KitPlus | Articles

Ask the Experts: What Workstation?

Investing in a new computer workstation or high end PC for use with digital video/or and media production can be a daunting task. With so many different manufacturers to choose from, and with a practically endless list of components to select from customers can be left with literally millions of possible choices. Scary if you aren’t a hardware guru...

Submitted by Mike Leach

Published 01 February 2013

The joy of field editing

In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#

Published 01 February 2013

Metering in the age of loudness: Keeping things on the le...

By Martin DysterThe new age of production and post production for HD broadcast has gotten more complicated with the advent of legislation and guidelines concerning the relative loudness between different programs, channels and, especially, commercials. With ATSC A85 in place in the U.S., EBU R128 covering the members of the European Broadcasting Un...

Submitted by Martin Dyster

Published 01 February 2013

Maximizing the Efficiency of Multiscreen Video Delivery

By Shawn SaleemAs consumer demand for video content anywhere, anytime, and on any connected device continues to grow at a rapid pace, today’s pay-TV operators are in need of next-generation technologies that will lower the cost of multiscreen content delivery while enabling them to adapt to new business models. Advanced content networking ICs resol...

Submitted by shawn saleem

Published 01 February 2013

Buyers guide to cellular uplinking

by Ronen Artman (VP of marketing LiveU) and Lorna Garrett (Director, Garland Partners Ltd)Cellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activi...

Submitted by Ronen Artman

Published 01 February 2013

3D for Cinema, ProAV and Events

Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#

Published 01 January 2013

Ask the Experts - 3d with BSkyB

This month we had an exclusive opportunity to talk to Cara Cheeseman, Post Production Supervisor for all 3D content, both internally and externally, at BSkyB. The 21 questions are gathered from a variety of industry professionals with an interest, some sceptical and some fanatical, in 3DWhen it comes to 3D conversion... creating 3D images from 2D s...

Submitted by Bob Pank#

Published 01 January 2013

Video Monitoring Essentials - By Den Lennie

As a DP the video monitor you work with is one of the most important tools on set. I began my career in 1994 shooting television news for Reuters on Betacam SP and it was very rare that I'd get to use a monitor on location. As my career evolved I started shooting more considered pieces and used Sony 9\" tube monitors all flight cased up. I shot the...

Submitted by Kieron Seth#

Published 01 December 2012

Protecting the archive

Over the last 20 years or so we have all become accustomed to the expression “asset management” and, as ever, familiarity has bred contempt. In this case, the expression has become a loose descriptor for almost anything with a bit of a database in it. We need to stop and think about what we are trying to achieve. In any media enterprise, the conten...

Submitted by Bob Pank#

Published 01 November 2012

Camera innovations from IBC

IBC 2012 – ‘Dam, that was a good showFresh from another trip to Amsterdam, Will Strauss picks his ‘best in show’ camera innovations from IBC. I know, I know. It’s October and the chances are that you’ve already had your fill of ‘round-ups’, ‘reviews’ and ‘what I saw in Amsterdam’ type articles. But with so much stuff to choose from at the show, hop...

Submitted by Will Strauss#

Published 01 November 2012

Cloud Storage and the end of silos

It should not come as any surprise that people who specialise in one thing are not necessarily experts at other things. For example, and getting straight to the point, a great video editor cannot be expected to have the technical skills to securely store the edited master of his finished programme. The master is a valuable asset that is expected to...

Submitted by Bob Pank#

Published 01 October 2012

TV-BAY: Ask the Experts

Studio Technologies responds to typical booth visitor questions at NAB and IBCBy: Gordon Kapes, president, Studio TechnologiesStudio Technologies, the manufacturer of tailored, high-performance video, audio and fiber optic products for the professional audio and broadcast markets, has been building equipment to address the production needs of broad...

Submitted by Bob Pank#

Published 01 October 2012

Discussing asset management

Half the stands at IBC claim to have asset management products – do they all do what you do?Yes, it seems like everyone claims to do asset management or workflows. And it confuses the hell out of buyers. So we need to take a step back and think about what we actually mean. So let’s break it down. First: assets. What are your assets? Well, that depe...

Submitted by Bob Pank#

Published 01 October 2012

Keeping a router cool is hot

To mangle a metaphor: The more things stay the same, the more they need to change. A significant percentage of the global installed base of broadcast routers has stayed, more or less, the same – many for more than a decade. We think that needs to change, not entirely because of ultra new technology, but because many of the fundamental elements comm...

Submitted by Bob Pank#

Published 01 September 2012

Tally systems and Confidence Audio Monitoring for Sports...

Q: Because sports broadcast tends to originate from OB vehicles, having the capability to connect a tally system between trucks is vital. How do you connect your TallyMan controllers together to create an integrated, seamless tally system?A: When two OB trucks are engaged in the live broadcast of a major sports event, one truck will act as the main...

Submitted by Bob Pank#

Published 01 September 2012