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A guide to DTV transport stream monitoring


by Ralph BachofenIssue 79 - July 2013 Delivering a high quality of service (QoS) is critical in the broadcast world, as it greatly impacts viewer satisfaction and a broadcasters revenue streams. However, the television environment is becoming increasingly more complex, as stations transition to digital and add next-generation OTT or hybrid TV servi...

Submitted by Ralph Bachofen
Published 01 August 2013

4K at NAB with Bob Pank


As we head once more to NAB you may wonder what this year’s big thing will be. I put my money on 4K. As I write there must be many exhibitors polishing up their ‘4K solution’ message, ready for their customers at the show. With the extraordinary situation of screens costing more than cameras, a viable business model clearly remains far off. But, to...

Submitted by Bob Pank#
Published 01 May 2013

Maximizing the Efficiency of Multiscreen Video Delivery


By Shawn SaleemAs consumer demand for video content anywhere, anytime, and on any connected device continues to grow at a rapid pace, today’s pay-TV operators are in need of next-generation technologies that will lower the cost of multiscreen content delivery while enabling them to adapt to new business models. Advanced content networking ICs resol...

Submitted by shawn saleem
Published 01 February 2013

Meeting standards in 3D


It has been said that poor quality stereoscopic TV will ‘poison the water’ for everyone. This was because in the past 3D was made to quite poor and uncontrolled production and delivery standards. But since BSkyB’s “Technical Guidelines for Plano Stereoscopic 3D Programme Content” were published over two years ago programme makers have had specific...

Submitted by Bob Pank#
Published 01 January 2013

3d Screens


Often exhibitions such as IBC and NAB can be summed up as progressive – slightly better products but nothing really new. Sometimes there is a breakthrough such as Ampex’s introduction of the VTR in 1956. The early years of digital production and post tools were rich in totally new things. At the time I worked at Quantel and seeing inventions like P...

Submitted by Bob Pank#
Published 01 December 2012

Issues in surround audio and new technologies to address...


Issues in surround audio and new technologies to address them. Surround audio and the encoding technologies, such as Dolbys AC-3 used to transmit it, have introduced new issues in maintaining audio quality. At a time when skilled audio personnel are getting scarce and budgets are shrinking new technologies hold the key to delivering top quality aud...

Submitted by Bob Pank#
Published 01 December 2012

OMNEO Networking Technology


Why are digital media networks becoming more and more important? For two main reasons. First, if designed properly, they allow plant communications infrastructure to be used for multiple purposes: the same “pipe” can carry audio, video, control, and other needed signals. This reduces costs of materials and installation. Second, if designed to pub...

Submitted by Kieron Seth#
Published 01 December 2012

Metadata rules


Regular readers of this column will know that I am frequently tasked with covering the sexiest of broadcast industry subjects. Indeed, just two months ago I got to discuss test and measurement (T&M). Well, if you thought that was intense, just wait for this month's topic. Not only is it potentially even less glamorous than T&M, it has the potential...

Submitted by Will Strauss#
Published 01 October 2012

Summer of 3D


Having put 3D to one side for a few months it was very interesting to jump back into the third dimension. With 3D not making the headlines much, if at all, you might be lulled into thinking it has faded away, but that’s not the case. Many events are being shot in 3D, including the Olympics and, although there has been nothing happening that could b...

Submitted by Bob Pank#
Published 01 September 2012

4KTV The next bigger thing?


4KTV – The next bigger thing?The history of 4K digital moving images goes way back to the mid 1990s. That was when film effects started to be processed digitally and produced amazing results – maybe a bit too amazing for some. Of course the effects had to be seamless and so the digitised effects images had to carry all the required detail of the 35...

Submitted by Bob Pank#
Published 01 August 2012

An effective strategy for monitoring broadcast audio loud...


One of the factors affecting a television viewer’s satisfaction and overall quality of experience is the consistency of the audio level of the programming. Inconsistent loudness levels between channels or between programming and advertisements can ruin a viewer’s television watching experience. Over the past several years, erratic audio levels have...

Submitted by Bob Pank#
Published 01 August 2012

The Biggest Game in Town


The Biggest Game in TownAnnually, as the Super Bowl approaches, stores across the States stack their shelves with the latest HDTV sets. Advertising sales teams cancel all holidays and prepare for a feeding frenzy. Networks bid in earnest to win exclusive game broadcasting rights. And new media innovators roll out their latest online and mobile apps...

Submitted by Kieron Seth#
Published 01 April 2012

3D Diaries Cameras: more for less


http://www.tv-bay.com/imag/issue062/files/44.htmlCameras: more for less?There is plenty of guidance available about how to shoot ‘good’ stereo 3D and the principles are quite easy to understand. Achieving good results takes good equipment and, maybe, the assistance of a stereographer and even a convergence puller... unless you are using one of thos...

Submitted by Bob Pank#
Published 01 March 2012

2011: 3D Make or break?


Last year was predicted to be the year when 3D would leap forward or flop. History is littered with short periods of interest and development only for 3D to drop off the scene again. 3D Diaries has maintained that this time it’s different as now nearly all the right technologies are available – the only missing link being a practical autostereoscop...

Submitted by Bob Pank#
Published 01 February 2012

Real-Time Frame Rate Conversion in a Tapeless Workflow


Introduction - (for the full diagramatic version of this article please click on the magazine cover above.)When content moved within facilities and around the world on tape or via live feeds, frame rate and format conversions were easily achieved using real-time hardware converters such as Snell's Alchemist Ph.C-HD. As broadcasters and content owne...

Submitted by Bob Pank#
Published 01 February 2012