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Where Are You in Your Cloud Adoption Strategy


By Chris McCarthy, VP Media Solutions at TMT Insights The Media and Entertainment technology industry continues to evolve in its journey from on-premises infrastructure and workflows to the cloud-native landscape notably described in MovieLabs’ 2030 Vision whitepaper. Most major studios and content creators have adopted the cloud for some portio...

Submitted by Chris McCarthy
Published 27 February 2024

Driving Content Security Preparedness from Script to Scre...


By: Terri Davies, President, Trusted Partner Network (TPN) According to Cybersecurity Ventures, the global annual cost of cybercrime is predicted to reach GBP 7.5 million (USD 9.5 trillion) in 2024. As we continue to navigate these trends and forecasts, I encourage you to ask yourselves, what is your company’s content security risk management st...

Submitted by Terri Davies
Published 30 January 2024

Key Grip Woolf Secures the Gear for GUILLERMO DEL TOROS P...


Jonathan Woolf has gathered a wealth of trade secrets from half a century working in the motion picture industry. His recent chapters have led him to key grip the miniatures unit on Peter Jackson’s Lord of the Rings Trilogy and act as a lighting technician on the 2022 Guillermo Del Toro’s Pinocchio. Woolf’s big job on Pinocchio was to find reliable...

Submitted by Kathryn Ferentchak
Published 08 September 2023

Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...


LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak
Published 08 September 2023

From ISDN to LiveU - an interview with Simon Haywood and...


“Why are people still using SNGs when there’s the reliability, mobility and flexibility of IP-bonding, and that’s without factoring in greater sustainability? It's always surprising to us that some people, when we discuss LiveU with them, still haven't recognised the truly disruptive nature of this technology and the benefits it brings. But that is...

Submitted by Joss Armitage
Published 09 August 2023

Lets do the Time Warp


Time Warp is one of the biggest indoor electronic music events in Europe if not the world, and recently returned to its spiritual home in Mannheim, Germany for the first time in four years for a sold-out attendance that saw 30,000 people soaking up world-class sound. The influential festival was hosted across six floors of Maimarkthalle, a huge...

Submitted by Patrick Hussey
Published 05 July 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...


Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna
Published 27 June 2023

Honey, I shrank the data. How DNA storage could reduce th...


By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus
Published 17 March 2023

Spotlight on James Gilbert, Director of Product and Solut...


What vision do you have of the broadcast technology business beyond 2030?Over the next eight years we are going to be in transition, and within that there will be vastly different rates of change among content owners and media organisations. As a technology provider the onus is on us to be flexible and adaptable to meet this wide range of requirem...

Submitted by James Gilbert
Published 25 July 2022

Sennheiser MKE 400 hands on review and test


Looking to buy? Click here. Sennheiser have just released two products aimed at simplifying audio on the move, the MKE400 shotgun microphone and the XS Lav Mic, in this review we’re looking at the MKE400. If you scroll down there is a video review where you can hear the actual MKE 400 sound so worth a watch. The MKE400 is the second generation with...

Submitted by Simon Tillyer
Published 29 April 2021

A Broadcasters Guide to Microservices


The word “microservices” has been creeping into the conversation about software-centric systems recently. Is it really a different approach, what does it mean, and what are the advantages? Anyone who has ever designed a software device will understand the basic principles of modular design. It is easier to keep track of what the whole system is doi...

Submitted by Roger Persson
Published 31 March 2021

Streaming Technologies Explained


(header image courtesy of Wowza) The word streaming can relate to different technologies from different manufacturers in different scenarios and in this short article we are going to take a little tour of what it all means. When streaming video to the consumer you often see HLS DASH & CMAF mentioned. HLS is HTTP Live Streaming Dynamic Adaptive...

Submitted by Bruce Devlin - new
Published 17 February 2021

REVIEW - Hollyland MARS 400S PRO Digital Wireless Transmi...


HOLLYLAND MARS 400S PRODigital Wireless Video Transmission SystemBuilt by Hollyland and costing around £600 the Mars 400S is an easy-to-use wireless video transmitter/receiver system – it will be right up the alley of anyone who, like me, considers an instruction manual to be nothing more than box padding. The body is made of metal as opposed to...

Submitted by Phil Vinter
Published 12 February 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...


For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff
Published 22 December 2020

State of the Nation and Virtual Social Distancing


Under normal circumstances, I usually make my plans for NAB in November time. It’s when the airlines tend to have sales. This year, for personal reasons, I did not get around to booking back then, and it was only at the end of February that I could start thinking about it. Well, the airline sales had long gone, and I was faced with the prospect of...

Submitted by Dick Hobbs - new
Published 26 March 2020