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How LiveU Has Changed The Way We Work At ITV Daytime


As my job title suggests, I’m responsible for planning and executing technology projects across ITV’s Daytime, including outside broadcasts, which are central to what we do. We broadcast live for more than six hours every weekday with four shows: Good Morning Britain, This Morning, Lorraine and Loose Women. With a history as one of the main UK terr...

Submitted by Tim Guilder
Published 16 July 2019

Lighting with Gurdip Mahal


Gurdip Mahal’s credits for lighting design are impressive. Including major Awards shows such as BBC Sports Personality of the Year, Children in Need, as well as The Voice, Top Gear and Crystal Maze, his CV would almost certainly include at least one show with which any one of us is familiar. In addition, he has applied his own particular style to p...

Submitted by Ian Muir
Published 04 June 2019

A Truly Mobile Fly On The Wall


A Truly Mobile Fly on the WallFly on the Wall Entertainment is responsible for over 2000 hours of programing that have aired on multiple networks. As the Executive Producers of CBS’s summer sensation Big Brother, going into its 20th season this summer, they have been the key to the growth and evolution of one of the most groundbreaking entertainmen...

Submitted by KitPlus
Published 04 June 2019

TV Futures - The Shadowing Experience


My name is Daniel Jones, and it is no accident that I’m currently studying BSc (Hons) Television and Broadcasting at the University of Portsmouth. Since completing GSCE media studies I have been constantly questioning what I watch with questions such as, “Wow, how was that filmed?” or “That looks amazing, I wonder how long that took?” It should com...

Submitted by Daniel Jones
Published 21 March 2019

Remote Teams and Talent


If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with distributed production and post production. Bridging the distance not only allows you to find the best talent for the job anywhere in the world, it creates the potential for a diverse and globally-minded workforce that b...

Submitted by Megan Cater
Published 21 March 2019

Keeping Your Post Prodction on Track with Subclips and Se...


For my 2nd Kit Plus article I thought I’d try and build on the theme of my first, and that’s one of making sure things are organised at all levels of your post production projects. Last time I talked about trying as best as you can to stick to the ‘two week rule’, making sure that the names & locations of every asset you import, and every bin & seq...

Submitted by Alex Macleod
Published 21 March 2019

Your two week editing future


So here we are - January again! Usually a good time to reflect on the year just gone by, and a good time to look forward to the coming months as the new year begins. When I was reflecting on my 2018, and when thinking about what to write for my first article for Kit Plus - I kept coming back to one theme - organisation. As someone who gets hired to...

Submitted by Alex Macleod
Published 25 January 2019

State of the Nation - January 2019


I’m writing these thoughts on the morning of 20 December. From my desk in Tunbridge Wells I am normally gently aware of air traffic at five thousand feet, lining up to land at Gatwick Airport. Today it is silent: since 9.00 last night some idiot has been flying drones across the runway. An airport is a finely tuned machine, with all the interconnec...

Submitted by Dick Hobbs - new
Published 24 January 2019

New developments in remote broadcast cameras


Small, specialist broadcast cameras are doing more work than ever before. David Bradley of BR Remote explains how the operation of cameras is changing to deliver much greater volumes of content, and outlines some of the creative possibilities that next wave of remote technology will bring. Perhaps the greatest challenge facing broadcasters and prod...

Submitted by David Bradley
Published 24 January 2019

Shopping for lenses and more...


When it came to updating the studio at the University of Surrey, Andy Attwell was looking for manufacturers that would offer more than just a great product. It sounds like a dream job. With the funding secured to update the studio in the Department of Music and Media at the University of Surrey, Guildford, it was time for Television Studio Manager,...

Submitted by Andy Attwell
Published 24 January 2019

NEP Student Day


The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. Wi...

Submitted by KitPlus
Published 09 November 2018

Keeping it remotely real


Everyone wants to do more with less. Always have, although it could be argued that doing more with more is something to aspire to, not many have that luxury. So let’s stick with the prevailing winds of doing more with less, and not just doing more, but doing it remotely, particularly in terms of production. Remote production, in particular, is gett...

Submitted by Reuben Such
Published 09 November 2018

Why are trade shows still important


First, the disclaimer: as the CEO of a rather large trade show, my opinion is likely to be skewed. However, I wouldn’t be here – now in my eighth year at IBC - if I didn’t truly believe that well-curated trade shows like IBC are a hugely important resource for our industry. Firstly, successful workflows are complex. We are not working in a world wh...

Submitted by Mike Crimp
Published 08 September 2018

Smashing the WTA Tour


The Women’s Tennis Association (WTA) is the global leader in women’s professional sport with more than 2500 players representing nearly 100 nations competing for a record $146 million in prize money. The 2018 WTA competitive season includes 54 events and four Grand Slams in 30 countries. In 2017, the WTA was watched around the world by a total TV a...

Submitted by Danny Ridler
Published 08 September 2018

Live audio contribution over wireless networks


Wireless “live” contribution from anywhere at any time, this is the ultimate goal for most news reporters. The old favorite of using ISDN is becoming harder and much more expensive to access easily. Today most of us use wireless daily, in particular Wifi and HSPA/LTE 4G networks. These are now mature technologies and widely used for many applicatio...

Submitted by Pablo Rodrigues Altmann
Published 08 September 2018