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Training for media - who should do it?


by Martin Uren Issue 99 - March 2015 Simple enough to ask, but any possible answer to the question of who should train those working in the media industries, or more specifically the moving image industries, is complex and involves many interrelated factors. I would like to explore the issues, and maybe present some suggestions on how we might do a...

Submitted by Martin Uren
Published 01 April 2015

Tune in and turn on


by Dick Hobbs Issue 99 - March 2015 It was World Radio Day last month. Friday the thirteenth, to be precise, but I do not think the date was chosen with disaster in mind. In fact the date was set to celebrate the anniversary of the launch of United Nations Radio, on 13 February 1946. Unesco created World Radio Day much more recently: the first was...

Submitted by Dick Hobbs.
Published 01 April 2015

Education meets industry...


by Bernard Newnham Issue 98 - February 2015 Heatherden Hall - the most famous country house you\'ve never heard of. Famous because it has appeared in large numbers of British films from Goldfinger to Carry on Camping. Why? Because it\'s the original building at the UK\'s premier film studio - Pinewood. A fitting place, then, to hold a conference on...

Submitted by Bernard Newnham
Published 01 March 2015

The business of University: Or lack thereof


by Ashley Golder Issue 97 - January 2015 University. Finally a time of critical thinking, training for your future career and coming out with enough knowledge to confidently acquire a job... or rather that is the plan. But what if that doesn\'t happen? When the £9,000 a year tuition fee, plus the expense of living costs rear their ugly heads and th...

Submitted by Ashley Golder
Published 01 February 2015

Stars of the show - A visitors view


by Ben Sheriff Issue 96 - December 2014 Yesterday TV-BAY - Kit Plus came to East London\'s Brick Lane showcasing a roadshow packed with great seminars and kit to whet our appetites in advance of BVE in February. It was no great surprise that, for the DPs and camera operators at least the star of the event was the Sony PXW-FS7. Sony\'s latest large...

Submitted by Ben Sherriff
Published 01 January 2015

The Tour Revisited


Issue 96 - December 2014The November tour attracted over 1500 registrations visiting London and Manchester for one day in Shoreditch and the next in MediaCityUK. We asked people what they thought and there was simply too much to print. However here are the selected, together with our gallery and answers where there were issues, comments from visito...

Submitted by KitPlus
Published 01 January 2015

Training in the video industry


by Bob Butler Issue 95 - November 2014 I have read quite a lot recently about training in the \'Video\' industry. Whilst it is true that as a hire company we at Broadcast Services are often surprised at the lack of knowledge about equipment, we can understand it to a point, due to the ever changing digital world. Not so long ago there were only a c...

Submitted by Bob Butler
Published 01 December 2014

#TVFutures


by Raechelle Jackson Issue 94 - October 2014 The third year level of BSc Television and Broadcasting has become infamous. Students know it will be a hard year long before they join the level, and now I am in that position, I sense both the crackle of fear and anticipation. So if there is anybody reading this expecting to see comments about hating e...

Submitted by Raechelle Jackson
Published 01 November 2014

Capture and Produce


Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#
Published 01 October 2014

#TVFUTURES


Issue 93 - September 2014TV-Bay has featured a number of stories from the University of Portsmouth course BSc Television and Broadcasting over the last 12 months, and the course is relatively unusual for operating an actually television channel in tandem with the curriculum, and for producing weekly live professional TV programmes. The course has r...

Submitted by Larry Jordan#
Published 01 October 2014

Guaranteed Training?


by Mark Reed Issue 93 - September 2014 My dictionary says that training is “the action of teaching a person or animal a particular skill”. I’m not sure how many animals work in the TV industry but the point is, sound in the broadcast arena definitely requires taught skills. I consider myself one of the lucky ones. I went to a college recognised as...

Submitted by Mark Reed
Published 01 October 2014

In the Field


by Robin Brown Issue 93 - September 2014 Traditionally teleprompters were seen solely as a studio staple, but for more than two decades they have been consistently supporting talent in the field in a variety of locations around the globe. The numerous step changes in technology, which have had such a dramatic impact on all types of television equip...

Submitted by Robin Brown
Published 01 October 2014

Making the invisible visible


by Charlie Watts Issue 92 - August 2014 September 2014 will see a brand new communication and televisual experience unleashed for University of Portsmouth students within the newly opened Eldon Building. Catherine Harper, Professor and Dean of the Creative and Cultural Industries (CCI) Faculty, and Gary Bown, Principal lecturer, have both made it t...

Submitted by Charlie Watts
Published 01 September 2014

Keeping it real


by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#
Published 01 September 2014

What Directors do and dont do


by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman
Published 01 September 2014