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Two Decades of Development With DK-Technologies

For more than 20 years, DK-Technologies has been developing audio and video test and measurement products that have become industry standards thanks to their adoption by many of the world’s top music, broadcast and post production facilities. Founded in 1987 by its current CEO Karsten Hansen, DK began by developing complex, custom-designed matrix s...

Submitted by Dennis Lennie

Published 01 January 2010

SATIS in a day

Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie

Published 01 December 2009

3D Post

The state of 3DRewind a couple of years and 3D was a hot topic but there was very little production and few companies able to offer suitable support for efficient 3D post production. Many people thought it would fade, as before. A few even hoped it would go away! Now many are supporting stereoscopic 3D. The most activity is in the DI (digital post...

Submitted by Dennis Lennie

Published 01 October 2009

Mercedes-Benz Worlds winning formula, Online Creative and...

I set up Online Creative in 1999 after a number of years of linear editing and five years of post working for German non-linear editing manufacturer, FAST, during the pioneering days of digital video. The early 90s were a very exciting time editing with non-linear for the first time, although I haven’t done a linear edit since!Online Creative has g...

Submitted by Dennis Lennie

Published 01 October 2009

Eye to eye Picture displays and multiviewers 2009

The transition from cathode-ray tubes to flat-panel display devices for broadcast picture monitoring was a long time coming but is now almost complete. Grade 1 CRTs from suppliers such as Ikegami and Sony are still purchased in small numbers for monitoring in quality-conscious playout centres and post-production houses. For every other broadcast ap...

Submitted by Dennis Lennie

Published 01 September 2009

How to choose a broadcast display

How to choose a broadcast display…10 years ago, buying a CRT monitor was simply a case of buying the latest version of your facilities favourite brand in either Grade I or II. The advent of the LCD, HD and the demise of the CRT means we have now to try and decipher all the marketing jargon to work out which display best fits our needs. To help de-m...

Submitted by Dennis Lennie

Published 01 September 2009

OLED vs LCD

There was a rapid change in image display technology within the last few years. Nowadays CRTs are history, flatpanels substitute them everywhere. Even in the broadcast industry. Different technologies dominate the market;Plasma - a self-lighting principle - mostly used for large screens;TFT-LCDs - a concept that always needs a backlight - most comm...

Submitted by Dennis Lennie

Published 01 September 2009

Why choose a broadcast or professional monitor

Just as it’s unlikely that anyone would purchase a family vehicle to set trailblazing records around a race track and a sports car is not going to be the best choice for off-road use, the same principle is true of monitors – the key is to match the product to the demands of the task. So what are the differences between the major monitor families?Co...

Submitted by Dennis Lennie

Published 01 September 2009

Eye to eye on Broadcast content management 2009

Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie

Published 01 August 2009

The filming of Lands End to John OGroats

I’ve been here for several minutes now. Standing in the pouring rain with a camera pointing at the road sign for Somerset, the drops of rain tapping on the camera rain cover add a certain atmosphere to the wild track. I stood trying to work out who was the madder, the two cyclists I was waiting for, or me. Here they come, 10 seconds on the tape, ba...

Submitted by Dennis Lennie

Published 01 August 2009

NAB 2009 report

By general consensus, this year's NAB Spring Convention, or 'NABshow' as it styles itself, was one of the best ever. Wider aisles and a respectable rather than manic level of attendance made the event, in the words of one exhibitor, 'Business Class'. NAB was always the prototype show where you could sense the directions in which manufacturers were...

Submitted by Dennis Lennie

Published 01 July 2009

JVC introduces new Final Cut Pro 6

Victor Company of Japan, Ltd. (JVC) further expands its ProHD camcorder line-up by introducing two professional solid state camcorders, the industry's first to store files in the native QuickTime format for Apple's Final Cut Pro™ onto reliable and inexpensive SDHC media cards. The compact hand-held GY-HM100 3-CCD camcorder is introduced in January...

Submitted by Bob Pank#

Published 01 April 2009

Eye to Eye Video acquisition and production

BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie

Published 01 April 2009

Mixing with the wildlife on Big Cat Live

A crew of 73 travelled out from the UK for 6 days of BBC’s ‘Big Cat Live’ programmes from Kenya early in October. Most of us were flown in on single engine cessnas which took us from Nairobi across the great Rift valley & down towards Tanzania. From the moment we touched down on the rough dirt & asphalt landing strip in the middle of the Masai Mara...

Submitted by Dennis Lennie

Published 01 March 2009

Audio Technology Spotlight

In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009