KitPlus | Articles

Modern movie finishing

by Alexa Maza Issue 85 - January 2014 Written and directed by Neill Blomkamp, Elysium is a new science fiction movie starring Matt Damon and Jodie Foster. Set in the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined planet. Digit...

Submitted by Alexa Maza

Published 01 February 2014

Speed and accuracy in post

by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli

Published 01 February 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Near-live production with Softrons multicam logger

by Alastair Owen Issue 85 - January 2014 Berlin-based edelbytes works with German broadcasters for channels such as ZDFkultur, tape.tv and 3sat to deliver coverage of live events music concerts, arts shows with a live audience, comedy and cabaret. But its coverage with a twist. Side-stepping the big-budget satellite van template for live event broa...

Submitted by Alastair Owen

Published 01 February 2014

Will Strauss looks at post production in 2014

by Will Strauss Issue 85 - January 2014 Despite being named in Americas Top 10 Dying Industries in 2011, post-production still very much has its place in the UK. But it is changing. And fast. With increasingly commoditized and affordable technology allowing pretty much anyone (within reason) to do post-production, the lines between production and p...

Submitted by Will Strauss#

Published 01 February 2014

Supporting kids charity on the trip of a lifetime

by Phil HubertyIssue 84 - December 2013 As a warehouse technician at Procam with aspirations to become a camera operator, I was delighted to be given the chance to film a group of seriously ill and disabled children on the holiday of a lifetime hosted by the charity Dreamflight. Dreamflight is a national charity that takes 192 seriously ill and dis...

Submitted by Phil Huberty

Published 01 January 2014

TVFUTURES: Update from Rhiannon Chislett

by Rhiannon Chislett Issue 84 - December 2013 This past month has probably been the most challenging throughout my time on the course, yet still very rewarding at the same time. I was nominated to become production manager for both the two main projects we have been focusing on recently, the 20-minute Documentary and also the IPTV project for multi...

Submitted by Rhiannon Chislett

Published 01 January 2014

Ooh ahh.. just a little DIT with Will Strauss

by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#

Published 01 January 2014

Lighting our way at IBC

by Simon TillyerIssue 82 - October 2013 One of our duties at trade shows is rolling a camera rig around the various halls whether it be Las Vegas, London or Amsterdam and interviewing exhibitors. Having done this for a few years now we get to use different kit at each event, a deliberate decision, in order to test it out in a real world use and in...

Submitted by Simon Tillyer

Published 01 December 2013

BroadcastShow Tour - a visitors view

by Connor PearceIssue 83 - November 2013 Suitably set on the backdrop of Britains birthplace for iconic television, the last leg of the BroadcastShow Tour saw Philip Bloom host a day of seminars at Pinewood Studios. Alongside this, internationally leading companies in film and television technology flocked to share their latest and greatest broadca...

Submitted by Connor Pearce

Published 01 December 2013

Rising to the occasion

by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook

Published 01 December 2013

Streaming Downtown Showdown

by Kate PhibbsIssue 82 - October 2013 With summer well and truly on its way out, what better way to send it off than a trip to Paris to produce and live stream the Vans Downtown Showdown 2013. After the success of producing and broadcasting the Vans Spring Classic in Italy in April, we here at 3xScreen Media knew that Downtown Showdown, Europes lar...

Submitted by Kate Phibbs

Published 01 November 2013

Placebo Live Performance Shot on Blackmagic Cinema Camera

Issue 82 - October 2013 Alternative rock band Placebo has recorded a live studio set of its new album on the Blackmagic Cinema Camera. The hour long session was filmed at the famous Rak Studios in London and will be featured as bonus material on the bands soon to be released seventh album, titled Loud Like Love. Directed by Charlie Targett-Adams an...

Submitted by KitPlus

Published 01 November 2013

Bob Pank looks at shooting 4K TV

by Bob PankIssue 82 - October 2013 Not unexpectedly IBC was full of buzz and products for 4K the new image format for television. This is generally taken to be a 2x2 version of HDTVs 1920 x 1080, i.e. defining a 3840 x 2160 pixel picture. But there is nothing new about big pictures like this. Back in late 2004 a draft of the Digital Cinema Initiati...

Submitted by Bob Pank#

Published 01 November 2013

Den Lennie talks to Nigel Wilkes from Panasonic

by Den LennieIssue 82 - October 2013 Den hosted a half-hour live show from our studio at IBC in Amsterdam where he talked to Nigel about the latest developments from Panasonic. You can find the full show on our website at http://broadcastshow.com/liveTell me whats new at Panasonic. Okay, when we talked last, we spoke about a new camera called the P...

Submitted by Den Lennie

Published 01 November 2013