KitPlus | Articles

The future of post production

Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus

Published 15 February 2017

Mr MXF thinks the future is bright

I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow....

Submitted by Bruce Devlin

Published 13 January 2017

Health and Safety gone mad

The first true broadcast television service started 80 years ago, on 2 November, 1936. Its home, famously, was Alexandra Palace, a vast and really rather run-down building on top of Muswell Hill in north London. Originally opened in 1873, and re-opened in 1875 after a catastrophic fire, it was built primarily as an entertainment venue. Indeed, it w...

Submitted by Dick Hobbs.

Published 13 January 2017

Radio cameras bring a live broadcast to life

Radio cameras bring a live broadcast to life - especially news, sports and studio shows - by their ability to roam around and move in closer to a subject. They capture a more natural spectator\'s view than a camera that is fixed at one point, and usually get the most intimate shots and the most exciting angles in a production. Today they are indisp...

Submitted by Tony Valentino

Published 13 January 2017

Taking a hybrid approach to the SDI/IP transistion

Broadcasters are not newcomers to technological transitions. As an industry, we\'ve survived analogue to digital, baseband to file-based workflows, SDTV to HDTV and now 4KUHD resolution, not to mention weathering a barrage of new compression formats. Today, we\'re facing one of the most dramatic transformations we\'ve ever undergone: SDI to IP. Unl...

Submitted by Matthew Coleman

Published 07 December 2016

Space lights and a man called Bill

The Space Light has become one of those universally used fixtures which inhabit many film sound stages, as well as finding employment within studio-based broadcast productions. Its history, not completely lost in the sands of time, is very much part of the evolution of the British film industry, whilst its use extends now to Hollywood and beyond. F...

Submitted by Ian Muir

Published 07 December 2016

Behind the scences of Under the Shadow

BAFTA nominated director Babak Anvari\'s first feature length film, "Under the Shadow", certainly offers a unique insight into the devastation of the 1980s Iran-Iraq war. Taking place in Tehran just as the war enters its eighth year, the thriller follows a mother and her young daughter struggling to survive a brutal bombing campaign whilst also dea...

Submitted by KitPlus

Published 07 December 2016

Hacking Hell

There was a really scary story in the news a week or two ago. In the words of Yves Bigot, director-general of TV5 Monde, "we were a couple of hours from having the whole station gone for good". What happened to this highly respected broadcaster was that malicious hackers set out to destroy the network\'s systems. That has to be an alarm call for al...

Submitted by Dick Hobbs.

Published 07 December 2016

Blackmagic Design URSA Mini Reviewed

The yeti finally arrived earlier this year - I call it so, because for almost twelve months until BVE 2016 we\'d only seen it in pictures! So getting my hands on one in a real word environment was an absolute no brainer, when Simon Tillyer dropped me a line offering the opportunity to review the camera for KitPlus. I\'ll cut right to the chase with...

Submitted by Ben Sherriff

Published 07 December 2016

A changing media industry

Q. How is the media industry changing today? The media industry, especially the digital TV industry, is going through some revolutionary changes both in terms of how video is delivered and how it is watched. Until a few years ago, consumers watched TV programs that were delivered via a dedicated and controlled network. Content was aggregated and de...

Submitted by Anupama Anantharaman

Published 07 December 2016

Dick looks at the faster future

I really enjoyed IBC this year. The fact that I barely set foot on the show floor is, of course, entirely coincidental, and I should take this opportunity to apologise to all those people I did not see in Amsterdam. One of the jobs I do at IBC is produce the awards ceremony, and this year that meant I got to meet some really nice people. We gave on...

Submitted by Dick Hobbs.

Published 10 November 2016

Shooting the WRC Rally

Mark bites the dust for his art and lives to tell the tale... A look at my website will confirm I don\'t just shoot cars, I cover a wide range of genres. But I have shot in and around cars through my career. Early on I joined a facilities company specialising in the design and build of onboard camera systems for F1 and Motorcycle GP live TV coverag...

Submitted by Mark Sallaway

Published 25 August 2016

Posting Rovers on DaVinci Resolve

Managing director at Core Post Matt Brown reveals how he used DaVinci Resolve\'s 3D tracker, key lighting, and color tools to complete the final grade for new Sky 1 football comedy drama series, "Rovers.\" Set in the run down clubhouse of fictional non league team Redbridge Rovers FC, brand new Sky 1 football comedy "Rovers\" reunites "The Royle Fa...

Submitted by Matt Brown

Published 25 August 2016

The FAQs on automated quality assurance

The transition from tape-based to file-based video and audio recording allowed a completely new approach to the business of checking that programmes and interstitials conform to broad-cast industry standards prior to transmission. The Vidcheck team designed the world\'s first au-tomated broadcast quality control product. We have been working on fil...

Submitted by Thomas Dove

Published 25 August 2016

Comparing Stage and Screen

It can be a common misconception that all forms of acting are the same, if you are good at one then it must follow that you are good at another. This is not necessarily the case and is particularly true for the two disciplines of stage and screen acting. The biggest difference between of these two types of acting is the audience. On the stage audie...

Submitted by Jo Wickham

Published 25 August 2016