KitPlus | Articles

This Is International Playout

There is no such thing as an off the shelf solution where broadcast managed services are concerned. Here Michael Ward, Head of Operations at WRN Broadcast, who provide playout channels for such as NHK, MTV, VH1 and East Africa’s Zuku platform, breaks down a few key requirements to meeting the exacting standards of international content delivery. Tr...

Submitted by Will Strauss#

Published 01 May 2012

Cloud Matter Part 1 - Fear of Fluff!

Although I’m writing this article in the usual way, by sitting at my desk and tapping on my keyboard, the only app running on my computer is the web browser. I can see the article on the screen but have no idea where it’s being stored. Still I have every confidence that it will be instantly recalled whenever I want it.... provided my modem and Inte...

Submitted by Bob Pank#

Published 01 April 2012

Audio loudness for video post

For decades audiences have been complaining about the differences in perceived loudness between different parts of a television service, most commonly that the commercials seem louder than the programmes. Finally broadcasters, prompted in many cases by regulators, have addressed the issue. Over the last decade research has determined what it is tha...

Submitted by Bob Pank#

Published 01 February 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012

Managing Media

Looking after the media for a television production used to be a relatively simple task. The footage would be shot and captured on tape. The tapes would be delivered to the post-production facility for editing. They would be ingested into the edit system, the editor would construct the final program and it would be recorded back to tape. All the ta...

Submitted by Bob Pank#

Published 01 February 2012

Modular Studio Design for the BBC New Broadcasting House...

In an uncertain World with constantly changing demands and technical formats it is very difficult to plan and build a large facility that will be absolutely fit for purpose when it is finished. This was especially true of the BBC when it considered the needs of New Broadcasting House. Munro Acoustics was given the task of developing a completely mo...

Submitted by Bob Pank#

Published 01 February 2012

Grading across the Atlantic

In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#

Published 01 February 2012

Real-Time Frame Rate Conversion in a Tapeless Workflow

Introduction - (for the full diagramatic version of this article please click on the magazine cover above.)When content moved within facilities and around the world on tape or via live feeds, frame rate and format conversions were easily achieved using real-time hardware converters such as Snell's Alchemist Ph.C-HD. As broadcasters and content owne...

Submitted by Bob Pank#

Published 01 February 2012

Convergence Grading for Stereoscopic 3D Broadcast with Da...

After soldiering through a long run of freelance work in Soho, I had a couple of days off. I thought, “It’ll be nice to relax a little bit,” which is when I got the call. “We have this project with quite a tight turnaround, a couple of days to deliver 75 minutes worth of 3D.” I told them to hold on — this would be my first 3D job. They replied, “It...

Submitted by Bob Pank#

Published 01 January 2012

Building an HD MCR for The Associated Press

The Associated Press delivers fast, unbiased news from every corner of the world to all media platforms and formats. Founded in 1846, it has grown into a large and trusted source of independent news and information. AP’s activity in the broadcast market centres on the supply of live and edited video to over 500 broadcasting operations and 200 news...

Submitted by Bob Pank#

Published 01 December 2011

tv-bay Questions

Name & Title?Doug Garside, Chief Engineer at Edit 19 Ltd. based in ManchesterWho are you? (about yourself and who you work for)?As a teenage performer, I attended Manchester Youth Theatre for two years running and appeared in numerous amateur and college productions, including once being naked on stage at a catholic college! Having completed my A l...

Submitted by Bob Pank#

Published 01 December 2011

Whats new in video monitoring

The great majority of video monitoring displays in any modern broadcast presentation facility are LED-backlit LCDs. Reliable, space-efficient and economical on power, they produce excellent pictures for all but the most critical applications, usually in conjunction with one or more multiviewers to emulate a monitor stack. Domestic television began...

Submitted by Bob Pank#

Published 01 December 2011

Monitoring, managing and processing SDI signals efficient...

With the proliferation of HD, Dual Link and 3G technologies, SDI signal management is now, more than ever, a challenge for broadcast engineers and A/V professionals. They would often like to use affordable HDMI displays for monitoring. They need to distribute signals throughout their facility, which often means video feeds must be amplified to acco...

Submitted by Bob Pank#

Published 01 December 2011

Protecting your assets, safe storage and long life archiv...

A vast amount of information exists out on the Internet that can be very helpful but also misleading and confusing on how best to protect digital content over time both from degradation of content and from piracy. Thinking back on my twenty plus years in the industry, it is my personal opinion the first creative professionals to experience problems...

Submitted by Bob Pank#

Published 01 November 2011

TV Bay Questions

Name & Title?James Willett, Freelance ColouristWho are you? (about yourself and who you work for)?Freelance Colourist living and working in LondonWhat do you do? What does your company do?I'm the guy that has the brilliant job of doing everything from lining up and visually matching shots to creatively stylising and achieving the Directors look for...

Submitted by Kieron Seth#

Published 01 November 2011