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Location test equipment


What to look for…. SizeRuggedFast switch on timeLight weightMultiple applications from one unitDaylight readable displayLong Battery lifeSound monitoring as well as videoMountings (when you need both hands!)A number of years ago Hamlet gave itself the impossible task of developing the world’s first 3G, HD and SD capable, video and audio measurement...

Submitted by Dennis Lennie
Published 01 February 2010

The best job in the Met


If you have ever wondered “How did they do that?” when you watch the car chase in Spooks or the gun fight in Ashes to Ashes or even the thrilling gun shot scene at Waterloo Station in Bourne Ultimatum, then you may want to talk to the Metropolitan Police Service Film Unit (MPS FU). “COPS FORM A LUVVY SQUAD” was how one red-top newspaper commented o...

Submitted by Dennis Lennie
Published 01 February 2010

Robotic cameras on location


Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie
Published 01 February 2010

Pushing Air- the art of acoustic design


Acoustics is usually regarded (or often disregarded) as a black art that is practiced with no discernable science involved, with a great reliance on ears for measurement and blind faith as a method statement. Nothing could be further from the truth in the professional study of sound, with many practitioners furnished with several degrees and a weal...

Submitted by Dennis Lennie
Published 01 January 2010

De Wolfe Celebrates Centenary


De Wolfe Music Publishers, the longest-running independent film and television music library resource in the world, is celebrating its remarkable centenary this year. Over the last hundred years, the music library’s vast collection of instantly recognisable and iconic tracks has helped shape popular culture; if you've ever seen Man About The House,...

Submitted by Dennis Lennie
Published 01 January 2010

Eye to Eye: Whats new in audio 2009


Part of my day at SATIS recently was sent discussing with Neutrik the dodgy issue of sexual compatibility, a subject not mentioned in my report from the show for TV-Bay last month. I had recently invested in a Roland Edirol R-44 solid-state audio recorder. Used in conjunction with four Rode phantom-powered capacitor microphones, it makes an excelle...

Submitted by Dennis Lennie
Published 01 January 2010

Eye to Eye: Lighting and lighting control


In 1985 I visited the Paris HQ of France Regions 3 with Arthur Garratt, a freelance science broadcaster who worked mainly for BBC World Service. FR3 was one of the first European television networks to make full use of high-efficiency ENG and EFP. We learnt a lot and were able to offer one recommendation in return. Watching a news presentation by t...

Submitted by Dennis Lennie
Published 01 December 2009

Tv-bay industry recruitment special


The last 12 months have proved to be challenging times for businesses in our industry and there has been mixed reactions on the best way to tackle the issues facing companies. Having been a part of the most difficult economic climate within the last decade a number of businesses are simply focussing on survival, staying afloat and consolidation. Ha...

Submitted by Dennis Lennie
Published 01 December 2009

New Light in the Forbidden City


IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie
Published 01 December 2009

SATIS in a day


Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie
Published 01 December 2009

3D Movie Making: Stereoscopic Digital Cinema from Script...


Having indulged for several years in stereo photography of the hand-held cross-your-eyes variety, I was interested to watch the broadcast industry respond to the availability of increasingly affordable flat-panel 3D displays. A critical point in the price threshold has finally been crossed: fast-refresh-rate 22 inch 3D computer monitors using circu...

Submitted by Dennis Lennie
Published 01 November 2009

Eye to Eye: Content Protection 2009


In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie
Published 01 November 2009

The importance of measurements for eye and jitter


‘If it hasn’t got eye and jitter measurements, it’s about as useful as a chocolate teapot’ recalled Paul Nicholls, PHABRIX sales and marketing manager. ‘This was one comment made by a prominent broadcast engineer that stuck with me when we began to research the critical toolset required on the new eye and jitter PHABRIX SxE’. Having taken this to h...

Submitted by Dennis Lennie
Published 01 November 2009

Five Best Practices for Securing Your Content during Coll...


That is the sound of your content leaking into the hands of pirates – costing the industry billions. Wolverine, Iron Man and Indiana Jones and the Kingdom of the Crystal Skull are just some of the movies reported to have been leaked. The same holds true for TV content – though some argue that when a pilot or season premiere leaks – it falls into th...

Submitted by Dennis Lennie
Published 01 November 2009

3D Post


The state of 3DRewind a couple of years and 3D was a hot topic but there was very little production and few companies able to offer suitable support for efficient 3D post production. Many people thought it would fade, as before. A few even hoped it would go away! Now many are supporting stereoscopic 3D. The most activity is in the DI (digital post...

Submitted by Dennis Lennie
Published 01 October 2009