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Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...

LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak

Published 08 September 2023

Sully - Grading a miracle

We all know the story. On 15 January 2009 an Airbus A320 took off from LaGuardia airport in New York, heading for Charlotte. Just a couple of minutes later the plane flew through a flock of Canada geese and blew out both engines. Knowing the risk of crashing into heavily populated areas, Captain Chesley Sullenberger - Sully - aimed for the only lon...

Submitted by Maxine Gervais

Published 15 February 2017

Cellular Wireless Networks

by Erwan Gasc Issue 99 - March 2015 1. What advantage do 3G/4G cellular wireless networks provide to broadcasters over satellite networks?For many years, satellite was the primary approach for real-time video delivery within the broadcast industry. That changed with the explosion of the Internet and second-screen devices like smartphones and tablet...

Submitted by Erwan Gasc

Published 01 April 2015

Bob Pank looks at the size of 4k

by Bob Pank Issue 86 - February 2014 The television industry has had many new technological eras in recent years. Only two years ago we were still a 3D era; the latest of the many that have surfaced and sunk over the years of cinema, making it recurring fad. Now 4K / UHD is firmly grabbing the attention of equipment manufacturers as well as product...

Submitted by Bob Pank#

Published 01 March 2014

Modern movie finishing

by Alexa Maza Issue 85 - January 2014 Written and directed by Neill Blomkamp, Elysium is a new science fiction movie starring Matt Damon and Jodie Foster. Set in the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined planet. Digit...

Submitted by Alexa Maza

Published 01 February 2014

Mobile news gathering with Will Strauss

by Will StraussSo, here’s a scenario. You’re a TV news editor and a story breaks. Your reporter and cameraman (or reporter/cameraman) can get to the scene no bother. But all your satellite trucks are someplace else. What do you do? Umm…. Thanks to developments in transmission technology the ENG scenario described above is pretty much redundant thes...

Submitted by Will Strauss#

Published 01 May 2013

The Future of 3D

Over the last 3 years I’ve worked in more than ten different countries on stereo 3D; and no matter where in the world I am I’m continually running across the rumour that 3D has done its dash and will soon be heading the way of the dodo. As with most rumours though I have yet to see any evidence of this. One of the most anticipated releases for Fran...

Submitted by Will Strauss#

Published 01 January 2013

Following the Ravensbourne 3 - part 3

Since the last issue, I've had a busy first term back at Ravensbourne. Our Enterprise and Entrepreneurship unit is designed for us to gain business skills and launch us into the industry. We were given the task to come up with a product or service and make money from it. The unit worked towards exhibiting at Penrose Market, which takes place at our...

Submitted by Will Strauss#

Published 01 January 2013

Meeting standards in 3D

It has been said that poor quality stereoscopic TV will ‘poison the water’ for everyone. This was because in the past 3D was made to quite poor and uncontrolled production and delivery standards. But since BSkyB’s “Technical Guidelines for Plano Stereoscopic 3D Programme Content” were published over two years ago programme makers have had specific...

Submitted by Bob Pank#

Published 01 January 2013

The new world of live acquisition

While the debate rages over the future of broadcast television with discussion of OTT (OTT – over-the-top delivery – think iPlayer on Virgin Media as a key example – or LoveFilm. It means an on-demand content service that is delivered over the top of another network) and time-shifting increasingly hogging the limelight, there’s one arena in which t...

Submitted by Bob Pank#

Published 01 April 2012

Eye-to-eye: 2011 highlights

“Broadcasters must climb up the ladder into high definition or they’ll get their ankles chewed by the computer industry”. Memorable quote from a manufacturer of video standards converters nearly 30 years ago when NHK was trying to establish its original 1125-line (1080-active) 5:3 aspect-ratio ‘Hi-Vision’. Well it happened. 2011 was the year ‘high-...

Submitted by Bob Pank#

Published 01 January 2012

Whats new in video monitoring

The great majority of video monitoring displays in any modern broadcast presentation facility are LED-backlit LCDs. Reliable, space-efficient and economical on power, they produce excellent pictures for all but the most critical applications, usually in conjunction with one or more multiviewers to emulate a monitor stack. Domestic television began...

Submitted by Bob Pank#

Published 01 December 2011

Operating at the cellular level

The live coverage of outside broadcast events, news or sports has always been an expensive and logistically cumbersome business. The need to invest millions of pounds in specialist satellite trucks can take years to recoup, putting the ability to service live sports contracts beyond the economy of a very few suppliers. Even the live presentation of...

Submitted by Bob Pank#

Published 01 September 2011

Meet Steadicam

1) What is Steadicam?Steadicam is a body-worn camera support systems that isolates the movement of the camera from that of the operator and allows the camera to travel with great freedom over almost any terrain without resorting to conventional track and dolly techniques. Invented by Garrett Brown, the first model was produced in 1976 primarily for...

Submitted by Bob Pank#

Published 01 December 2010

Nucoda Film Master builds tension on Mistresses

Fans of popular UK television drama Mistresses saw the third series air on BBC One and BBC HD in August. Shot in Bristol on RED, the four x 60 minute drama was edited and graded at Bristol-based post production facility Films@59, who also supplied the camera kit. Produced by Ecosse Films, Mistresses delves into the tangled lives of four female frie...

Submitted by Bob Pank#

Published 01 September 2010