KitPlus | Articles

OLED question and answer

Q: What is OLED?A: OLED stands for Organic Light Emitting Diode. OLEDs are relatively simple in structure, made up of an electrically active organic material sandwiched between an anode (a electron-releasing electrode) and a cathode (an electron-receiving electrode). When an electric current runs through the system, the anode sends electrons to the...

Submitted by Bob Pank#

Published 01 August 2010

Game, Set and Media Management

A week into Wimbledon and my chances of getting there this year seemed to be dwindling fast. A late call on Friday afternoon though from Timeline TV rekindled my hopes of not only seeing a bit of tennis but getting an exclusive tour around the Wimbledon Broadcast Centre. Always one to grab the opportunity to see both tennis and kit in action my nex...

Submitted by Bob Pank#

Published 01 August 2010

Cutting Edge 3D Graphics for the BBCs Election Night

Spanish real-time 3D graphics manufacturer, Brainstorm, provided a full suite of data driven 2D and 3D graphics for the BBC’s recent UK Election Night coverage. The BBC’s election coverage includes some of the most technically challenging and innovative graphics on air, providing an excellent showcase for the power and sophistication of Brainstorm’...

Submitted by Bob Pank#

Published 01 July 2010

A dream budget

As the coalition government prepares its emergency budget, Peter Savage looks at what is planned and tells us what he thinks the government should do. Apologies to avid readers of this column that there wasn’t one in the last issue. The editors decided on an article on the effects of the general election on our industries and, sod’s law, the deadli...

Submitted by Bob Pank#

Published 01 July 2010

How to create and brand a live TV experience online

Late last year, Pixel Power worked closely with the Perform Group to brand the first ever live England football match online, a landmark event. Before we discuss that in detail, there is a wider question to answer: what do we mean by “branding”? Branding is fundamentally how you differentiate your channel; how you make it stand out in the crowd and...

Submitted by Bob Pank#

Published 01 July 2010

A conversation with Peter Harman, Vinten Product Manager

Vinten is celebrating its centenary in 2010. What were the origins of the business?William Vinten was an engineer with a passion for quality. He set himself in business to repair friends’ bicycles at the age of 13, did a full apprenticeship in a machine shop, and worked for Frederick Lamplough, the steam car pioneer. But it was seeing his first mov...

Submitted by Bob Pank#

Published 01 June 2010

Aston ON

In August 2009 leading Spanish real-time graphics manufacturer, Brainstorm Multimedia acquired the Aston 7 character generator from the Softel Group. With over 30 years on the market, Aston is one of the most established brands in the business and has been the gold standard in character generation in the United Kingdom for many years – to the exten...

Submitted by Bob Pank#

Published 01 June 2010

3D Diaries Part 1

Believe it!Welcome to 3D Diaries, TV-Bay’s own monthly column dedicated to 3D. Each month will feature an aspect of the 3D chain from scene to screen – all areas are affected in some way or another, so there’s plenty to talk about! But this would be meaningless if you are not a 3D believer, so this month I’ve shown why 3D is now here to stay. At NA...

Submitted by Bob Pank#

Published 01 June 2010

Doremi Silver Anniversary

It was 25 years ago that Doremi founder and CEO Camille Rizko, invented a better way to perform digital audio for postproduction. He was joined by his brother Emil, and fellow engineer Safar Ghazal. And so from humble beginnings in the San Fernando Valley, California, the Doremi partners have never looked back. In 1985, the entertainment industry w...

Submitted by Bob Pank#

Published 01 May 2010

3D home viewing

It seems the whole world is excited about the return of 3D to cinemas. Older sceptics said it wouldn’t last as it used to give them a headache. Sure, the old celluloid-based 3D delivery system had real problems and the production chain was slow and very expensive. This time is different, with rock-steady digital images in cinemas ensuring that the...

Submitted by Bob Pank#

Published 01 April 2010

POV cameras explained

John Chambers is Managing Director of Drivedata (UK) Ltd, which specialises in minicam solutions for broadcast, military and extreme-sports applications. Minicams, also referred to as POV cameras, are becoming increasingly popular as they get smaller, cheaper and easier to use. The POV camera is now a firm favourite in reality TV, sports coverage a...

Submitted by Dennis Lennie

Published 01 March 2010

Accessorising DLSR video

Some DSLR stills camera manufacturers now include HD video capabilities within their top-of-the-range products. This raises the prospect of lower cost stills cameras shooting good quality HD video. While this is true in certain circumstances there is much more that needs to be included with these cameras to make them consistently produce their best...

Submitted by Bob Pank#

Published 01 March 2010

Filming Underwater

Filming underwater remains one of the toughest assignments for any professional production, whether documentary or drama. There are safety concerns involved in having crew and, possibly talent, working underwater. Documentary filmmakers often operate in remote locations, far from medical aid and, especially, decompression chambers needed to treat b...

Submitted by Bob Pank#

Published 01 March 2010

The best job in the Met

If you have ever wondered “How did they do that?” when you watch the car chase in Spooks or the gun fight in Ashes to Ashes or even the thrilling gun shot scene at Waterloo Station in Bourne Ultimatum, then you may want to talk to the Metropolitan Police Service Film Unit (MPS FU). “COPS FORM A LUVVY SQUAD” was how one red-top newspaper commented o...

Submitted by Dennis Lennie

Published 01 February 2010

Robotic cameras on location

Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie

Published 01 February 2010