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Keeping it real


by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#
Published 01 September 2014

Vision for the future of TV


Issue 92 - August 2014During the Commonwealth Games BBC Research and Development took the opportunity to unveil a range of new trials and public demonstrations as part of its Games showcase. These experiments brought together a wide range of industry partners and are helping to shape BBC R&D’s vision for the future of TV, and included a number of b...

Submitted by KitPlus
Published 01 September 2014

Internet streaming the greatest challenges


by Simon Homent Issue 91 - July 2014 What is Wuaki.tv and who do you target?Wuaki.tv is a leading movie and TV series streaming service, dedicated to providing consumers with a wide selection of high quality content through a la carte rental and purchase or subscription services. The goal is to become Europes best way of watching and experiencing h...

Submitted by Simon Homent
Published 01 August 2014

Box to Box


by Will Strauss Issue 90 - June 2014 Specially designed flyaway OB units are being deployed at the World Cup in Brazil to help bring enhanced coverage of the beautiful game to countries around the world. By Will Strauss. Like many journalists I like to put things in boxes, metaphorically speaking, Regardless of how unwise it may be, it helps to est...

Submitted by Will Strauss#
Published 01 July 2014

RTS Thames Valley NAB 2014 Review


by Simon Tillyer Issue 90 - June 2014 A sunny, early summer evening welcomed over 40 people to the annual RTS NAB review on 14th May. This annual get together features a panel of guests, chaired by Dick Hobbs discussing their experiences and thoughts of NAB. The panel consisted of Maya Severyn (Head of Technical Services & Support - Chellomedia), J...

Submitted by Simon Tillyer
Published 01 July 2014

Shooting in secret


by Kieron Seth Issue 88 - April 2014 Now showing on Channel 4 is Endemols new and highly popular Secret Eaters series. Based round a fixed rig production, the series uses newly developed mobile fixed rig technology and incorporates a number of recently introduced technical innovations, vital for fast turn-around TV. Secret Eaters is one of a string...

Submitted by Kieron Seth#
Published 01 May 2014

When the going gets tough


by Will Strauss Issue 88 - April 2014 When working in the field, the kit we use has to withstand a fair old battering. And Im not just talking about the cameras, viewfinders and those expensive lenses. While glass still needs protecting, these days so does your laptop, your storage, your memory cards: the lot. They all need bags, cases and toughene...

Submitted by Will Strauss#
Published 01 May 2014

Ask the Experts with IABM


by Peter White Issue 87 - March 2014 1. In terms of technology - how is the broadcast industry set to change in 2014?2013 was a particularly challenging year for many vendors in the broadcast and media technology sector. According to the IABM Industry Index, while there was some modest growth last year, many businesses experienced an ongoing declin...

Submitted by Peter White
Published 01 April 2014

Automation...


by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman
Published 01 April 2014

Todays media business needs SaaS


by Barrett Coakley Issue 87 - March 2014 In the field of media production, TV and broadcast organisations have yet to fully realise the benefits of Software as a Service (SaaS) especially as part of their day-to-day operations. However, there is no reason media professionals should have to settle for using outmoded or inefficient technology to get...

Submitted by Barrett Coakley
Published 01 April 2014

War House goes live in 4K


Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus
Published 01 April 2014

Cutting the cord


by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#
Published 01 April 2014

Modern movie finishing


by Alexa Maza Issue 85 - January 2014 Written and directed by Neill Blomkamp, Elysium is a new science fiction movie starring Matt Damon and Jodie Foster. Set in the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined planet. Digit...

Submitted by Alexa Maza
Published 01 February 2014

Will Strauss looks at post production in 2014


by Will Strauss Issue 85 - January 2014 Despite being named in Americas Top 10 Dying Industries in 2011, post-production still very much has its place in the UK. But it is changing. And fast. With increasingly commoditized and affordable technology allowing pretty much anyone (within reason) to do post-production, the lines between production and p...

Submitted by Will Strauss#
Published 01 February 2014

A testing 4K future...


by Steve NunneyIssue 83 - November 2013 We have only recently started to get HDTV transmitted to our homes with all the headaches of getting 1920 x 1080 50 or 60 fps down cables and compressed over the airways. Then there was the suggestion we could be sitting at home wearing glasses watching 3D however on 13th June 2013, ESPN announced an end to b...

Submitted by Steve Nunney
Published 01 December 2013