take on this famous adventure. Written and directed by Harriet Sams, director of photography Neil Oseman takes us behind the lens of this new gritty six part mini drama shot on the Blackmagic Cinema Camera. Set in the South of Fr...

Submitted by Neil Oseman

Published 01 August 2014

Light in the rain

by Spencer Doran Issue 90 - June 2014 Following on from the success of their unique 4LIGHT & 4LONG series, European LED lighting pioneer THELIGHT has launched their new super-soft and rainproof VELVET light range. With so many LED light options and a seemingly endless number of manufacturers, its good to see one of the industries most respected nam...

Submitted by Spencer Doran

Published 01 July 2014

Teletest Telesend HD LCD receiver Review

by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast

Published 01 July 2014

Information Control and Automation but not as you know it

by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire

Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP

by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom

Published 01 July 2014

QSC Sound Reinforcement System Supports Daft Punk, Michae...

Over the past 12 months, London-based audio and lighting equipment supply and rental business Podd Sound has increasingly turned to a QSC WideLine-8 line array for sound reinforcement at the PAs, live webcasts, launch parties and live performances that form a major part of its business. Since last year, founder Mat Pod has worked for some of the ho...

Submitted by KitPlus

Published 01 June 2014

LED lighting comes of age

by Chris Chisnall Issue 88 - April 2014 Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap, you can own the best cameras on the market but without the right lighting you dont have the shot! Either on location or in the studio, you need to take in to consideration the lighting setup; key l...

Submitted by Chris Chisnall

Published 01 May 2014

Return to original programming for channel 5

Issue 88 - April 2014Sequence Post recently completed the end-to-end post of the 10 part procedural crime drama, Suspects, starring Fay Ripley, Damien Molony and Clare-Hope Ashitey. The drama series was created and produced by Newman Street, part of FremantleMedia UK, for Channel 5. Set in London, Suspects focuses on a team of three detectives and...

Submitted by KitPlus

Published 01 May 2014

#TVFUTURES

by Rhiannon Chislett Issue 86 - February 2014 Since I last wrote we have accomplished a lot more work within our projects. In December we submitted our 20-minute documentary about local traditional businesses, which has resulted in achieving distinction grades and we have also progressed dramatically with our IPTV project. Before Christmas we were...

Submitted by Rhiannon Chislett

Published 01 March 2014

Training the next generation

by Dick Hobbs Issue 86 - February 2014 At the end of January a new body the Institute for Training in Television Production (ITTP) held its first conference, organised by the publishers of TV-Bay magazine and chaired by former broadcaster Roz Morris, MD of TV News London Ltd. A packed room debated sometimes hotly the issues. Chair of ITTP is freela...

Submitted by Dick Hobbs.

Published 01 March 2014

In the Flesh: On set with the BBC

by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready

Published 01 March 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

#TVFUTURES

by Danny Hutchings Issue 85 - January 2014 Since introducing myself to tv-bay readers in October I have been working on two major assignments for this year, which are a video production unit based on a 20 minute documentary and a multimedia unit producing a studio-based TV show for exhibition on a range of platforms. These so far among other smalle...

Submitted by Danny Hutchings

Published 01 February 2014

Why is mediocrity such a powerful force?

by Thomas Urbye Issue 85 - January 2014 Ive hit the decade mark!Yes, Im now in to my second ten years working in Sohos post production world. Not only that, Im ten years working with some great Directors, DoPs, Producers and Exec Producers (not to mention the great people that are hired by these people). In that time Ive met all sorts of characters...

Submitted by Thomas Urbye

Published 01 February 2014