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Media acquisition and Archive Workflow


by Ryan Jenkins Issue 109 - January 2016 Hello, I am Ryan Jenkins, a third year student at the University of Portsmouth and as part of my final year on the BSc Television and Broadcasting course, I am the Post Production manager for all television teams making live programmes, something we specialise in. My role has thus far seen me design a workfl...

Submitted by Ryan Jenkins
Published 21 January 2016

The Evolution of Cloud


with Micky Edwards Issue 108 - Decmeber 2015 Television was originally created to be a mass communication platform. Yet, over the last few years, it is becoming increasingly hyperlocal. There are several reasons the television industry is transitioning from a broadcast to narrowcast schematic. One is monetization. According to Borrell Associates, l...

Submitted by Micky Edwards
Published 15 December 2015

Riding the TV Marketing and Social Media Wave


with Safiya Pomell and Aislinn Fadian Issue 108 - December 2015 Television is something that has always interested me. My name is Safiya Pomell and my journey into the industry started in 2012 when I joined a specialist school on the broadcasting strand at the age of 15. Being apart of Television and Broadcasting at the University of Portsmouth has...

Submitted by Portsmouth University
Published 15 December 2015

UHD HDR HFR WCG Made for each other, or too much too soo...


by Bruce Devlin Issue 108 - December 2015 The majority of LCD screens rolling out of the huge factories are now 4K-ready. They have a lot of pixels, and were not going to be chopping them up with a hacksaw to make small screens in a hurry. Even cheap mobile phones have more pixels than the big TV set that hangs on the wall of the front room in my h...

Submitted by Bruce Devlin
Published 15 December 2015

Missing Parts Of The Spectrum


by Graham Jaggers Issue 107 - November 2015 Since the phasing out of conventional filament light bulbs and their replacement with fluorescent and LED, many manufacturers indicate the colour accuracy of their lamps with a CRI (Colour Rendering Index) number. It is possible however, to illuminate a scene using lamps with quite good CRI ratings and ex...

Submitted by Graham Jaggers
Published 01 December 2015

Test & Measurement: Ask the expert


by Alan Wheable Issue 107 - November 2015 What should an Eye diagram look like?There are basically two different approaches to capturing the Eye Diagram from an SDI signal. These are real-time capture (employed by Real Time oscilloscopes) and signal subsampling (employed by Sampling oscilloscopes such as the Omnitek Ultra 4k Tool Box). All broadcas...

Submitted by Alan Wheable
Published 01 December 2015

Taming the 12Gbs beast and how to T&M it with the Qx


by Philip Adams and Paul Nicholls Issue 107 - November 2015 The one thing you can say about working in the broadcast industry is that there isnt time to get bored! Hesitant, perhaps even frightened these days might be more accurate but bored, certainly not. Such is the case with the planned UHDTV roll out and the need for customers to invest in tec...

Submitted by Phillip Adams
Published 01 December 2015

Creating native looks in alien worlds: the making of The...


with Richard Baker Issue 107 - November 2015 Prime Focus Worlds Richard Baker explains how Mars was brought into stereo 3D with the help of Fusion Studio for Ridley Scotts new SciFi survival epic, The Martian Directed by SciFi master Ridley Scott, this years The Martian has all the makings of a space exploration epic to remember. The film stars Mat...

Submitted by Richard Baker
Published 01 December 2015

Budgeting and controlling costs


by Den Lennie Issue 106 - October 2015 This is a very important aspect of running a production, and one you have to keep a close eye on. Its very simple; you have your actual hard costs in one budget and you have what youre charging the client in another. Lets say you charge the client £450 per day for the camera package, but the rental house is on...

Submitted by Den Lennie
Published 01 November 2015

TVFutures: Student pitch


by Emma Cox Issue 106 - October 2015 Student Pitch - Our second article pitch comes from Emma Cox, third year student studying BSc Television and Broadcasting at the University of Portsmouth. Personally I think this months KitPlus theme of acquisition is a tricky one for students to write about, but Emmas approach displayed real insight, and it als...

Submitted by Emma Cox
Published 01 November 2015

Sony PXW-FS5 Review


by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman
Published 01 November 2015

McDonalds goes live multi-camera


Issue 105 - September 2015 Earlier in 2015 SIS LIVE was central to the London section of an ambitious 24-hour global entertainment campaign by McDonalds, involving a surprise open-top bus gig by Jessie J. Fans worldwide shared the excitement of the 24 continuous gifts of joy in synchronised public events, across 24 cities around the world over a 24...

Submitted by KitPlus
Published 01 October 2015

Looking at the teleprompter


by Beth Zarkhosh Issue 104 - August 2015 Talking directly to the camera - a basic fundamental in the world of TV presenting. If youve dabbled, you\'ll probably know just how hard it is to remember an entire script word for word without taking your eyes away in order to keep things nice and smooth. So, (please excuse the pun) cue the teleprompter. A...

Submitted by Beth Zarkhosh
Published 01 September 2015

Lighting fundamentals


by Larry Jordan Issue 104 - August 2015 Lighting is like chess. Simple on the surface yet wondrously complex the more you learn about it. Recently, I was asked to do a presentation on the basics of lighting. So, I decided to share that presentation with you here. It starts with 3-point Lighting, though, um, we actually use four lights (see above):-...

Submitted by Larry Jordan#
Published 01 September 2015

Picking the right prompter


by Jon Hilton Issue 104 - August 2015 There is so much choice available today for prompting devices. From phones and tablets to full Broadcast Studios systems and with non-word prompting techniques like Interrotrons becoming popular choosing the best prompting system for your productions needs some serious consideration. 1. The Talent comes first...

Submitted by Jon Hilton#
Published 01 September 2015