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ITTP Conference

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by Graham Reed Issue 96 - December 2014 Plans are coming along very well for the 2015 Conference of the Institute of Training in TV Production, ITTP. The conference held last January at Pinewood Studios was a great success with many high profile speakers and there was also much lively debate between session panel members and the delegates. Since th...

Submitted by graham reed

Published 01 January 2015

What Directors do and dont do

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by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman

Published 01 September 2014

A credit to whom?

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Just over 40 years ago I was involved in the formation of the Guild of Television Cameramen as an independent non-profit-making international organisation that cares about television camerawork and the people who make it their craft. The GTC today has over 1,000 members, in the UK, Europe, Australia, Russia, Singapore, South Africa and the USA. The...

Submitted by Bob Pank#

Published 01 September 2012

TV-BAY Questions

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Name & TitleJohn R Williams, Director Oscus Media in EdinburghWho are you (about yourself and who you work for)?This is a hobby that has got out of control! I was always keen of Tape recorders, and my son who is now 24, has followed the same pattern with an edit suite at aged 10. I have had no formal training and so I’ve have had to learn from the...

Submitted by Will Strauss#

Published 01 August 2012

How to choose a Location?

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How to choose a Location?Clearly it depends on what your script or brief says so we need some examples to work with:Location 1: two back-gardens with a low fence between them. Script: one householder is envious of his next-door neighbour's new lawn mower. Location 2: a school playground. Script: a cuddly-toy monster is handing out a new range of ch...

Submitted by Bob Pank#

Published 01 April 2012

Seeing 3D or 2D

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The press coverage of all angles of 3D continues unabated but the subjects are changing away from the technology and more towards the commercial aspects and how 3D should be shot. With some people saying there’s no extra money above an HD budget to make 3D, there’s a money problem. For a start there’s twice as many cameras and more people, specific...

Submitted by Bob Pank#

Published 01 January 2011

Truth Lies and LEDs

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As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

The best job in the Met

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If you have ever wondered “How did they do that?” when you watch the car chase in Spooks or the gun fight in Ashes to Ashes or even the thrilling gun shot scene at Waterloo Station in Bourne Ultimatum, then you may want to talk to the Metropolitan Police Service Film Unit (MPS FU). “COPS FORM A LUVVY SQUAD” was how one red-top newspaper commented o...

Submitted by Dennis Lennie

Published 01 February 2010

What do Location Managers do all day?

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It’s a question that is often asked by my family who fondly believe I spend my time in idle chit-chat and gossip with high-powered film and media executives sipping skinny-latte Mocachinos (whatever they are!) and eating sushi. But consider the following exciting ‘James Bond’ style scenario. “Our hero and heroine are on the run, driving fast throug...

Submitted by Dennis Lennie

Published 01 March 2009