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Lighting Q and A

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I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#

Published 01 January 2011

Flipping the Switch to Wireless Lighting Control

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Despite the fact that the wider world is increasingly adopting multiple forms of wireless control and communication, the professional lighting industry continues to, by and large, be dominated by the wired link to carry the universal DMX512 control standard. There’s no question that wired DMX512 offers simplicity for point-to-point links to large b...

Submitted by Kieron Seth#

Published 01 January 2011

Around the globe with Q-Ball

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The bicentenary of the birth of Charles Darwin was celebrated during 2009 by a variety of TV programmes studying the background to his 1859 book 'On the Origin of Species'. One of the most ambitious tributes was a 35-part series planned and produced by Dutch broadcaster VPRO. Rather than hire a studio, they commissioned the three-masted clipper Sta...

Submitted by Bob Pank#

Published 01 November 2010

ALEXA bringing new creative freedom to filmmakers

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ALEXA brings new creative freedom to filmmakers. A compact, lightweight and affordable digital camera, ALEXA redefines the limits of motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high-end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of appli...

Submitted by Bob Pank#

Published 01 August 2010

Im a celebrity get me out of here

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Gearhouse Broadcast was awarded the contract to supply broadcast equipment and some crew for Granada Productions “I Celebrity Get Me Out of Here” in 2008. Since that time we have been involved in two UK shows and one German show in Australia plus a USA show in Costa Rica. Planning for these shows is an all year round exercise as the UK show is Dece...

Submitted by Dennis Lennie

Published 01 February 2010

Robotic cameras on location

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Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie

Published 01 February 2010

NAB 2009 report

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By general consensus, this year's NAB Spring Convention, or 'NABshow' as it styles itself, was one of the best ever. Wider aisles and a respectable rather than manic level of attendance made the event, in the words of one exhibitor, 'Business Class'. NAB was always the prototype show where you could sense the directions in which manufacturers were...

Submitted by Dennis Lennie

Published 01 July 2009

A Cinematographers Companion, through hell and high water...

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Miller Camera Support has never been more thoroughly tested than by Australian Cinematographer Wade Fairley, through Antarctic winters and summers, floods in Tuvalu, swamps in the Solomon Islands and the outback deserts of Australia. The most outstanding project of recent times for Wade was the trip for the BBC Natural History Unit, shooting footag...

Submitted by Dennis Lennie

Published 01 March 2008