KitPlus | Articles

4K Streaming and the Future of 8K

by Keith Wymbs Issue 87 - March 2014 There is little doubt that 4K and Ultra HD video will take hold over the next three years. These higher-resolution video types are a genuine advance from traditional HD and they likely will progress more quickly than their HD predecessor given the solid digital foundation now in place and advances such as high-e...

Submitted by Keith Wymbs

Published 01 April 2014

Ask the Experts with IABM

by Peter White Issue 87 - March 2014 1. In terms of technology - how is the broadcast industry set to change in 2014?2013 was a particularly challenging year for many vendors in the broadcast and media technology sector. According to the IABM Industry Index, while there was some modest growth last year, many businesses experienced an ongoing declin...

Submitted by Peter White

Published 01 April 2014

Collaboration and flexibility in post production workflow

Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus

Published 01 April 2014

Looking to the Cloud for broadcast business success

by Tom Donoghue Issue 87 - March 2014 More and more, todays highly competitive and rapidly evolving marketplace is ruled by consumer demand for seamless anywhere, anytime, any-device access to high-quality content. Broadcasters are learning quickly that competitive advantage is all about finding new ways to engage audiences and attract advertisers...

Submitted by Tom Donoghue

Published 01 April 2014

Automation...

by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman

Published 01 April 2014

Digital Communications

by Christian Bockskopf Issue 87 - March 2014 1. What does Riedel do? Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems,...

Submitted by Christian Bockskopf

Published 01 April 2014

Cutting the cord

by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#

Published 01 April 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

Dick Hobbs questions how it got to be 2014 so soon?

by Dick Hobbs Issue 85 - January 2014 As we get ourselves ready to launch in to the new year, I have a few thoughts to share with you. The first is prompted by a press release which landed in my inbox back in December. IBM to acquire Aspera was the headline. Aspera is a business started by a fearsomely clever mathematician, Michelle Munson. She cam...

Submitted by Dick Hobbs.

Published 01 February 2014

How the cloud is changing the post production landscape

by Stephen Streater Issue 85 - January 2014 For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn\'t changed significantly. The development costs of consumer cameras are amo...

Submitted by Stephen Streater

Published 01 February 2014

Ask the experts: What is MAM?

by Rino Petricola Issue 85 - January 2014 Media asset management: what exactly is it?While the precise definition varies from person to person, a common description tends to emerge. Media asset management (MAM) is a solution that allows media content including audio, video, and graphics to be ingested, annotated, cataloged, managed, protected, sear...

Submitted by Rino Petricola

Published 01 February 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Archive eXchange format (AXF) explained

by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss

Published 01 February 2014

Near-live production with Softrons multicam logger

by Alastair Owen Issue 85 - January 2014 Berlin-based edelbytes works with German broadcasters for channels such as ZDFkultur, tape.tv and 3sat to deliver coverage of live events music concerts, arts shows with a live audience, comedy and cabaret. But its coverage with a twist. Side-stepping the big-budget satellite van template for live event broa...

Submitted by Alastair Owen

Published 01 February 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014