KitPlus | Articles

Object Audio - whats all the noise about

We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it. Remember the good old days of mono audio on TV? Mono audio gives a single channe...

Submitted by Bruce Devlin

Published 01 April 2016

Perfect Horizon Camera Stabilizer

by Brian Uranovsky Issue 110 - February 2016 PERFECT HORIZON CAMERA STABILIZERThe Perfect Horizon is an innovative camera stabilizer for land and sea, and regardless of bumpy rides or rough waves, this stabilizing device keeps your horizon perfectly stable. The Perfect Horizon (PH) won an ACADEMY AWARD as well as an EMMY for Engineering and Scienti...

Submitted by BRIAN URANOVSKY

Published 16 March 2016

Why you might regret automating QC workflows

by Bruce Devlin Issue 107 - November 2015 In todays electronic media environment, broadcasters and content owners live and die according to the quality and versatility of their media assets. Not only do consumers expect the best quality viewing experience, but they also expect that viewing experience to be possible on the widest range of devices, a...

Submitted by Bruce Devlin

Published 01 December 2015

Authoring and Monitoring for the emerging 3D immersive Br...

by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins

Published 01 December 2015

Circles of Confusion

by Graham Reed Issue 106 - October 2015 We seemed to have gone from SD to HD to UHD in a very short time but has lens technology kept up?Most camera manufactures now produce 4K cameras but they often look very similar to HD cameras, are they just the same with a 4k chip and also have they added 4k lens? They publish very little information about th...

Submitted by graham reed

Published 01 November 2015

Picking the right prompter

by Jon Hilton Issue 104 - August 2015 There is so much choice available today for prompting devices. From phones and tablets to full Broadcast Studios systems and with non-word prompting techniques like Interrotrons becoming popular choosing the best prompting system for your productions needs some serious consideration. 1. The Talent comes first...

Submitted by Jon Hilton#

Published 01 September 2015

SDV - Shaping the Next Generation of Linear TV Service Of...

by Lionel Bringuier Issue 103 - July 2015 Software-defined video (SDV) solutions are shaping the next generation of linear TV service offerings for both content distributors and content programmers. Live-to-VOD services such as catch-up TV, start-over TV, nPVR and delay TV offer new ways to enrich live TV experiences and package live content alongs...

Submitted by Lionel Bringuier

Published 01 August 2015

The business case for media asset management

by Kevin Usher Issue 103 - July 2015 You could argue that, so far, there have been two stages of commercial justification for asset management systems in broadcasting. First, it was a necessary evil: if broadcasters, production companies and other media organizations wanted to store content as filesat least some of the timethey needed a means of fi...

Submitted by Kevin Usher

Published 01 August 2015

How HEVC technology is revolutionizing field-based broadc...

by Eli Garten Issue 103 - July 2015 High-Efficiency Video Encoding (HEVC), also known as H.265, is the subsequent generation of H.264 and tapped to be the next widely adopted standard for video compression. As with any MPEG evolution, the new standards goal is to make compression more efficient and allow for reducing OPEX and CAPEX in various video...

Submitted by Eli Garten

Published 01 August 2015

A wide spectrum of choice

by Andy Clements Issue 101 - May 2015 Without microphones, in-ear monitors (IEMs), intercom and distribution systems based on wireless technology, many of today\'s large-scale television studios, outside broadcast and film productions would be very difficult, if not impossible, to stage. Wireless solutions provide convenience and, in the main, grea...

Submitted by Andy Clements

Published 01 June 2015

Outside broadcast gets a breath of fresh air

Issue 99 - March 2015Capturing what\'s happening remote from the studio has moved beyond the broadcast truck parked street-side. Your audiences are hungry. While they have the ability to bring the world of news, entertainment, sports and information to their doorsteps - wherever that may be and on whatever device they choose - someone still needs t...

Submitted by KitPlus

Published 01 April 2015

Tune in and turn on

by Dick Hobbs Issue 99 - March 2015 It was World Radio Day last month. Friday the thirteenth, to be precise, but I do not think the date was chosen with disaster in mind. In fact the date was set to celebrate the anniversary of the launch of United Nations Radio, on 13 February 1946. Unesco created World Radio Day much more recently: the first was...

Submitted by Dick Hobbs.

Published 01 April 2015

Making It Easy To Be In Two Places At Once

In these economically straitened times, all broadcast facilities are seeking ways to reduce cost without compromising quality. Equally, those equipment manufacturers that want to stay ahead of the game are responding by looking at how customers work and then seeing if there is a way to deliver the same results more simply and cost effectively. One...

Submitted by Bob Pank#

Published 01 January 2015

Every Thing You Every Needed to Know About Flying a Drone

by Jon Pratchett Issue 94 - October 2014 Last month we went over some of the legal issues with flying unmanned aircraft in the UK, especially if you attach a video camera to them and charge for your services as an aerial videographer. This month, let\'s look at what you need to get started kit wise in this business. First of all, I would like to po...

Submitted by Jon Pratchett

Published 01 November 2014

Everything you need to know about Anamorphic Lenses

by Les Zellan Issue 94 - October 2014 Back in the late 1940s and early 1950s, film studios and theatre owners panicked. Television was the emerging new technology and as it expanded in popularity they feared audiences would shun the theatre to stay home and watch TV instead. What could they do to beat that? They needed a competitive edge to draw au...

Submitted by Les Zellan

Published 01 November 2014