KitPlus | Articles

Meeting standards in 3D

It has been said that poor quality stereoscopic TV will ‘poison the water’ for everyone. This was because in the past 3D was made to quite poor and uncontrolled production and delivery standards. But since BSkyB’s “Technical Guidelines for Plano Stereoscopic 3D Programme Content” were published over two years ago programme makers have had specific...

Submitted by Bob Pank#

Published 01 January 2013

The cushion quotient

I have just been to a conference organised by the Mobile Data Association. I was very grateful to the organisers for the invitation, as it is the sort of thing that appeals to me: some of the top analysts in the industry throwing out statistics and predictions. Of course, at this sort of conference you get a lot more about where we are than where w...

Submitted by Bob Pank#

Published 01 December 2012

The highs and lows of histograms

Histogram displays for video analysis probably followed those found in common computer graphics programs such as Adobe Photoshop. This can be very useful in finding video signal problems that would be difficult or impossible to see with a conventional waveform display. The histogram is a way of showing statistical results as a bar-chart. The range...

Submitted by Kieron Seth#

Published 01 December 2012

TV-BAY Questions

Name & Title? Den Lennie, director of photography/Producer/EducatorWho are you? (about yourself and who you work for)? I am a director of photography and one of the world’s leading coaches on the new wave of digital filmmaking. What do you do? What does your company do? I run an online film school at fstopacademy.com and specialise in small group f...

Submitted by Kieron Seth#

Published 01 December 2012

Review of Kinoflo Celeb 200

Good quality lighting is at the heart of all great photography, when we use the sun we are at the mercy of the weather and need to take into consideration all the variables from time of day to position of sun to name a few, importantly however we can trust the source to provide a complete spectrum. However when we are shooting with tungsten or with...

Submitted by Will Strauss#

Published 01 November 2012

Why a new range of cases?

The team here at Ianiro International worked with Luggy for many years - they made wonderful bags with a real Italian quality and an eye for style. Sadly, last year the owner passed away, drawing their business to an abrupt close. For Ianiro International and its customers, this left a real gap. But it gave us an opportunity to reflect on our portf...

Submitted by Will Strauss#

Published 01 November 2012

Autocue Production Suite at BroadcastShow

Autocue Production Suite at BroadcastShowThe Autocue Production Suite (APS) is a single, integrated system designed to replace traditional, individual broadcast devices. When combined with our newsroom, prompting and production applications, it offers a cost-effective end-to-end workflow solution. We’ve been working with BroadcastShow over the last...

Submitted by Bob Pank#

Published 01 November 2012

Wibbly Wobbly Waveforms

The very first analytical electronic instrument, developed in the late 1890s, was the oscilloscope. This used a cathode ray tube (CRT) to paint a graph of voltage on the Y axis versus time on the X axis. Once television became a practical reality in the 1930s, the same instrument was applied to the video output from the camera and became the very u...

Submitted by Bob Pank#

Published 01 November 2012

Protecting the archive

Over the last 20 years or so we have all become accustomed to the expression “asset management” and, as ever, familiarity has bred contempt. In this case, the expression has become a loose descriptor for almost anything with a bit of a database in it. We need to stop and think about what we are trying to achieve. In any media enterprise, the conten...

Submitted by Bob Pank#

Published 01 November 2012

Cloud Storage and the end of silos

It should not come as any surprise that people who specialise in one thing are not necessarily experts at other things. For example, and getting straight to the point, a great video editor cannot be expected to have the technical skills to securely store the edited master of his finished programme. The master is a valuable asset that is expected to...

Submitted by Bob Pank#

Published 01 October 2012

Pointing out the right colours

In the old days of PAL and NTSC analogue television, a vectorscope was an essential tool for examining chroma at every part for the programme production and transmission chain. This was because the colour information was carried as a phase and amplitude modulation which could be sensitive to a variety of transmission or recording non-linearities an...

Submitted by Bob Pank#

Published 01 October 2012

New Solutions for Accelerated and Secure Movement of High...

For broadcasters and media enterprises of all shapes and sizes, the ability to move critical content rapidly and securely from point A to point B has always been important – but it’s never been so complex and rife with risk as in today’s multiformat, multiscreen content delivery environment. Today’s broadcasters and content owners are often require...

Submitted by Bob Pank#

Published 01 October 2012

Evolving Test and Measurement

Time and accuracy are vital when producing content for broadcast. All broadcasters have strict schedules to work to, as well as visual and audio standards that need to be met. Effective testing and measurement (T&M) of any material that is to be transmitted is key to ensuring these parameters are adhered to, for both producer and broadcaster; get t...

Submitted by Bob Pank#

Published 01 August 2012

Automating intelligence across the signal flow

Back when broadcasters maintained small channel lineups, monitoring was a simple task that could be performed cost-effectively by station staff. The manual system-wide monitoring of critical audio and video parameters required dedicated staff all along the broadcast chain, but the investment typically could be justified. However, even with dedicate...

Submitted by Bob Pank#

Published 01 August 2012

Our third digital revolution?

Our third digital revolution?By Bob PankA little history – the first digital revolution for the TV production and post industries started somewhere about 1972 and then involved introducing digital islands into an analogue world. The introduction of much more affordable digital VTRs such as Sony’s DigiBeta in 1993 heralded the beginning of the end o...

Submitted by Bob Pank#

Published 01 July 2012