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tv-bay IBC2010 double takes

Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#

Published 01 November 2010

Eye to Eye: Video monitoring and displays

Given a decent stereo audio source and a pair of headphones, it is quite easy to imagine that you are actually attending a live performance. Not so with video; human eyes are much more demanding. Fortunately picture display technology is developing very quickly and along many different routes. OLEDsLED-backlit LCDs were about the best screens avail...

Submitted by Bob Pank#

Published 01 August 2010

Eye to Eye: Distribution and Delivery 2010

Distribution and Delivery are two elements of in the broadcast chainthat get taken pretty much for granted but both are highly important. My focus in this summary is on equipment and software introduced since IBC 2009 and in the run-up to NAB 2010. Distribution linksThese come in many shapes and flavours, over copper, optical fibre, RF, point-to-po...

Submitted by Bob Pank#

Published 01 May 2010

2020 television

Television has proved the most popular and efficient form of human communication since the evolution of speech and the development of the written word. The industry has come a long way in a short time and still has a huge future, whatever the delivery route or the receiving platform. My intention here is to outline the key factors influencing the d...

Submitted by Bob Pank#

Published 01 April 2010

AVCHD and NXCAM

I’ll be honest – up until recently I had not been a big fan of AVCHD. It promised great things but, having hired out consumer AVCHD cameras for the last few years, we knew there were still a few hurdles for it jump over. For corporate customers, to just ‘plug and play’ in terms of simple playback was impossible – some form of software was always re...

Submitted by Bob Pank#

Published 01 March 2010

Eye to Eye: Content Protection 2009

In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie

Published 01 November 2009

Africans in London TV

Joseph Otieno Adamson, Managing Director of the new TV Station Africans in London or AIL TV, is a man whose enthusiasm for all things media knows no bounds. A talented musician, he attended a university course to learn to become a music producer, set up his own recording studio and later decided to extend his talents to video and the world of broad...

Submitted by Dennis Lennie

Published 01 June 2009

JVC introduces new Final Cut Pro 6

Victor Company of Japan, Ltd. (JVC) further expands its ProHD camcorder line-up by introducing two professional solid state camcorders, the industry's first to store files in the native QuickTime format for Apple's Final Cut Pro™ onto reliable and inexpensive SDHC media cards. The compact hand-held GY-HM100 3-CCD camcorder is introduced in January...

Submitted by Bob Pank#

Published 01 April 2009

HD camera market

With the low cost HD market taking an ever firmer grip on the industry, we asked for Hireacamera Managing Director Guy Thatcher’s opinion on the changes taking place. So is anyone still hiring DV/DVCAM equipment anymore?Certainly in the area we specialise in, since the arrival of the Sony HVR-Z1E nearly four years ago, we have slowly watched the ma...

Submitted by Dennis Lennie

Published 01 March 2009

How The SADiE LRX2 Is Making Location Multitrack Recordin...

Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie

Published 01 March 2009

A brief history of television graphics

Thirty years ago, television captions were routinely created by sticking white Letraset characters onto black card. Credit rolls were possible using special devices which used long strips of black material onto which the Letraset was stuck, and which were literally rolled, either by an electric motor but sometimes even by hand. There were, of cours...

Submitted by Dennis Lennie

Published 01 October 2008