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Preparing for the future in television and film


by Kieron SethIssue 80 - August 2013 We prepare students for a career in television and film, says Sean Thornton of Anglia Ruskin University. As such, the technology we use has to be real-world and broadcast standard The Media Services team provides equipment to under- and postgraduate students and operates facilities that include TV and photograph...

Submitted by Kieron Seth#
Published 01 September 2013

Dick Hobbs roasts television rare


by Dick HobbsIssue 80 - August 2013 I was at a conference about workflows the other day. One of the presentations was by a very nice man called Eric Minoli, who is chief engineer at TFO, the French-language public broadcaster in the Canadian province of Ontario. He illustrated his presentation with a great story. Some friends were invited around to...

Submitted by Dick Hobbs.
Published 01 September 2013

Facilis TerraBlock tops the charts for T-Series


Issue 80 - August 2013 Founded 24 years ago, T-Series has evolved into Indias top music label, representing more than 1,482 artists over the years including Indian music legends Jagjit Singh and Pankaj Udhas. The media and entertainment company also owns the rights to more than 35,000 audio titles, 2,000 video titles, 42 Hindi films and more. With...

Submitted by KitPlus
Published 01 September 2013

Storage news: Space 4K Duo, the facility goes on location


Issue 80 - August 2013 The 4K location shoot is now commonplace, particularly in film, music video and drama production. However, for digital imaging technicians (DITs) working in the field, UltraHD is extremely problematic. Once data is ingested, replicating the material for insurance purposes can be taxing and the process of offloading files onto...

Submitted by KitPlus
Published 01 September 2013

Redefining the archive with Raj Patel


by Raj PatelIssue 80 - August 2013 The entire broadcast workflow has changed dramatically in recent years. Predictably, its been a slow-process. The enormity of transitioning from an analogue to a digital workflow is huge for a variety of reasons - planning, testing, implementation and budget, can mean some installations taking up to two years to c...

Submitted by Raj Patel
Published 01 September 2013

Ask the experts with TMD looking at LTFS


by Tony TaylorIssue 80 - August 2013 Not another acronym! What is LTFS?LTFS stands for Linear Tape File System. It is a file system for data archives, developed by IBM but published as an open standard and now widely adopted by all the leading vendors of large-scale data archiving. If it is a data product, why am I reading about it in a broadcast m...

Submitted by Tony Taylor
Published 01 September 2013

NyeTec: Company spotlight


Issue 79 - July 2013 Established for 10 years, NyeTec is a growing family run company. We believe traditional service and support of our clients is paramount. Terry Nye, as MD of the company, has over 30 years experience in Television, building on a solid foundation at the IBA, and having installed several of worlds first Digital Head Ends. NyeTec...

Submitted by KitPlus
Published 01 August 2013

Demystifying the black art of digital audio


by Alan WheableIssue 79 - July 2013 At the pure analogue end of the audio world (which these days is very narrow with much of the audio content being captured digitally) it is quite straight forward to check that an audio channel is present, that it sounds right and has the right levels. Likewise if the audio channel has hum or a buzz on it is rela...

Submitted by Alan Wheable
Published 01 August 2013

Ask the experts: Content readiness in time-deferred workf...


by Sudeep BoseIssue 79 - July 2013 What are the fundamental considerations that must be addressed to ensure the quality of non-real-time content, whether played out from a broadcasters media server or time-shifted for VOD and other OTT services?When focusing on the actual content itself, rather than the service, network or other components, the key...

Submitted by Sudeep Bose
Published 01 August 2013

Singularity - QA and compliance monitoring in one box


by Martin DysterIssue 79 - July 2013 The task of maintaining loudness-compliant, high-quality delivery for broadcast audio is no longer a question of simply using ones ears. Audio channels produced for todays fast-paced productions come in embedded SDI workflow with streaming signals containing a mix of mono, stereo, surround, Dolby encoded and des...

Submitted by Martin Dyster
Published 01 August 2013

Solving more than just compliance challenges


by Leandro MaquinezIssue 79 - July 2013 When Leandro Maquinez joined Record Europa Lisbon, a subsidiary of Rede Record de Televis£o Europa, the Portuguese-language broadcaster was struggling to meet the demands of compliance monitoring and verification with its existing systems. The server system used by the Lisbon facility to record aired content...

Submitted by Leandro Marquinez
Published 01 August 2013

Continuous power in the field


When on location whether in the depths of a jungle with reduced access to power or in a city centre with limited charging opportunities then good consideration to your kit bag is needed to remove those power hungry devices that could leave you running short for the final big shot of the day!The benefits of field recorders are well known, often doub...

Submitted by Raymond Burns
Published 01 July 2013

Increasing creativity and functionality with Q-Ball


By Jim Daniels, technical director, Camera CorpsTell us more about Camera Corps and its position within the industry…Camera Corps was founded almost 20 years ago to offer broadcasters video system design and rental services. Having focused on rentals from the very beginning, we have provided high-volume cameras, pan-and-tilt heads and tracking syst...

Submitted by Jim Daniels
Published 01 July 2013

The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013

Intelligent linking - answering some key power questions


with Steve EmmettWhat makes a safe Li-Ion Battery?Recently, the Boeing Dreamliner story has added to the perception of the Li-Ion battery as a potentially dangerous item. However, the reality is that Li-Ion batteries are a safe and robust source of portable power, when they are designed and constructed by a recognised battery manufacturer that has...

Submitted by KitPlus
Published 01 July 2013