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What does the Royal Wedding mean for us


The recent announcement of the royal engagement has triggered a wave of national euphoria – at least at the thought of an extra bank holiday in April next year. But, for us broadcast professionals, it also brings a welcome boost and a much hoped for additional income to our cash-tied industry. It is one of only a few indicators showing that the lon...

Submitted by Bob Pank#
Published 01 January 2011

Launching Call of Duty Black Ops


So, how do you get the feed from 8 full HD camera's, games console screen captures, and a remote camera feed from 6 miles away to over 180,000 live game junkies all waiting to see the release of what is likely to be the world’s fastest selling and most anticipated Console/PC Game to date?That was the question posed to us at Mediakinetic by the digi...

Submitted by Kieron Seth#
Published 01 January 2011

Ravensbourne 21st Century Broadcast Education


Just over eighteen months ago, Adrian Scott of the Bakewell House Consultancy was commissioned to guide Ravensbourne through the EU Tendering process to appoint a Systems Integrator to transform the broadcast facilities of Ravensbourne as it moved into its new multi-million pound home at Greenwich Peninsula. Winning the contract, TSL rose to the ch...

Submitted by Bob Pank#
Published 01 December 2010

The 2010 spending review cutting into the future of our i...


Our industry can survive the government’s cuts provided we stand-up and speak for ourselves, says Peter Savage. In October the UK government announced the most comprehensive spending cuts in over 50 years. With the Department for Culture, Media and Sport facing cuts of more than £300m and the BBC’s licence fee frozen for six years, the forecast is...

Submitted by Bob Pank#
Published 01 December 2010

Eye to Eye at the Wildscreen International Film Festival


Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#
Published 01 December 2010

Deja Vu


3D was everywhere at IBC with a choice of new products on offer for all parts of production. This makes 3D far more accessible as well as easier to produce. It was also clear that interested visitors to the show were no longer swayed by the initial ‘wow’ factor and were trying to see the more important things – notably the economic realities. In th...

Submitted by Bob Pank#
Published 01 November 2010

Around the globe with Q-Ball


The bicentenary of the birth of Charles Darwin was celebrated during 2009 by a variety of TV programmes studying the background to his 1859 book 'On the Origin of Species'. One of the most ambitious tributes was a 35-part series planned and produced by Dutch broadcaster VPRO. Rather than hire a studio, they commissioned the three-masted clipper Sta...

Submitted by Bob Pank#
Published 01 November 2010

Redefining Mobile, High Definition Recording With Cinedec...


IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this year’s NAB Convention in Las Vegas. Cinedeck EXTREME v2.0 incorporates a number of...

Submitted by Bob Pank#
Published 01 November 2010

Television on television


Just at the moment I am receiving a steady, almost daily, stream of press releases from an American company called IVI. The service they offer is aimed at an American audience so I will not bore you with the details of their campaign. But it raised some thoughts in the back of my mind. IVI has developed some clever (it claims) software, for Mac, Li...

Submitted by Bob Pank#
Published 01 November 2010

Television camera lenses


This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want...

Submitted by Bob Pank#
Published 01 November 2010

tv-bay IBC2010 double takes


Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#
Published 01 November 2010

TV Bay Questions


Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#
Published 01 November 2010

3D to see at IBC 2010


IBC2010 marks the fourth year when the new wave of Stereoscopic 3D took hold at the show. That’s three years of time for development and implementation. While cinema is racing ahead, taking a good extra percentage of people at the door who pay a 3D premium price – television in Europe is only just beginning. Sky is the pioneer for the UK, going on...

Submitted by Bob Pank#
Published 01 October 2010

More than meets the eye


Synchronisation is not really a problem using two professional cameras. You just loop through your reference (black) to each and you are all done. In the old days, (well not that long ago), you had to worry about PAL SCH and accurate sync matching. Today, that complication does not matter because all digital inputs adjust for slight timing errors....

Submitted by Bob Pank#
Published 01 October 2010

Digital Archiving in Media Workflows


Why is there a growing need for digital archiving in the broadcast and post-production industry?Across all segments of the media and entertainment industry, the past decade has seen a fundamental transformation, where virtually the entire industry moved from tape or film to digital media. This change required investing in digital equipment and proc...

Submitted by Bob Pank#
Published 01 October 2010