KitPlus | Articles

The secret to global Gogglebox success

People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. \'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and...

Submitted by Chris Cooper

Published 15 February 2017

Small post houses delivering a big service

In today\'s fast-paced world of video production, the importance of a well-organized, responsive media asset management system cannot be overstated. After all, time is money, and the more quickly people can find and retrieve the exact content they need, the more quickly they can complete their video projects ¦ and capitalize on the content. This no...

Submitted by Jack Wenzinger

Published 15 February 2017

Challenges for MAM with varying production types

Many media asset management platforms are designed to handle the immense number of assets needed for today\'s fast-moving, content-heavy productions. Since every production is unique, each has its own set of asset management requirements and workflow needs. While the unique workflows vary, a common necessity for an easy-to-use interface with the ab...

Submitted by Jonathan Aroesty

Published 15 February 2017

The future of post production

Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus

Published 15 February 2017

MAM needs to adapt or die

The media landscape has shifted dramatically over recent years. Content providers are under increasing pressure to deliver compelling content to multiple platforms. Also, the production and distribution of video is no longer limited to traditional broadcasters, which face rising competition from a range of media providers. We are also seeing a mass...

Submitted by Tim Child

Published 15 February 2017

The world is not flat

The world is all around us. We have a lot of cues that make us aware of how we fit into a 3D space. Many of these cues, senses and reactions are survival instincts. For example, the ability to hear someone walk up behind us, to see movement in our peripheral vision, a sense of how we are oriented when we move our bodies or swivel our head. All of t...

Submitted by David Schleifer

Published 13 January 2017

Television is dead, long live television

After decades of operating within the same fundamental model, the walls around our world - what was the broadcast world, or "vertical", in marketing terms - are crumbling. NAB 2016 clearly showed this and IBC 2016 took it one step further: momentum is strengthening as we push towards an IP future. The TVB2020 conference earlier this year also refle...

Submitted by Ephraim Barrett

Published 07 December 2016

Scopes, a creative trilogy

The purpose of color correction is to fix any problems with exposure and color, ensuring the final image looks right. Color grading is used to set the mood by adjusting the colors of the video imagery to achieve a certain look or feel. At the core of color correction is tonal range: the range of brightness from dark (black) to light (white). When t...

Submitted by Paul Issacs

Published 07 December 2016

Streamlining operations at BFBS

British Armed Forces around the world rely on British Forces Broadcasting Service (BFBS) to provide them with entertainment and information via their TVs and radios. Operating from studios in Buckinghamshire, BFBS is part of Services Sound and Vision Corporation (SSVC), a not-for-profit charitable organization that makes a considerable contribution...

Submitted by Adrian Richmond

Published 07 December 2016

Smart audio - the way foward for live broadcast productio...

Today\'s broadcast facilities are facing ever-increasing demands on their resources as they strive to keep up with consumers who expect more content on more devices, both where and when they want it. Amongst all the various elements broadcasters have to handle (including video, graphics, data, captions and subtitles), the importance of audio should...

Submitted by Anthony Wilkins

Published 07 December 2016

Blackmagic Design URSA Mini Reviewed

The yeti finally arrived earlier this year - I call it so, because for almost twelve months until BVE 2016 we\'d only seen it in pictures! So getting my hands on one in a real word environment was an absolute no brainer, when Simon Tillyer dropped me a line offering the opportunity to review the camera for KitPlus. I\'ll cut right to the chase with...

Submitted by Ben Sherriff

Published 07 December 2016

Dick looks at the faster future

I really enjoyed IBC this year. The fact that I barely set foot on the show floor is, of course, entirely coincidental, and I should take this opportunity to apologise to all those people I did not see in Amsterdam. One of the jobs I do at IBC is produce the awards ceremony, and this year that meant I got to meet some really nice people. We gave on...

Submitted by Dick Hobbs.

Published 10 November 2016

Live streams versus srowing files

So, what is the difference between a stream and a file? It may seem like a dumb and obvious question, but it's crucial in the design of many file based workflows and the applications that drive them. Let's start with the basic and obvious answer. "You can random access a file but you sequentially process a stream". This used to be important back in...

Submitted by Bruce Devlin

Published 26 September 2016

Make a scifi film in the Mexican Desert

British director Nicolas Roeg once said to me that making a film is like horse racing. To start with you give the horse a nudge to get him moving, then as you gather speed there's a point where you have to trust the horse. You hold on and the horse will carry you across the finish line. I've just returned home from shooting a Sci-fi proof-of-concep...

Submitted by Edward Andrews

Published 26 September 2016

Wireless transformation contributes to IP future

The consumer appetite for content is driving broadcast manufacturers to explore every opportunity to make physical devices smaller, faster and more efficient - right from the ability to squeeze the business end of an OB truck into a single flight case to HD transmitters that can be held in a child's hand. Only a few years ago none of this would hav...

Submitted by JP Delport

Published 26 September 2016