KitPlus | Articles

Creating Broadcast Quality Live Streams for Social

We go behind the scenes of YouTube Premiere League Football Show, “The Kick Off”Now in its third season, live streamed roundtable “The Kick Off” is the perfect weekly companion show for football fans looking to discuss the latest Premiere league match. Featuring YouTube sensation, True Geordie, and including the option to chat interactively with th...

Submitted by Alex Pettitt

Published 27 January 2020

CVP Helps Productions Choose the Right Lens for the Job

CVP Technical Specialist, Sam Measure, on how the company’s free online Lens Coverage and Camera Comparison tool is giving something back to the filmmaking community. One of the standout trends over the past year has been the move to shooting Full Frame, with more and more productions choosing to go down this route for the special look it brings to...

Submitted by Sam Measure

Published 27 January 2020

Gearing up for The Americas with Simon Reeve

For several years, it has been my honour to collaborate as director of photography with Simon Reeve, the well-known British author, adventurer, and TV presenter. Our latest partnership, the popular BBC Two program “The Americas With Simon Reeve,” is our most ambitious project yet, tracing Simon’s journey from the top to the toe of two continents. S...

Submitted by Jonathan Joung

Published 27 January 2020

Eye Contact in Documentaries

Eye contact filming (where the interview subject speaks directly into the lens) is now more common in documentaries. But it hasn’t always been possible or acceptable for filmmakers to do. When I studied Screen Documentary in 1998, I was taught that the subject should look to the left or right of the screen. As an interviewer, I sat close to the cam...

Submitted by Sybil Ah-Mane

Published 27 January 2020

How Holokid broke barriers for Holographic Technology ove...

Project overview. Picture this: You’re at a rock concert, watching four guitarists, a drummer, and a keyboardist on stage perform in perfect sync. The sounds, the visuals, the experience—it’s flawless. You might have been fooled though because only three of the four guitarists are actually standing there in front of you. Come again?You might have s...

Submitted by KitPlus

Published 27 January 2020

State Of The Nation: Securing The Future

This magazine is a notable champion for education in our industry, and deserves much praise for its efforts. To my mind, there is all too little concern for our future. I have previously taken up your time in these pages on the subject of creating the next generation of talent, but I am largely unrepentant that I am going to do it again. Pretty muc...

Submitted by Dick Hobbs - new

Published 03 November 2019

Joanna Cuper - Demonstration Technician CVP

What is your role at CVP?I’m a demonstration technician at our Midlands office. What does that involve?My role as a demonstration technician involves a broad range of responsibilities. A large part of the job is providing integral technical advice to clients on choosing the right equipment for them and their specific project. This can vary from sim...

Submitted by Joanna Cuper

Published 03 November 2019

IBC 2019 A Whistle Stop Rundown

I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff

Published 03 November 2019

A Place For Placements - TVFutures

I've been interested in media all my life… making short films with my mates in Windows Movie Maker when I was little... I never really knew where I wanted to go career wise, but I knew I always liked video production. So it will come as no surprise that I chose a degree that would provide that outlet, and I hoped that dedicating three Years to stud...

Submitted by Luca Di-Maio

Published 03 November 2019

Creating A Signature Look With Lighting

As an LA-based DP, I view my role as a narrative storyteller. For me, cinematography is not just about getting some nice images – it’s about telling truths. I love being able to weave a story with imagery and capture something that’s real, whether through performance or visual symbolism. Lighting is one of my most important mechanisms for capturing...

Submitted by William Hellmuth

Published 03 November 2019

Never Stop Learning....Or Spending

I’m over 75, and have been a member of the Bristol Film and Video Society (www.bristolvideo.org.uk) for several decades. Like the great majority of members, I am not and never have been a video professional but have video interests beyond the club and its productions. For some time I have been recording lectures (for other clubs) using a Panasonic...

Submitted by Peter Heaven

Published 03 November 2019

Solving Rigorous Digital Workflow Challenges

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban

Published 03 November 2019

Increasing Diversity in the UK Indie Market

London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table. “Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from...

Submitted by Sam Addo

Published 10 September 2019

The LED Lighting Revolution

Back in April 2019, the National Association of Broadcasters hosted the annual NAB show in Las Vegas where over 90,000 people from more than 160 countries came to see the latest broadcast technology from around the world. Honouring the highlights of the show were NAB’s 2019 Product of the Year awards, where the newly launched Chroma-Q Space Force o...

Submitted by Neil Vann

Published 10 September 2019

Undercover Remote Production

It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!The move to remote production is one of the unstoppable trends of 2019 and moving into 2020. Our CamBall cameras pioneered remote working as early as 2003 with sport and wildlife...

Submitted by David Bradley

Published 10 September 2019