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Ask the experts - Transitioning to IP


1) What has been the broadcast industry's feeling about the move to an all IP workflow?Transitioning from conventional signal transport to an all-IP environment in broadcast or content production operations seems to be a matter of "when\" rather than "if,\" as it brings a great number of advantages with it. IP is touted as offering numerous benefit...

Submitted by Craig Newbury
Published 22 July 2016

The Pros and Cons of Archiving in the Cloud


Archiving content in the cloud provides a number of key benefits. However, many media companies and content owners are still hesitant to store their assets that way due to content security implications and cost concerns. So what are the pros and cons of storing content in the cloud?There are a number of key drivers including: access to content from...

Submitted by Lee Sheppard
Published 14 June 2016

Audio


by Pieter Schillebeeckx Issue 113 - May 2016 Audio monitoring has come a long way since its humble beginnings of a box with a speaker, a volume control and an analogue input. Today\'s high-end audio monitoring units boast an impressive array of I/O such as SDI, MADI, AES-3 and Analogue while offering a large amount of functionality such as accurate...

Submitted by Pieter Schillebeeckx
Published 13 May 2016

Waveform Monitors in 4K Production


by Alan Wheable Issue 112-April 2016 Waveforms have always been one of the essential tools for anyone working in the video industry and are used for level alignment, grading and quality control to touch on just a few areas. Working with HD and 3G-SDI waveform technology may have been a solution in the early days of UHD/4k to display the waveforms f...

Submitted by Alan Wheable
Published 25 April 2016

SDI, IP, Uncompressed and Compressed


by Phil Adams Issue 112 - April 2016 Why did you decide to create a new platform for T&M? There\'s a lot of talk about hybrid in the industry and we recognised early on that there were some big changes in the pipeline to do with SDI, IP, uncompressed and compressed signals and we had a lot of our own end users asking for something specific for UHDT...

Submitted by Phillip Adams
Published 25 April 2016

Law Enforcement - Live, Mobile Video Surveillance


by Eric Chang Issue 108 - December 2015 Law enforcement, homeland security, surveillance, emergency response and military operations may span a range of operations, but they all share a crucial need for a detailed, real-time picture of rapidly changing events from various field locations. Leading law enforcement agencies have learned that there\'s...

Submitted by Eric Chang
Published 15 December 2015

AERO.soft - Bringing audio monitoring and processing into...


by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster
Published 01 December 2015

CLASS - Why ingest to the Cloud?


by Matthieu Fasani Issue 105 - September 2015 With Cloud storage becoming cheaper and the data transfer to services such as Amazon S3 storage being free of charge, there are numerous reasons why ingesting to the Cloud should be part of any media organizations workflow. So, stop trying to calculate how much storage your organization consumes by day,...

Submitted by Matthieu Fasani
Published 01 October 2015

Advantages of SSD Hybrid Solutions in Post Production Env...


by James McKenna Issue 102 - June 2015 There\'s a plan for everything in life. Think on it, scope it out, ask around and come up with a consensus, you\'ll be prepared when it happens. Like post production for example - you\'re bidding on a job that\'s acquiring in 6K for a UHD DPX deliverable, and you want the whole deal, edit through delivery, so...

Submitted by James McKenna
Published 01 July 2015

Cellular Wireless Networks


by Erwan Gasc Issue 99 - March 2015 1. What advantage do 3G/4G cellular wireless networks provide to broadcasters over satellite networks?For many years, satellite was the primary approach for real-time video delivery within the broadcast industry. That changed with the explosion of the Internet and second-screen devices like smartphones and tablet...

Submitted by Erwan Gasc
Published 01 April 2015

Move and Deliver


Issue 94 - October 2014You may not have heard of the open source video company Kaltura. But you probably will have heard of Harmonic. Together the two companies made an announcement at IBC that is indicative of where multi-screen, multi-platform TV is heading. They have teamed up to develop and market a cloud-based video infrastructure and OTT TV p...

Submitted by Will Strauss#
Published 01 November 2014

Manage and Monitor


Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#
Published 01 October 2014

Satellite adapts again to find new roles


by Simen Frostad Issue 93 - September 2014 After a period in which it appeared to be falling behind the innovation curve, Satellite is fighting back. Recent developments are giving satellite a key role to play in combination with other technologies notably IP in a range of hybrids that broadcasters and infrastructure operators are exploring in the...

Submitted by Simen Frostad
Published 01 October 2014

FM Over Satellite Challenges


by Werner Drews Issue 93 - September 2014 Seeking new ways to refine operational efficiency, broadcasters using satellite to deliver FM now have a palette of options. The combination of satellite with IP is being investigated by many in a variety of configurations, to achieve some or all of the goals of cost reduction, flexibility, redundancy, and...

Submitted by Werner Drews
Published 01 October 2014

UWP-D11 Review


by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook
Published 01 August 2014