KitPlus | Articles

Review of Kinoflo Celeb 200

Good quality lighting is at the heart of all great photography, when we use the sun we are at the mercy of the weather and need to take into consideration all the variables from time of day to position of sun to name a few, importantly however we can trust the source to provide a complete spectrum. However when we are shooting with tungsten or with...

Submitted by Will Strauss#

Published 01 November 2012

Revolutionary Rotolight Anova Shoot at BBC Studios

The Worlds Most Advanced LED Floodlight the Rotolight Anova (www.rotolight.com) was recently the light of choice for a shoot at the home of British Television, with Philip Nash, Multi-Award Winning Photographer and Videographer(www.nash.net) shooting both Video and stills with one of the worlds leading models. The shoot was both indoors against pho...

Submitted by Will Strauss#

Published 01 October 2012

Ask the Experts with Dolby

Q: Dolby has recently been making waves in imaging with its PRM-4200 Professional Reference Monitor, but isn’t Dolby an audio company?Dolby has been involved with imaging technology for years, beginning with Dolby® Digital Cinema in 2005, then launching Dolby 3D for the cinema in 2007, and then in 2010 we introduced the Dolby PRM-4200 Professional...

Submitted by Bob Pank#

Published 01 June 2012

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012

LED - A clean light at the end of the tunnel

We asked DoP & Lighting Specialist Jonathan Harrison to evaluate the current state of the industry. Jonathan has long been critical of LED products and the claims made by manufacturers in regards to their performance for high quality professional image capture, he has also been intimately involved in the development of some of the leading industry...

Submitted by Bob Pank#

Published 01 March 2012

Eye to Eye: Whats new in lighting

The majority of modern digital video cameras and D-SLRs are capable of delivering high-quality images provided the lighting conditions are good. Attempting to shoot in low light introduces the risk of noise and limited depth of field. Whatever the claimed camera sensitivity, good lighting is as essential today as ever. The following is a short over...

Submitted by Bob Pank#

Published 01 March 2012

Thinking of buying an OLED - read this first...

It may surprise some people that Autocue, known worldwide as the leader in broadcast, educational and corporate teleprompting, is also highly experienced in providing broadcast quality reference monitors. We’ve parlayed our experience in quality prompting screens to specify the manufacture of broadcast monitors for OB trucks, vision galleries and Q...

Submitted by Bob Pank#

Published 01 December 2011

Whats new in video monitoring

The great majority of video monitoring displays in any modern broadcast presentation facility are LED-backlit LCDs. Reliable, space-efficient and economical on power, they produce excellent pictures for all but the most critical applications, usually in conjunction with one or more multiviewers to emulate a monitor stack. Domestic television began...

Submitted by Bob Pank#

Published 01 December 2011

Rent-a case, the answer to transporting LCDs?

Over the last few years we have seen the release of hundreds of new plasma LCDs LEDs and now 3D LED with new models from new manufactures being released with what seems like every day. The huge growth in the sector has driven down the cost of production allowing companies to be very creative in how and which way to use the screens. For example we n...

Submitted by Bob Pank#

Published 01 November 2011

RAID SATA Storage System for Music Production

In today’s music industry, it is no longer necessary to have a big studio to produce a hit. This is nothing new to Future Cut Productions, Ltd., a London-based music production studio comprised of Darren Lewis and Tunde Babalola. Utilizing a unique approach, Future Cut produces, mixes, and remixes most of its tracks using only a Mac® Pro in a small...

Submitted by Bob Pank#

Published 01 October 2011

AdVision TV: Editing... Live

Glastonbury - it's on TV. Premier League Football? On TV. Not subscribing to the right satellite channel? Worried about missing a big event? Try Googling it, try YouTube. You would have thought that live events would struggle to survive in the face of this wall of media coverage. But rock concerts, sports matches, conferences and venues across the...

Submitted by Kieron Seth#

Published 01 May 2011

Ask the experts - Monitoring

What are the latest innovations in monitoring?For both film and broadcast work, in addition to the fact that the picture must be true, without motion artifacts or aliasing, for a lot of applications you can also add that the picture must be processed in real time - less than one frame or one picture in progressive mode – so the main innovations are...

Submitted by Bob Pank#

Published 01 March 2011

Truth Lies and LEDs

As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

Putting Your Sports Announcers in the Best Light

Sports event remote crews have long fought the challenge of matching light on announce booth talent to the ambient light on the field below. Light on the playing surface during a single event can range from bright sunlight, ducking in and out of clouds, to minimal level artificial light. During daylight hours, without additional light on the talent...

Submitted by Kieron Seth#

Published 01 January 2011

Eye to Eye at the Wildscreen International Film Festival

Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#

Published 01 December 2010