KitPlus | Articles

Eye-to-eye: 2011 highlights

“Broadcasters must climb up the ladder into high definition or they’ll get their ankles chewed by the computer industry”. Memorable quote from a manufacturer of video standards converters nearly 30 years ago when NHK was trying to establish its original 1125-line (1080-active) 5:3 aspect-ratio ‘Hi-Vision’. Well it happened. 2011 was the year ‘high-...

Submitted by Bob Pank#

Published 01 January 2012

3D Five years on

For me, IBC2006 was the beginning of the modern 3D era. At an invitation-only presentation, 3ality’s CEO Steve Schklair described what his company was achieving with S3D. Suddenly it all made sense. With the accuracy of digital shoots and computer technology replacing difficulties and expense of working with film, 3D could now be viable. Unlike the...

Submitted by Bob Pank#

Published 01 December 2011

Thinking of buying an OLED - read this first...

It may surprise some people that Autocue, known worldwide as the leader in broadcast, educational and corporate teleprompting, is also highly experienced in providing broadcast quality reference monitors. We’ve parlayed our experience in quality prompting screens to specify the manufacture of broadcast monitors for OB trucks, vision galleries and Q...

Submitted by Bob Pank#

Published 01 December 2011

Fast 3D

It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#

Published 01 November 2011

Doing 3D by the book

'3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy' (ISBN: 978-0-240-81461-2) is Bernard Mendiburu’s latest book, published this summer by Focal Press. It follows on from his previous success ('3D Movie Making') which has had several reprints to keep up with demand. Since the first book came out two years ago, the art of 3D media, t...

Submitted by Bob Pank#

Published 01 October 2011

3D a Geographic Thing

It may just be coincidence but, in the last week, two stories about 3D in Scandinavia have landed on the 3D Diaries desk. Of course two swallows do not a summer make but maybe there is a trend here, with some nations embracing the third dimension more than others. Sony Professional is currently building what they claim is Scandinavia’s first 3D-rea...

Submitted by Bob Pank#

Published 01 September 2011

IBC2011 must sees

Over 1,300 exhibitors will be supporting IBC2011, each bringing perhaps one, two or three new or enhanced products. My task is to distill these down to the 20 devices likely to be of greatest interest to TV-Bay readers, so far as that is possible several weeks before the show opens. As a recent convert to OS X, I note with gloom that Apple remains...

Submitted by Bob Pank#

Published 01 September 2011

Game, Set and Match

It was only three months ago that this column hailed featured the new DVB-3DTV standard. But already there’s talk of a second version, or rather ‘phase’, as described by David Wood of the EBU in the new 3D Roundabout newsletter. In a way this is healthy. It shows just how fast 3DTV is moving and, whereas phase 1 is designed to work with existing 2D...

Submitted by Bob Pank#

Published 01 August 2011

tv-bay questions

Who are you? (about yourself and who you work for)?I am a freelance colourist working mainly in London and LA. I am the founder of the UK’s first datalab MYTHERAPY. I am also working on behalf of several manufacturers in research and development of colour science for digital film cameras; I am a demo artist for Iridas and Master Colourist at ICA In...

Submitted by Bob Pank#

Published 01 August 2011

Eye to Eye on Delivery and Distribution

A notable aspect of the 2010 IBC and 2011 NAB conference sessions was the rapidly increasing focus on IP streaming. Fibre-optic delivery to the home has yet to be turned into widespread reality but transport speeds over existing electrical infrastructure continue to accelerate. Cloud-based storage and distribution services offer a solution to the c...

Submitted by Bob Pank#

Published 01 August 2011

Cameras for streaming

I first saw true HD pictures years ago at IBC. OpTex had a camera focusing on some beautifully lit fruit. The image on the screen was extraordinary, hypnotising. Leap forward a decade and Amsterdam brought Europe its first taste of Ultra High Definition Television - not 720p, not 1080i, but 4320p. The enveloping cinematic pictures and the embrace o...

Submitted by Kieron Seth#

Published 01 August 2011

So what is Digital Television. Part 2 - Back to Basics

Component digital videoThe designers of early analogue special effects equipment recognized the advantage of keeping the red, green, and blue video channels separate as much as possible during any processing. The PAL and NTSC encoding/decoding process is not transparent and multiple generations of encoding and decoding progressively degrade the sig...

Submitted by Kieron Seth#

Published 01 August 2011

The Space Race

You would have thought that the Royal Wedding, with its forecast record global viewing, would be available in 3D. Reports in the Guardian newspaper say that Sky 3D was keen to provide a complete 3D service, and indeed they did have cameras to shoot the outside scenes but access inside the Abby was denied. The paper also reports reasons given as ‘ca...

Submitted by Bob Pank#

Published 01 July 2011

North West 200

As the gates to the event open and the hordes roll in to watch the North West 200 motorcycle race, production company Greenlight TV is primed: production schedule ready, broadcast timetable planned meticulously. Then... torrential rain, a crash and a major oil spill... finally a credible bomb alert. It's at times like these when production skills a...

Submitted by Kieron Seth#

Published 01 July 2011

3D One year on

The month started with a trip to Sony to visit its very impressive 3D Customer Experience Centre where Paul Cameron (Training) gave a three-hour run down all about 3DTV production. This very compact version of Sony’s three-day course kept me on my toes. Early on he pointed out that 3D had been in favour, and then out, several times already, at abou...

Submitted by Bob Pank#

Published 01 June 2011