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B4 to EX3 adapter


It’s difficult to get excited about things like adapters but that’s exactly what I was when Mike Tapa of MTF Services sent me his latest creation for review and testing. The “Powered B4 to EX3 Adapter” lets you attach any 2/3” B4 mount lens to your EX3, maintaining full servo zoom, auto iris and VF info. This ability opens up a whole new world of f...

Submitted by Bob Pank#
Published 01 June 2010

Doremi Silver Anniversary


It was 25 years ago that Doremi founder and CEO Camille Rizko, invented a better way to perform digital audio for postproduction. He was joined by his brother Emil, and fellow engineer Safar Ghazal. And so from humble beginnings in the San Fernando Valley, California, the Doremi partners have never looked back. In 1985, the entertainment industry w...

Submitted by Bob Pank#
Published 01 May 2010

Modern Test Techniques for Digital Audio Broadcast System...


The move to digital systems in broadcast audio means that engineers and systems integrators have had to evolve new means of testing equipment. Simon Woollard, Applications Engineer for audio test and measurement manufacturer Prism Sound, discusses some of the issues faced by today’s broadcast engineers. The AimsIn terms of audio performance, the br...

Submitted by Bob Pank#
Published 01 April 2010

The Real Cost of Calibration


Calibration is the cornerstone of measurement confidence. Badly calibrated instruments are liable to produce measurement errors which can then propagate throughout an enterprise and even to the end-user’s product… and beyond! This can have a detrimental effect on a company’s reputation and profits, and could even have legal implications. The best w...

Submitted by Bob Pank#
Published 01 April 2010

POV cameras explained


John Chambers is Managing Director of Drivedata (UK) Ltd, which specialises in minicam solutions for broadcast, military and extreme-sports applications. Minicams, also referred to as POV cameras, are becoming increasingly popular as they get smaller, cheaper and easier to use. The POV camera is now a firm favourite in reality TV, sports coverage a...

Submitted by Dennis Lennie
Published 01 March 2010

Note Perfect


Live music events are big business. Major artists can expect millions of pounds to be poured into full scale productions where the ticket prices are as high as audience expectations. As the artist takes to the stage the atmosphere is electric and for the poised camera operator the pressure is high. He needs to acquire the best shots, capture the im...

Submitted by Bob Pank#
Published 01 March 2010

Location test equipment


What to look for…. SizeRuggedFast switch on timeLight weightMultiple applications from one unitDaylight readable displayLong Battery lifeSound monitoring as well as videoMountings (when you need both hands!)A number of years ago Hamlet gave itself the impossible task of developing the world’s first 3G, HD and SD capable, video and audio measurement...

Submitted by Dennis Lennie
Published 01 February 2010

LED lighting for image creators


Somehow I ended up on a growing number of LED Lighting equipment manufacturers e-mail mailing lists. Most of them were from China, some from the States and elsewhere. They must have thought that, as we supply broadcast, film and video lighting, that we would be interested in LED lighting. They were right. So I used to dutifully reply, asking them q...

Submitted by Dennis Lennie
Published 01 December 2009

Tv-bay industry recruitment special


The last 12 months have proved to be challenging times for businesses in our industry and there has been mixed reactions on the best way to tackle the issues facing companies. Having been a part of the most difficult economic climate within the last decade a number of businesses are simply focussing on survival, staying afloat and consolidation. Ha...

Submitted by Dennis Lennie
Published 01 December 2009

SATIS in a day


Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie
Published 01 December 2009

Supporting the RED


James Cullen was working as a studio cameraman for the BBC when he was asked by television quiz show favourite CJ de Mooi to shoot a promo for him. The brief was to showcase CJ’s enthusiasm for the Porsche 911 Carrera, and Cullen knew that the production standards had to match the engineering excellence of the car. “I was using a RED One camera whi...

Submitted by Dennis Lennie
Published 01 November 2009

Eye to eye Picture displays and multiviewers 2009


The transition from cathode-ray tubes to flat-panel display devices for broadcast picture monitoring was a long time coming but is now almost complete. Grade 1 CRTs from suppliers such as Ikegami and Sony are still purchased in small numbers for monitoring in quality-conscious playout centres and post-production houses. For every other broadcast ap...

Submitted by Dennis Lennie
Published 01 September 2009

Longevity of media archives


The role of the archive has evolved rapidly, delivering not only new revenue opportunities but crucial conservation possibilities for historical and cultural libraries that have lain dormant for many years. The economic downturn means that now more than ever cost saving is a huge issue; facilities need to create new revenue opportunities whilst red...

Submitted by Dennis Lennie
Published 01 August 2009

Brand New School Makes the Move to Uncompressed HD


What did you do over Christmas 2008? I spent the whole two-week break rebuilding the post production workflow at Brand New School, the prestigious commercial production and design firm in Santa Monica, CA, and the experience let me stretch every technology muscle I had built up in 10 years as a video engineer. At the time, Brand New School was usin...

Submitted by Dennis Lennie
Published 01 August 2009

Delivering Superior Quality of Service in IPTV Networks


To maintain differentiation in a competitive triple play market, the key operational challenge for telecommunications operators is how to efficiently deliver superior quality of service (QoS) levels. Intuitive use and simplified presentation of video quality and telecom transmission information are essential to win and keep customers. The video and...

Submitted by Dennis Lennie
Published 01 June 2009