KitPlus | Articles

The greening of broadcast facilities

By Chris Exelby, Managing Director, TSL Professional Products, Ltd. In today’s world of tightening broadcast facility budgets, planners need to keep a keen eye on the bottom line to ensure operational efficiency. An integral part of this process is getting a green handle on power management, an increasing necessity around the globe. Power managemen...

Submitted by Chris Excelby

Published 01 July 2013

Preparing for the future in television and film

“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#

Published 01 July 2013

Evolving the industry audio monitoring systems

With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird

Published 01 June 2013

LiveU Buyers guide to cellular uplinking

With Ronen Artman, LiveUCellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activities or anything in between. It has also delivered high quality li...

Submitted by Ronen Artman

Published 01 May 2013

Back to basics: MPEG Dash

by David Springall, CTO & Founder, YospaceJust when you thought that you had got your head around the different flavours of MPEG, another one comes along. What on earth is MPEG-DASH, and why do we need to care about it?The DASH part stands for dynamic adaptive streaming over HTTP. MPEG-DASH is an attempt to create a standardised approach to deliver...

Submitted by David Springall

Published 01 May 2013

Cost effective transport of video over long distances

The transportation of live video and audio feeds over the internet has become a widely accepted technique. This has led to a bewildering number of products and techniques becoming available from simple PC plug in cards to very sophisticated encoder / decoder sets. Of course each of these has its own place in the market, as there can be no one size...

Submitted by John Golding

Published 01 May 2013

TV-Bay takes BroadcastShow on tour!

TV-Bay’s BroadcastShow goes on tour... Where & When?London (Pinewood Studios) 9th May 2013Glasgow 14th May 2013Manchester 16th May 2013Cardiff 21st May 2013Bristol 23rd May 2013Who’s exhibiting?A growing band of leading manufacuters and distributors are coming on the tour and (at time of going to print) we are pleased to say Panasonic, NewTek, Blac...

Submitted by KitPlus

Published 01 May 2013

Achieving the critical link in live HD deployment

By: Patrick Coenen, chief technical officer for Actua Films, GenevaAs employees of a facility service provider for TV stations, networks and corporate businesses, we at Actua Films understand better than most that in today’s broadcast world, it’s imperative to get everything done at lightning speed. We have our own camera crews going into the field...

Submitted by Patrick Coenen

Published 01 April 2013

Finding a Flexible Post Workflow

In the heart of London's Shoreditch is the award winning post-production house – Splice. Specialising in broadcast, commercial and corporate post production, the boutique studio is home to forty full-time employees and a grand display of state-of-the art technology spanning three floors including: two Baselight grading theatres, Avid DS suites and...

Submitted by KitPlus

Published 01 February 2013

The evolving face of post production

By Will StraussIn the latter half of 2012, Assimilate made an interesting announcement about payment options for its Scratch and Scratch Lab software products. Instead of buying a license outright, it said, now you can choose to simply rent either of these Digital Intermediate (DI) ‘dailies’ tools for any period of time from a single day to three m...

Submitted by Will Strauss#

Published 01 February 2013

Buyers guide to cellular uplinking

by Ronen Artman (VP of marketing LiveU) and Lorna Garrett (Director, Garland Partners Ltd)Cellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activi...

Submitted by Ronen Artman

Published 01 February 2013

Loudness Monitoring: Complacent Wont Get You Compliant

Stricter regulations across the globe, the worldwide need for standardized audio level loudness processing, the need for logging and graphing mixed with long-term records maintenance for compliance verification, and the convergence of SDI/IP and ASI technologies all make for a challenging time in the broadcast industry. Identical and obligatory com...

Submitted by Bob Pank#

Published 01 December 2012

Take control with Helm

Control and monitoring are two of the biggest issues faced in playout operations. Broadcasters and playout providers want to be able to select precisely the equipment that they need and probably more so than ever, are now able to very accurately do that. But this, combined with the fact that previously largely ‘static’ devices are now empowered by...

Submitted by Kieron Seth#

Published 01 December 2012

The highs and lows of histograms

Histogram displays for video analysis probably followed those found in common computer graphics programs such as Adobe Photoshop. This can be very useful in finding video signal problems that would be difficult or impossible to see with a conventional waveform display. The histogram is a way of showing statistical results as a bar-chart. The range...

Submitted by Kieron Seth#

Published 01 December 2012

Pushing remote broadcast boundaries

Film and TV coverage as varied as the London 2012 Olympics and the BBC’s Springwatch are raising the bar where viewer expectations are concerned. Bradley Engineering (BradEng) is a remote camera technology pioneer that has been at the forefront of meeting these expectations. TV Bay spoke to Bradley Engineering founder, David Bradley, about the late...

Submitted by Bob Pank#

Published 01 October 2012