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Everything you ever wanted to know about TV lighting Part...

In my last article, I talked about some of the basic technical aspects that we need to think about when we start on the lighting trail. I covered light levels and intensities in relation to lens apertures before discussing colour temperature and its relevance to producing ‘nice’ pictures. Although I’d like to move on into lighting ‘proper’ there ar...

Submitted by Dennis Lennie

Published 01 October 2008

Mixing with the wildlife on Springwatch

As the 5th series of ‘Springwatch’ draws to a close I’d like to share with you an insider view of one of my favourite vision mixing jobs. As a freelance vision mixer I work across the board on all sorts of programmes: quiz & chat shows, sports, drama, music & Light Entertainment, recorded & live, studio-based or Outside Broadcast. But for four week...

Submitted by Dennis Lennie

Published 01 October 2008

CTV OB Truck

Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie

Published 01 July 2008

The Benefits of Lens Add-ons

Zoom lenses on broadcast and professional video camcorders are wonderful tools for the videographer, allowing quick and easy focal length change. But ultimately, a zoom lens is limited on both the wide and telephoto end of its zoom range. On higher-end camcorders there is generally a choice of lenses, and thus zoom range, when the camera is purchas...

Submitted by Dennis Lennie

Published 01 June 2008

Lender of the last resort or good use of your assets

Recently several people have asked me why companies use factoring or invoice discounting as a way of dealing with debtors. “Are they in trouble?” and “Is it the last straw before throwing in the towel?” were the most common questions. So I thought I would talk you through these types of sales finance, dispelling a few myths by explaining when they...

Submitted by Dennis Lennie

Published 01 June 2008

Setting up in business: Le Christmas Crunch

Well, I just fancied having a break as we have been slogging away for almost six months – planning, starting, measuring and then employing. So, phew, it’s the Christmas break. Well haven’t we done well to get here? You certainly have. And now for a little topical help: the credit crunch that is currently the focus of so many media reports. What doe...

Submitted by Dennis Lennie

Published 01 May 2008

Chromakey questions

What does a specialist paint give me that a DIY superstore (matt blue or green emulsion) doesn’t?VFX Bluescreen Solutions paints are pigment based, as opposed to DIY chains ‘stain’ based. Pigment based paints ensure consistency and intensity of colour, against the stain based paints because they are ‘pure’, instead of being made up of various other...

Submitted by Dennis Lennie

Published 01 April 2008

Making Common Sense of Production Health and Safety

Programme preventionAs many of you may know the presenter of a well known motoring program has a bugbear with the subject of health and safety in programme making. In the past he has often attacked health and safety professionals for becoming far too wrapped up in an ‘absolute’ approach to risk management – focussing on minute detail at the expense...

Submitted by Dennis Lennie

Published 01 April 2008

The Brown Stabilizer

Garrett Brown is best known as the Oscar-winning inventor of the Steadicam®. He has shot with it on nearly 100 movies including Rocky, The Shining and Return of the Jedi. Garrett holds 50 patents worldwide for camera devices which include the new Steadicam Merlin, a miniature version for camcorders; Skycam, the robot camera that flies on wires over...

Submitted by Dennis Lennie

Published 01 March 2008

A Cinematographers Companion, through hell and high water...

Miller Camera Support has never been more thoroughly tested than by Australian Cinematographer Wade Fairley, through Antarctic winters and summers, floods in Tuvalu, swamps in the Solomon Islands and the outback deserts of Australia. The most outstanding project of recent times for Wade was the trip for the BBC Natural History Unit, shooting footag...

Submitted by Dennis Lennie

Published 01 March 2008