KitPlus | Articles

5 must haves for sound recordists

by Paul Zanders Issue 101 - May 2015 Every location has a different set of challenges and you have to deal with whatever sound your environment throws at you as best you can whilst looking after your gear and yourself. Here are 5 non-technical things that make my life on location easier. 1. Sound BlanketA lot of studios are big empty spaces that bo...

Submitted by Paul Zanders

Published 01 June 2015

Cautionary notes from GTC Member number 001

by Dick Hibberd Issue 101 - May 2015 Recently I was invited to be on the panel of judges charged with selecting the winners of the 2014 \'Bill Vinten GTC University Awards\'. This was just the second year of this excellent scheme and, if the submissions from universities increase annually pro rata, then we will soon have a major logistics problem i...

Submitted by Dick Hibberd

Published 01 June 2015

Moving voiceovers into the 21st century

by Leigh Emmerson Issue 101 - May 2015 There was a time when the only way to get a voiceover for your production was by contacting a voiceover agent who would obligingly send over a CD or two full of voiceover sparkle and you and your client would choose one, schlep on down to a studio and pay a small fortune to sit on a swanky sofa and watch said...

Submitted by Leigh Emmerson

Published 01 June 2015

Digital media services need more than just standard prote...

by Simen Frostad Issue 101 - May 2015 Standards are conceived in abstract. They are set up and negotiated between interested parties in a process that can last several years, with each party to the negotiations pressing its own case, and the standard that emerges at the conclusion is usually compromised in some way. At worst it can simply be a lowe...

Submitted by Simen Frostad

Published 01 June 2015

Back in the day

by Larry Jordan Issue 100 - April 2015 Congratulations, TV-Bay, on your tenth anniversary; as well as the 100th issue of TV-Bay/KitPlus magazine. Very cool!Ten years ago seems like forever. Some of us were editing with Final Cut Pro 5. LiveType was still with us. Others were using Adobe Premiere Pro 1.5 (CS3 was still two years in the future). Stil...

Submitted by Larry Jordan#

Published 01 May 2015

Extreme equipment for the Film and TV industry

Issue 100 - April 2015 Big films require big shots and to get the action in camera, you need grip equipment and the latest camera support technology to make that vision a real possibility on set. Whether filming underwater or capturing high speed vehicle to vehicle action, Chapman Leonard UK have always looked to supply productions in the UK and Eu...

Submitted by KitPlus

Published 01 May 2015

Ride on time

by Alistair Horne Issue 100 - April 2015 The highly competitive sport of track cycling emerged in Europe in the late 19th and early 20th century as a way to continue the sport year round, and velodromes soon became a common sight on the Continent. Whether indoors or out, track cycling is one of the world\'s most intriguing spectator sports and, as...

Submitted by Alistair Horne

Published 01 May 2015

From VoD to Linear TV

by Nikos Kyriopopoulos Issue 100 - April 2015 Content owners, broadcasters, and operators worldwide typically provide a sizable library of VoD content and a limited offering of live/linear programming. This unbalanced ratio between VoD and linear TV offerings is historically shaped by two factors:- The cost associated with linear TV production, a b...

Submitted by Nikos Kyriopoulos

Published 01 May 2015

Ask the experts: Streaming

by Motty Lentzitzky Issue 99 - March 2015 In today\'s multiscreen world, pay-TV operators are managing their customers\' video streaming experience on an ever-increasing number of devices, including TVs, PCs, smartphones, and tablets. To compound this issue, viewer expectations have changed dramatically in recent years. During this Q&A session, Mot...

Submitted by Motty Lentzitzky

Published 01 April 2015

Loudness normalisation for podcast streaming

by Jon Schorah Issue 99 - March 2015 For media companies steeped in traditional workflows, the exploding demand for over-the-top (OTT) content on many different devices is offering up significant new opportunities as well as challenges. If content owners can re-purpose their assets effectively, they can reach existing and new audiences through chan...

Submitted by Jon Schorah

Published 01 April 2015

Cellular Wireless Networks

by Erwan Gasc Issue 99 - March 2015 1. What advantage do 3G/4G cellular wireless networks provide to broadcasters over satellite networks?For many years, satellite was the primary approach for real-time video delivery within the broadcast industry. That changed with the explosion of the Internet and second-screen devices like smartphones and tablet...

Submitted by Erwan Gasc

Published 01 April 2015

Capturing the action : Ocean Communications

Issue 99 - March 2015The dream of any reporter is to be on the scene when a story breaks and the action and drama unfold. This happens to only a select few. Even fewer find themselves right in the middle of events as they happen. Brian Carlin knew he\'d be getting good material reporting from onboard a boat competing in the Volvo Ocean Race, but no...

Submitted by KitPlus

Published 01 April 2015

Tune in and turn on

by Dick Hobbs Issue 99 - March 2015 It was World Radio Day last month. Friday the thirteenth, to be precise, but I do not think the date was chosen with disaster in mind. In fact the date was set to celebrate the anniversary of the launch of United Nations Radio, on 13 February 1946. Unesco created World Radio Day much more recently: the first was...

Submitted by Dick Hobbs.

Published 01 April 2015

The changing face of film and TV

by George Olver Issue 99 - March 2015 With the convergence of technologies and blurring of lines between broadcast and other forms of media, the industry has undergone a seismic shift over recent years. In 2015 half of all UK ad spend will be spent on digital, in what has been described as a "seminal moment in the history of the ad industry". Clien...

Submitted by George Olver

Published 01 April 2015

Open Source for Film and TV Production

by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan

Published 01 March 2015