KitPlus | Articles

Collaboration and flexibility in post production workflow

Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus

Published 01 April 2014

Automation...

by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman

Published 01 April 2014

War House goes live in 4K

Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus

Published 01 April 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

The impact on media workflows for multi site and cloud op...

by Peter Gallen Issue 85 - January 2014 Many broadcasters are considering multi-site operating or even using the cloud to make their content more widely available. In fact, the trend in broadcast operations is towards distributed operations and cloud will be used increasingly to support workflows over multiple locations in order to maximise efficie...

Submitted by Peter Gallen

Published 01 February 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014

Will Strauss looks at post production in 2014

by Will Strauss Issue 85 - January 2014 Despite being named in Americas Top 10 Dying Industries in 2011, post-production still very much has its place in the UK. But it is changing. And fast. With increasingly commoditized and affordable technology allowing pretty much anyone (within reason) to do post-production, the lines between production and p...

Submitted by Will Strauss#

Published 01 February 2014

Moving into the IP based 4K UDTV camp

by Chuck MeyerIssue 84 - December 2013 There appear to be two parallel trains of inertia currently taking place in broadcast, one of course being the onset of 4K UDTV, the other being the transition to an IP-based content transport infrastructure. For many, the rapid changes and associated question are daunting, even for experienced professionals....

Submitted by Chuck Meyer

Published 01 January 2014

OTT: Back to basics

by Lorna GarrettIssue 84 - December 2013 Going over the top opens up boundless opportunities. Just make sure you work with someone who can help you over the potential pitfalls. Not that long ago, if asked to envisage a family watching television, you probably would have pictured Mum and Dad seated on the sofa, while a couple of children lay sprawle...

Submitted by Lorna Garrett

Published 01 January 2014

The circle of life with Dick Hobbs

by Dick HobbsIssue 84 - December 2013 Being a simple soul, I am endlessly fascinated by ideas which are the great new thing one day, rubbished the next, and resurface the day after as the next great thing. In the 1960s, the BBC decided that it was wrong to concentrate all its radio and television production in London, and established national and r...

Submitted by Dick Hobbs.

Published 01 January 2014

Supporting the transition to 4K

by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd

Published 01 January 2014

Royal College of Art targets loudness with NUGEN Audio

by Mike WyeldIssue 83 - November 2013 In the world of cinema and filmmaking I like to imagine the UK\'s Royal College of Art needs no introduction. Weve had some amazing alumni; Director Sir Ridley Scott, novelist Len Deighton, and Sgt Pepper artist Peter Blake have all walked the halls. Vacuum designer James Dyson imagined his revolutionary vacuum...

Submitted by Mike Wyeld

Published 01 December 2013

Will Strauss looks at automatic QC for the people

by Will StraussIssue 83 - November 2013 The method in which television producers should deliver their programmes to UK broadcasters is changing. From 1 October 2014 it will be digital files, rather than HDCam SR tapes, that are the preference. It is a fundamental and fairly disruptive change that is the cause of much debate right now. The parameter...

Submitted by Will Strauss#

Published 01 December 2013

High speed camera system technology

by Steve CotterillIssue 81 - September 2013 High speed camera systems are now readily available, but all systems are not equal. Say you want to enhance your live TV coverage of a sporting event with slow motion. For some time now, the only alternative to standard 25fps based replays would have been replays from supermotion 75fps cameras manufacture...

Submitted by Steve Cotterill

Published 01 October 2013

A year in the life of SIS LIVE

by David MeynellIssue 81 - September 2013 This time a year ago SIS LIVE was still glowing with the pride that came from working to deliver outside broadcast TV coverage and satellite connectivity for London 2012 Olympic and Paralympic events. At the time 2013 was billed as a fallow year for the live broadcasting industry which, as we will see, was...

Submitted by David Meynell

Published 01 October 2013