KitPlus | Articles

Its a MADI World

At this year’s NAB Show in Las Vegas, 3D solutions were still a hot topic — but one emerging technology threatened to steal the show. In fact, the rapid growth of devices that support the Multichannel Audio Digital Interface (MADI) has more potential for simplifying broadcasting operations than perhaps anything else. But what exactly is MADI and wh...

Submitted by Kieron Seth#

Published 01 June 2011

A decaying elephant...filmed

Assignment: To film 24/7 the six week decay of a dead five tonne adult elephant in the wild. Reason: to learn how the death creates six million calories of fat, meat and guts, feeding a whole new cycle of life. It was in early March 2010 when Tigress productions put in the call to TX for a meeting of minds, to discuss the idea of filming an elephan...

Submitted by Bob Pank#

Published 01 May 2011

Jamies 30 minute meals are served up

The ChallengeTo shoot, edit, grade and conform 40 x 30 minutes episodes of Channel 4’s Jamie’s 30 Minute Meals within an extremely tight timescale, whilst ensuring that quality wasn’t sacrificed throughout the process. The SolutionAn efficient file-based workflow incorporating Avid Media Composer and Avid DS with RED and Canon cameras were used to...

Submitted by Bob Pank#

Published 01 May 2011

Eyeballing 3D errors

Standard-issue human eyeballs are very adaptive and clever. Of course it’s the massively powerful image processing in the visual cortex of the brain that really allows us to resolve 3D images. Stereographers have been very practised over the years in achieving good camera set-up with only simple tools. The most common test uses a picture monitor sh...

Submitted by Bob Pank#

Published 01 March 2011

Ask the experts - Monitoring

What are the latest innovations in monitoring?For both film and broadcast work, in addition to the fact that the picture must be true, without motion artifacts or aliasing, for a lot of applications you can also add that the picture must be processed in real time - less than one frame or one picture in progressive mode – so the main innovations are...

Submitted by Bob Pank#

Published 01 March 2011

tv-bay Questions

Who are you?I have the pleasure of being CEO of two companies! First being the diRoom, which is boutique post-production facility for colour grading, digital intermediates and delivery masters. We are all filmmakers at diRoom, so we tailor every project workflow to be an entire picture post solution for filmmakers or a service that can fill the gap...

Submitted by Bob Pank#

Published 01 March 2011

Production Spotlight

On Friday 10th September, Fluidmoves Video Productions, filmed a new outfall pipe leaving Shoreham Harbour on the Sussex coast. The 1.8 kilometre pipe was towed out to sea through the open lock gates round to Newhaven Harbour, a distance of 15 nautical miles, on behalf of Southern Water and its contractor 4Delivery. The outfall is part of Southern...

Submitted by Bob Pank#

Published 01 March 2011

The revolutionary PHABRIX SxA.

The revolution in screen technology has seen a massive miniaturisation of most test equipment in the last ten years, and this coupled with a large increase in the amount that can be fitted into a small package courtesy of VLSI has meant that a new breed of hand held test and measurement devices have come onto the market. The PHABRIX Sx range is jus...

Submitted by Bob Pank#

Published 01 March 2011

Evaluating Video Monitors

Video monitors have always been a critical component in any broadcasting operation — but they have evolved significantly as the industry-wide migration from analog broadcast to digital SD and HD has placed new demands on the monitoring function. Current products include feature sets that mirror the complexity of today’s monitoring operations, with...

Submitted by Bob Pank#

Published 01 March 2011

Television, the limits of the possible

When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#

Published 01 February 2011

Bridging the divide between production and post productio...

In the last couple of years we have seen a considerable increase in the adoption of digital film cameras. This is not only fuelled by improvements in the technology and image quality but also by the adoption of 3D filmmaking, which significantly lends itself to the digital arena. Digital cameras have brought some wonderful benefits to the filming c...

Submitted by Bob Pank#

Published 01 February 2011

Synchronising the Shelf Stackers

The six-episode BBC Series “Shelf Stackers” brings audiences lots of laughs with its witty teenage commentary. Dom Bridges directed and helped edit the popular show as well as automating the synchronisation of audio clips for its dual-system sound productionBridges began his career as a graphic designer, which eventually led him to commercial desig...

Submitted by Bob Pank#

Published 01 February 2011

Lighting Q and A

I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#

Published 01 January 2011

Getting the basics right

In this column in the last issue of TV-Bay I wrote that, thanks to technology, some jobs in broadcast are now more suited to people who have no broadcast training. It was, in the way of columns at the backs of magazines, more a call for comment than a reasoned argument. As it happened, the same issue also included an article by the admirable Freddi...

Submitted by Kieron Seth#

Published 01 January 2011

Flipping the Switch to Wireless Lighting Control

Despite the fact that the wider world is increasingly adopting multiple forms of wireless control and communication, the professional lighting industry continues to, by and large, be dominated by the wired link to carry the universal DMX512 control standard. There’s no question that wired DMX512 offers simplicity for point-to-point links to large b...

Submitted by Kieron Seth#

Published 01 January 2011